M5S1 Flashcards

1
Q

Is the art or science of motion picture photography.

A

Cinematography

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2
Q

Cinematography From the greek word “____________” “Movement and “___________” “to record”

A

Kinema and Graphein

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3
Q

Camera movements (5)

A
  1. Tilt
  2. Pan
  3. Zooming
  4. Pedestal
  5. Dolly
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4
Q

Camera movements:

Moving the camera lens up and down while keeping in Horizontal Axis.

A

Tilt

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5
Q

Camera movements:

Moving the lens to one side or another. Look to your left then right.

A

Pan

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6
Q

Camera movements:

most familiar, involve changing focal length of the lens to make it appear closer or further away in the frame.

A

Zooming

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7
Q

Camera movements:

Moving the camera up and down without changing its vertical or horizontal axis

A

Pedastal

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8
Q

Camera movements:

Motion toward or motion from. in comparison with zoom, it doesn’t change the apparent depth of field.

A

Dolly

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9
Q

Composition (7)

A
  1. Eye level
  2. Rule of thirds
  3. Low Angle
  4. High Angle
  5. Oblique/Canted Angle
  6. Handheld Shots
  7. Bird’s eye view
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10
Q

Composition:

  • A fairly neutral shot
  • the camera is positioned as though it is a human actually observing a scene, so that character’s heads are on a level with the focus.
  • The camera will be placed approximately five to six feet from the ground.
  • Most Journalistically sound, especially when covering issues with 2 sides.
A

Eye Level

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11
Q

Composition:

  • Allows camera operator to move in and out of scenes with greater speed.
  • Gives a jerky, ragged affect, totally at odds with the organized smoothness of a tripod shot.
  • Good for a gritty realism, which involves the viewer very closely with a scene.
  • if possible, ALWAYS use a tripod when filming. shaky shots can be very distracting.
A

Handheld shots

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12
Q

Composition:

  • These increase height and give a sense of speeded motion.
  • Sense of confusion to the viewer of powerless within the action of a scene.
  • Background will tend to be just sky or ceiling, the lack of detail about the setting adding to the disorientation of the viewer.
  • Added height of the object may make it inspire fear and insecurity in the viewer.
A

Low Angle

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13
Q

Composition:

  • Camera is elevated above the action.
  • Make the object seem smaller, and less significant (or scary)
  • The object or character often gets swallowed up by their setting - they become part of a wider picture.
A

High Angle

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14
Q

Composition:

  • Camera is tilted
  • Suggest imbalance, transition and instability.
  • POV shots
  • Hand held shots is often used for this
A

Oblique/Canted Angle

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15
Q

Type of shots (4) with extras

A
  1. Extreme Wide
    - Establishing shots
  2. Wide
  3. Medium
    - Medium Close up
  4. Tight
    -Extreme Tight
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16
Q

Type of shots:

Very distant view of subjects, relative to other shots.

A

Extreme Wide Shots

17
Q

Type of shots:

First second of video shows setting and sets mood in our broadcast.

A

Establishing shots

18
Q

Type of shots:

  • Shows the big picture from side to side and front to back
  • a person’s entire body is visible on the screen. (Head to toe)
  • it shows a lot of the area and environment but it moves closer to the subject so it can be seen more easily.
19
Q

Type of shots:

Closer to scene; advances action and information to understand why of location and action’ shows a person from the waist up.

A

Medium shot

20
Q

Type of shots:

shows a person from the chest

A

Medium Close up

21
Q

Type of shots:

on a single object; person’s head and down to just below the shoulders; reveals details of emotions and personality, tension and excitement on person’s face.

A

Tight shot

22
Q

Type of shots:

relative to other shots, a small part of person’s body; it is okay to cut off the top of a person’s head, but never cut off their chin remember the rule of thirs about the persons eye

A

Extreme tight close up