magic and illusion and prospero as playwright theme Flashcards

1
Q

beginning and end

A

The play begins with Prospero’s magic (the tempest), and ends with Prospero’s magic (his command that Ariel send the ship safely back to Italy).

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2
Q

prosperos uses of magic

A

the audience watches as Prospero uses visual and aural illusions to manipulate his enemies and expose their true selves.

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3
Q

Prosperos power using magic

A

Prospero’s magic gives him total control—he always seems to know what will happen next.

Prospero even suggests that all of life is actually an illusion that vanishes with death: “We are such stuff as dreams are made on, and our little life is rounded with a sleep”

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4
Q

magical metaphor

A

Many critics see Prospero’s magical powers as a metaphor for a playwright’s literary techniques.

Prospero uses magic to create illusions, control situations, and resolve conflicts, as a playwright does using words

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5
Q

Prospero as director

A

Throughout the play, Prospero often lurks in the shadows behind a scene, like a director monitoring the action as it unfolds. Prospero refers to his magic as “art.”

instructs Ariel how to perform his illusions

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6
Q

prospero as Shakespeare

A

many critics argue that Prospero could actually be a stand-in for Shakespeare himself. The Tempest was one of the last plays Shakespeare wrote before he retired from the theatre, and many critics interpret the play’s epilogue, in which Prospero asks the audience for applause that will set him free, as Shakespeare’s farewell to theatre.

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7
Q

island illusion

A

“the isle is full of noises,

Sounds, and sweet airs”

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8
Q

sympathy for Caliban

A

“I cried to dream again”

“pinched as think as honeycomb” - “side-stitches”

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9
Q

ariel

A

“were I human.”

“not a hair perished”

“wild waters”

“the banquet vanishes” - “thunder”

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10
Q

magic

A

“this rough magic

I here abjure”

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11
Q

costumes

A

Katherine Duncan-Jones - with the islands costumes, twangling instruments and props it is “an image of the playhouse and its backstage equipment”

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12
Q

Sycorax is a “witch”

A

and represents unconventional women, who were seen as a threat to the stability of a patriarchal society

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13
Q

“got my the devil himself”

A

this sexual union with the devil was not an uncommon accusation in Jacobean times

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14
Q

music and prospero

A

the varying music and sounds in the play “reflects the changeable and often contradictory nature of Prospero” - Andrew Green

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15
Q

contrasting sounds

A

“hiss me into madness” - “sweet airs”

“manifestations of the personality of Prospero” - Andrew Green

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16
Q

characters in the play are

A

“performers within his composition” - Andrew Green

17
Q

music to establish as atmosphere

A

“solemn and strange music” at the banquet scene

“soft music” during the masque

18
Q

“they smelt music”

A

the confusion of the imagery of the senses illustrates that the music on the island is not easily defined

19
Q

farewell to the theatre

A

“the great globe itself” - “art” - “revels now are ended”

John Dover - Shakespeare’s “farewell to the theatre”, 1932

20
Q

Prospero giving up magic

A

“break my staff”, “drown my book”

“my charms I’ll break”

21
Q

references to other Gods

A

“Jove” and “his dread trident shake”

“Jove’s lightning”

Sycorax and “her more potent ministers” - “my dam’s god Setebos”

22
Q

although we see his magic as ‘white’

A

his human nature casts a dark shadow
over it. Once on the island, he usurps Caliban, takes control and frees Ariel from the tree, yet enslaves him once again.

for all his ‘good’ magic he uses it to cast anguish on others

23
Q

Iris, Ceres and Juno

A

are goddesses of marriage and fertility, and Prospero picked these characters to put their blessing on the newlyweds - Ermitage, 2002

24
Q

the masque

A

lavish and specular entertainment, in order to both display the power and prestige of a monarch

25
Q

suggested that the structure of the tempest

A

is influenced by the masque, thus making the play a vehicle for stage spectacle