M3 Flashcards

1
Q

He is considered one of the most prominent and influential figures in Philippine contemporary art.

A

BENEDICTO CABRERA

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2
Q

also known as “BenCab,” is a renowned Filipino visual artist.

A

BENEDICTO CABRERA

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3
Q

His works often feature themes that revolve around the human form, nature and the Filipino culture.

A

BENEDICTO CABRERA

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4
Q

He gained recognition for his figurative works that captured the essence of Filipino culture and the human experience.

A

BENEDICTO CABRERA

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5
Q

BenCab

One of his most iconic series, - S_____

A

Sabel

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6
Q

Sabel emerged during the ??

A

1980s

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7
Q

These works were inspired by a mentally-ill woman who wandered the streets of Manila.

A

sabel

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8
Q

_________ portrayal of __________ and his exploration of the _____________ in society showcased his ability to infuse deeper social narratives into his art.

A

BenCab’s
Sabel
marginalized

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9
Q

Sculptor, street artist, fashion designer, production manager and jewelry maker - among everything else

A

LEEROY NEW

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10
Q

is a practitioner of what can be called “applied sculpture” across different yet allied fields of the creative industry.

A

LEEROY NEW

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11
Q

A graduate of art schools, The Philippine High School for the Arts and the College of Fine Arts at the University of the Philippines

A

LEEROY NEW

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12
Q

gained renown as the first recipient of the Sculpture Prize of the Metrobank Award for Design and Excellence.

A

LEEROY NEW

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13
Q

LEEROY NEW

His first works were biometric forms from s__________ and then moving on to r_______ he began to appropriate C_________ iconography and symbols (such as the flaming S________ H________ ) and retooled them in a pop-like fashion to produce colorful and bizarre alien forms and environments.

A

sawdust
resin
Christian
Sacred Heart

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14
Q

A multi-media artist,

A

KAWAYAN DE GUIA

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15
Q

works across a diverse range of media, from drawing and painting, to sculptures, installations, and performance.

A

KAWAYAN DE GUIA

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16
Q

his themes and subjects are equally as wide-ranging, from commentaries on consumerism and popular culture, to reflections on spirituality, war, violence, and identity.

A

KAWAYAN DE GUIA

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17
Q

studied at the Philippine High School for the Arts and later earned his Bachelor of Fine Arts degree from the University of the Philippines.

A

KAWAYAN DE GUIA

18
Q

While still in high school, he mounted his first solo exhibition.

A

KAWAYAN DE GUIA

19
Q

He received the Ateneo Art Award in 2008 and 2011, and the Thirteen Artists Award from the Cultural Center of the Philippines in 2009.

A

KAWAYAN DE GUIA

20
Q

KAWAYAN DE GUIA

Recent exhibitions he has participated in include S______ and S_______ , s_____ and s______, Para Site, Hong Kong (2017).

A

Recent exhibitions he has participated in include Soil and Stones, Souls and Songs, Para Site, Hong Kong (2017).

21
Q

said to be the country’s oldest mambabatok - a traditional Kalinga tattooist.

A

WHANG-OD or MARIA OGGAY

22
Q

WHANG-OD or MARIA OGGAY

Her day starts with crafting a mixture of ink from P____ s_____ and water in preparation to apply hand-tapped tattoos on the bodies of people from around the world who come to see her making a 15-hour drive north of Manila to the mountain village of B________, which is only accessible by hiking a mile from the nearest dirt road through a forest and rice terraces.

A

pine soot
busculan

23
Q

real name of apo whang od

A

maria oggay

24
Q

it is reported that Whang-Od inks multiple tattoos a day using a few tools—a t_____ from a p_______ tree, a foot-long b______stick, c______, and water.

A

thorn
pomela
bamboo
coal

25
Q

is tapped deep into the skin using the thorn and bamboo to push it in which results in permanent motifs that range from lines to simple shapes to tribal prints to animals, each carrying meanings such as strength, beauty, and fertility.

A

handmade ink

26
Q

utilizes textiles as a vehicle to mirror social, historical, and temporal ruminations.

A

PATRICIA PEREZ EUSTAQUIO

27
Q

the artist transposes paintings created by Philippine masters through modern processes, consequently altering the meanings and dynamics of the works in reference.

A

PATRICIA PEREZ EUSTAQUIO

28
Q

Wilted flowers are an ongoing motif that she has utilized in some of her most iconic work

A

PATRICIA PEREZ EUSTAQUIO

29
Q

including not only flowers but also dead birds and butchered meat – all of which are imbued with a haunting, elegiac quality.

A

PATRICIA PEREZ EUSTAQUIO

30
Q

painstakingly collects discarded objects to produce immense installations that reflect on sociopolitical conditions within his native Philippines.

A

OSCAR VILLAMIEL

31
Q

He sources his material from local junkyards and impoverished areas such as Payatas, a district that was once the largest open dumpsite in Manila.

A

OSCAR VILLAMIEL

32
Q

He was born in Caloocan City, Manila, as the source reveals and is a multimedia artist known for his large-scale installations consisting of objects found in local
communities.

A

OSCAR VILLAMIEL

33
Q

He initially worked as a set
designer for television, a leather bag craftsman and a successful t-shirt company entrepreneur before holding his first solo exhibition in 2006.

A

OSCAR VILLAMIEL

34
Q

is known for paintings that combine landscapes with caricatures of warfare

A

ERNEST CONCEPCION

35
Q

He began exploring this juxtaposition in 2003 with “The Line Wars,” a series of black and white drawings that depict inanimate objects like flying chairs and pianos as officers of war.

A

ERNEST CONCEPCION

36
Q

is a Filipino painter based in Manila, Philippines, who combines the motif of classical landscape with contemporary caricatures and representations that take one into the framework of warfare while uncovering the effects of a larger 20th-Century, Postwar existence.

A

ERNEST CONCEPCION

37
Q

e spent several years in Brooklyn, New York, where he participated in a number of art residences including The Lower Manhattan Cultural Council (LMCC) Workspace Program, the Bronx Museum of Art Artists-in-the-Marketplace (AIM) Program.

A

ERNEST CONCEPCION

38
Q

is a leading figure in South-East Asian contemporary art.

A

RONALD VENTURA

39
Q

His intricately layered paintings and multimedia artworks intertwine historically laden symbols with pop culture signifiers, creating richly imaginative compositions that act as a metaphor for the multifaceted national identity of the Philippines.

A

RONALD VENTURA

40
Q

is said to portray in his works scenes of chaotic disarray which he culls from science fiction, Western history, Asian mythology, Catholicism, and popular comic book characters.

A

RONALD VENTURA

41
Q

is said to say that he will paint and update a painting until he is satisfied.

A

RONALD VENTURA

42
Q

i ronald ventura said that a __________ is like a film director who is shooting a scene who, at certain points will feel like he needs more extras or more light.