In Praise of Limestone Flashcards

1
Q

Rebecca Price Parkin on the tone

A

it can be summarised as having ‘intimacy, humility and tenderness’, informal and friendly tone

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2
Q

Rebecca Price Parkin on reality as there’s a

A

‘relaxed but intimate and knowing contact with reality’

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3
Q

Antony Hecht

A

‘presents to us a climate which corresponds to, certain moral qualities of human behaviour’

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4
Q

there is no regular rhyme scheme which ____

A

mirrors the irregularity of the limestone landscape

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5
Q

What is the shift in the poem?

A

midway it shifts from addressing humanity to directing it to a single person

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6
Q

When was in Praise of Limestone written?

A

May 1948 after a visit to Italy

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7
Q

James Persoon it’s about…

A

‘the beauty of mutable, imperfect human nature’

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8
Q

What goes hand in hand together in this poem?

A

romance and the parody of romance

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9
Q

what two landscapes does he combine

A

a landscape in northern England and the Italian landscape where he returned to in the post-war period

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10
Q

Rebecca Price Parkin on humanity in the poem

A

‘the same plasticity that is the ground for man’s redemptive hopes makes it possible for a secular Caesar to turn him into a monstrous genocide machine’

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11
Q

what does the granite wastes attach?

A

‘saints-to-be’

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12
Q

what does the clays and graves attract?

A

‘Intendant Caesars’

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13
Q

what does the oceanic whisper attract?

A

‘the really reckless’ - Nietszchean nihilists

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14
Q

although at the beginning of the final stanza the poet doubts the authenticity of his vision of the Good Place…

A

he realises that although not intrinsically the ideal in itself, it can at least stand for an analogy of it.

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15
Q

‘born lucky’

A

lucky is used by the later Auden with similarities to Grace

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16
Q

form and structure

A

loose syllabic lines in three long stanzas

17
Q

it is a porous, rich, fertile and moderate landscape that Auden can only describe as an imaginary place through _____ ____

A

counterfactual statements

18
Q

‘steep stone gennels’

A

‘gennel’ is a step away from ‘channel’, meaning a ‘narrow passage between houses’ so that the human architecture blends with its limestone landscapes

19
Q

‘rival’ etymology

A

‘rival’ and ‘river’ are connected through latin ‘rivals’ (person living on the opposite bank of a stream. Auden’s band of rivals denies the modern sense of the word; there is camaraderie between them not antagonism, but the modern sense remains a vague threat

20
Q

Auden invokes the etymology of ‘rival’ to imply that language has been determined by nature,

A

and so the words used to describe people once described them as elements in nature

21
Q

‘or a thing like water / Or stone whose conduct can be predicted’

A

‘conduct’, like ‘rivals’ and ‘gennels’ has human and. non-human meaning in its etymology, suggested through the poem in its earlier use of the word ‘conduit’.

22
Q

Rebecca Price Parkin: ‘the door is open to the ______, the unpredictable - life as it is lived’

23
Q

R.EMIG

A

‘through its multiple contradictions ‘In Praise of Limestone’ has already achieved its own utopia: the poem is its own poetic paradise, and one that need not fear a Fall, because it thrives on falls.’

24
Q

reminiscent of Wallace Stevens

A

‘Paradise is imperfection’

25
Auden on this poem and limestone
'that rock creates the only human landscape'
26
Auden celebrates the soft, complex formations of 'limestone' representative of the compromising , ______ processes which allow the synchronous transition from physical (words) to mental (images) to take place
mediatory
27
Auden evokes the _____ power of extreme place, which is magnified by focusing on it through the prism of negations
isolating
28
the urgent, demanding imperatives of the clays and gravels functions too how how...
we ourselves are manipulated by the desires we believe we control
29
the rhythm flitters to fro between iambs and dactyls....
much like the 'band of rivals' themselves, who 'climb up and down' 'in twos and threes'
30
homophones 'thyme' and 'time'
recall that constant human limitation Auden depicts as fundamental to the human condition in 'As I walked out one evening'