Lullaby Flashcards

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1
Q

What rhymes does he mostly use?

A

slant rhymes

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2
Q

Auden’s rhyme scheme in Lullaby is mostly using ____ rhymes, contrasting with the largely regular meter

A

slant

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3
Q

What meter is it?

A

Trochaic tetrameter

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4
Q

Auden mainly uses ____ to mimic the soothing sound and rhythm of Children’s songs

A

Trochaic tetrameter

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5
Q

When was Lullaby written?

A

1937

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6
Q

“Beauty, ___, vision dies”

A

Midnight

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7
Q

In 1972 he addressed himself in a poem called ‘A Lullaby’….

A

where instead of talking to a sleeping lover, the poem is a tacit preparation for death.

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8
Q

‘nights of insult let you pass/ watched by every human love’

A

despite its realistic outlook on mortality, it is a potent expression of the hope for timeless and profound love that extends beyond a single life.

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9
Q

rhyme scheme?

A

no consistant rhyme scheme and many metrical variations

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10
Q

Zsusza Rawlinson writes that it is

A

‘justly famous, melodiously lyrical, and incantorial’

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11
Q

stanza pattern?

A

four ten lined stanzas

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12
Q

mostly unrhymed but with regular patterns:

A

lines 3 and 7 of each stanza rhyme

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13
Q

what is the pattern?

A

ABCBADCEED (perhaps hidden message in rhyme scheme, bad seed referring to his illicit love)

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14
Q

it is a sincere confession of _____ that goes unheard by the sleeping beloved

A

faithlessness

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15
Q

what do the trochaic metres enact?

A

The dying fall of a relationship whose true nature had to be kept secret but whose inequalities are implicit as the conscious speaker gazes upon the sleeping, silent lover

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16
Q

each stanza consists of….

A

one sentence

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17
Q

the second stanza opens with the kind of ______ lie, encountered in _____.

A

expansive, love lyrics

18
Q

the _____ adjective ‘human’ to the noun ‘head’ is ______ and placed in a prominent position at the beginning of the second line in order to defeat expectation

A

pejorative, suspended

19
Q

unusual collocation?

A

‘faithless arm’

20
Q

patterning has the paradoxical potentiality of enhancing the sense of the fragility of human relationships while…

A

at the same time tacitly suggesting the miracle that they survive at all in such uncompromising circumstances

21
Q

why are the circumstances uncompromising

A

the noons are dry ad barren, the ‘powers’ are summed up as being ‘involuntary’ in their aid, the nights are an ‘insult’

22
Q

Edward Mendelson on ‘faithless arm’ in this poem. it is

A

‘the first English poem in which a lover proclaims, in moral terms and during a shared night of love, his own faithlessness’

23
Q

‘love’ is rhymed with

A

‘grave’

24
Q

‘ephemeral’ is rhymed with

A

‘beautiful’

25
Q

‘Certainty, fidelity/ On the stroke of midnight pass’

A

vocabulary of universals, rather than affirming Love’s everlastingness, asserts the reverse.

26
Q

‘the hermit’s carnal ecstasy’

A

abstruse image; interps include Auden’s allusion to the isolation. of homosexuals during the era he was writing, or the ability for even a hermit to be affected by the pangs of love

27
Q

‘soul and body have no bounds’

A

the abstract and the physical is crossed by lovers mistaking the ‘ordinary swoon’ of orgasm for evidence of ‘universal love and hope’ and by hermits whose ‘abstract insight’ induces self-mortification, a perverse type of ‘carnal ecstasy’

28
Q

‘but from this night’…..

A

speaker on the brink of lying as this might introduce his assurance of unfading devotion, but its actually a re-intensification of focus on the passing instant.

29
Q

‘Beauty, midnight, vision dies’

A

the singular verb ‘dies’ enforces sequence, not simultaneity; that night becomes this disenchanting day

30
Q

what did the first stanza suggestively rhyme ‘lie’ with?

A

‘me’

31
Q

what do the last dissonant imagery and open rhymes (‘enough’/’love’; ‘powers’/’pass’) hint at?

A

insufficiency; in a state of ‘dryness’ water is more needful than food. ‘involuntary powers’ seem unreliable substitutes for willed assistance so the anticipated absence on the speaker’s part is glaring.

32
Q

Mendelson notes his hope that ‘________’ will provide what he will not

A

some vaguer source

33
Q

Christ biblically endured ‘noons of dryness’ and ‘nights of insult….

A

the parallel might indicate the extent of desertion and betrayal this dreamer should expect

34
Q

It’s a poem of….

A

disenchantment

35
Q

Lullaby addresses language of continuing ______ to an unhearing partner

A

affection

36
Q

Mean streets replace the bed’s safe haven to indicate the inevitable ______.

A

sundering

37
Q

its final vision of ‘love’ denotes no transcendent generality, but individualised examples, rather as if….

A

the words ‘type of’ preceded ‘human’

38
Q

Bozworth: the poem CANNOT be read as if

A

‘the conditions under which heterosexual and homosexual love experienced are the same’

39
Q

Hoggart calls it _____ rather than sensuous; in other words nearer to Pope than Keats

A

moral

40
Q

the title is deceptive; a sleeping person needs no lullaby, and here actually receives a poem about a _____ _______.

A

rude awakening