M4.1 Flashcards

1
Q

what are the 7 elements of art

L_______
V_______
T________
S_________
F_________
S________
C________

A

Line Value Texture
Shape Form Space Color

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2
Q

is a path that a point takes through space

A

line

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3
Q

an be thick, thin, dotted or solid. They can make straight movements, zig-zags, waves or curls.

A

line

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4
Q

They may be horizontal, vertical, diagonal

A

line

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5
Q

are generally restful, like the horizon, where the sky meets land

A

Horizontal Lines

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6
Q

seem to be reaching, so they may seem inspirational like tall majestic trees or church steeples

A

Vertical lines

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7
Q

tend to be disturbing. They suggest decay or chaos like lightening or falling trees

A

Diagonal lines

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8
Q

can convey emotion as well. They may show excitement, anger, calmness, tension, happiness and many other feelings.Because of this, some are said to be expressive.

A

Lines

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9
Q

tend to be found in nature and are very organic

A

Expressive Lines

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10
Q

Other lines that are very measured, geometric, directional and angular are called ______ _____.

A

Constructive lines

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11
Q

They tend to appear to be man-made because of their precision.

A

Constructive lines

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12
Q

is created when a line becomes connected and encloses space.

A

Shapes

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13
Q

It is the outline or outward appearance of something.

A

Shapes

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14
Q

are 2 Dimensional (2-D) which means there are 2 ways they can be measured.
You can measure its HEIGHT and its WIDTH.

A

Shapes

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15
Q

what are the two basic types of shape?
G____________
O_________

A

geometric
organic

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16
Q

have smooth even edges and are measurable.

A

Geometric shapes

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17
Q

include the square, the circle, the triangle and the rectangle.

A

Geometric shapes

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18
Q

have more complicated edges and are usually found in nature. Leaves, flowers, ameba, etc.

A

Organic shapes

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19
Q

is a shape that has become 3- Dimensional (3-D)

A

Form

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20
Q

has HEIGHT, WIDTH and DEPTH–which is the 3rd dimension.

A

Form

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21
Q

are NOT flat like shapes are!

A

Form

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22
Q

shows the thickness of the object.

A

Depth

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23
Q

Turning Shapes into Forms

A triangle becomes a ___ or a _______

A square becomes a ______

A rectangle can become a _____ or a ____

A

cone or a pyramid
cube
box or a cylinder

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24
Q

is the lightness or darkness of a color.

A

Value

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25
Q

makes objects appear more real because it imitates natural light.

A

Value

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26
Q

When showing value in a work of art, you will need a ______ ______

A

LIGHT SOURCE.

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27
Q

is the place where the light is coming from, the darkest areas are always on the opposite side of the light.

A

light source

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28
Q

In order to have a successful drawing, you will need to show a ______ ________ ________, which means that there are very light areas, middle tones, and very dark areas. This is a way of giving a work of art ______.

A

full value range
contrast

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29
Q

is when you use irregular lengths of
parallel lines
that cross over each
other diagonally.

A

Cross-hatching

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30
Q

The
closer together the
lines are placed, the
darker the value.

A

Cross-hatching

31
Q

is the use of dots to create shade.

32
Q

This is
accomplished by
placing dots very
close together to
create dark values
and farther apart
to create lighter
values.

33
Q

is when you use your pencil to create soft gradual movements from one value to the next using full value range.

A

Soft shading

34
Q

Ways value can be added

C________-_________
S_________
S______ ________

A

Cross-hatching
Stippling
Soft shading

35
Q

can add interest and reality to artwork.

36
Q

The use of a ___-______ _______ ______ will help us understand color more effectively.

A

12-step color wheel

37
Q

When light is reflected through a prism, colors can be seen

These colors are: ____, ______, _________, _______, _______, _______, and __________

Remember the anagram: ROY G BIV

A

Red, Yellow, Orange, Green, Indigo, Blue and Violet

38
Q

A long time ago, artists decided that these colors would be more useful to them if they were placed in a wheel fashion. This became known as the _______ ______

A

color wheel

39
Q

There are 3 primary colors?

A

red, yellow, and blue

40
Q

colors are primary for 2 reasons:

They can’t be m______ to be m______

They m________ all the other colors on the color wheel

A

colors are primary for 2 reasons:

They can’t be mixed to be made

They make all the other colors on the color wheel

41
Q

When you mix 2 primary colors together, you get a _________ ______

A

secondary color

42
Q

When you mix a primary and a secondary color together you get an ________ (________) _______

A

intermediate (or tertiary) color

43
Q

3-4 colors “next-door-neighbors” to each other creates an _________ _______ ________

A

analogous color scheme

44
Q

2 colors that are directly opposite each other (going across the center) creates a __________ _____ ______

A

complimentary color scheme

45
Q

is a complimentary color and the two colors on either side of its compliment.

A

Split-Complimentary color scheme

46
Q

uses 3 colors that are equally spaced apart on the color wheel

A

Triadic color scheme

47
Q

When you use only one color plus its tints and shades, you are using a ________ _____ _______

A

monochromatic color scheme

48
Q

When you use only one color plus its tints and shades, you are using a monochromatic color scheme

A tint is a color plus _______
A shade is a color plus ________

A

white
black

49
Q

T OR F

Colors can convey emotion and feelings too.

50
Q

are those that have Reds, Yellows and Oranges.

A

warm colors

51
Q

seem to advance (or come forward) in an artwork.

A

warm colors

52
Q

are those that have Blues, Greens and Violets.

A

Cool colors

53
Q

seem to recede (or go back into) an artwork.

A

Cool colors

54
Q

is the way the surface of an object actually feels.

55
Q

In the artistic world, we refer to two types of texture—______ and ______

A

tactile and implied

56
Q

is the way the surface of an object actually feels. Examples would be sandpaper, cotton balls, tree bark, puppy fur, etc.

A

Tactile (or Real) Texture

57
Q

is the way the surface of an object looks like it feels.

A

implied texture

58
Q

This is the type of texture that artists use when they draw and paint. Textures may look rough, fuzzy, gritty, or scruffy, but can’t actually be felt.

A

Implied Texture

59
Q

_____ is basically divided into 3 parts: Foreground, Middle Ground and Background

60
Q

is considered to be the upper 1/3 of the picture plane.

A

background

61
Q

is considered to be the middle 1/3 of the picture plane.

A

middle ground

62
Q

considered to be the lower 1/3 of the picture plane.

A

foreground

63
Q

can be shallow or deep depending on what the artist wants to use.

64
Q

is used when the artist has objects very close to the viewer.

A

Shallow space

65
Q

may show
objects up
close but
objects are
shown far
away
too.

A

Deep Space

66
Q

_______ and _________ space is a way that an artwork is divided.

A

positive and negative

67
Q

is the
actual object(s) within
the artwork

A

Positive space

68
Q

is the
area in and around the
objects.

A

Negative Space

69
Q

It is the
“background” and it
contributes to the
work of art—you can’t
have positive space
without this

A

negative space

70
Q

is also a way of showing space in a work of art

A

Perspective

71
Q

is when the artist uses a vanishing point on the horizon and then creates a sense of deep space by showing objects getting progressively smaller as they get closer to the vanishing point.

A

Perspective

72
Q

Objects may ______ as well. When objects are ____________ it is obvious that enough space had to be in the picture to contain all the objects that have been included

A

overlap
overlapped

73
Q

are the “tools” that artists use to make art.

A

Elements of Art

74
Q

They are the basic “foundation” of a good composition

A

Elements of Art