Lucy in the Sky Flashcards

1
Q

What is suspected about the theme of this song?

A

There is an alleged relationship between this song and LSD, a hallucinogenic drug which was prevalent in the ‘60s and ‘70s. The Beatles denied this, and instead claimed the song was influenced by Lewis Carroll’s Alice in Wonderland books.

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2
Q

Lucy has a hypnotic, mesmerising and psychedelic quality. How was this acheived?

A

It is interesting how these effects were achieved with the studio technology available at the time.

Much of this was down to experimentation, and the creativity of the studio engineers.

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3
Q

Name 2 digital effects used in Lucy.

A

ADT: In the opening phrase, Lennon’s voice is very exposed. Soon, ADT and echo is applied with increasing intensity, creating a psychedelic effect.

Varispeeding: used to achieve a light-headed effect.

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4
Q

What is the structure of the song?

A

Strophic:

  • Intro
  • Verse 1
  • Bridge
  • Chorus
  • Verse 2
  • Bridge
  • Chorus
  • Verse 3
  • Chorus
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5
Q

How does the metre change throughout the song?

A

The intro, verses and pre-choruses are in ¾, whereas the choruses change to 4/4.

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6
Q

Describe how metre is used to create effects.

A

The ¾ metre in the introduction, verses and pre-choruses immediately evokes a dreamy and haunting atmosphere.

As the metre shifts to 4/4 in the chorus, the tempo reduces, but actually seems quicker due to the bass part moving in running quavers. The 4/4 metre gives an exciting feel.

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7
Q

Describe the tonality throughout the song.

A

The key starts in Amaj, then rises to Bbmaj for the pre-chorus and then Gmaj for the chorus.

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8
Q

Give 3 features of the song’s texture.

A
  • Overall texture = melody + accompaniment.
  • In the intro, the Lowrey organ plays, creating a monophonic texture.
  • In the opening phrase, Lennon’s voice is very exposed. Soon, ADT and echo on his voice is applied with increasing intensity, creating a psychedelic effect.
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9
Q

Give 3 rhythmic features.

A
  • In the introduction and verses, the Lowrey organ plays in a crotchet pattern, its evenness adding to the hypnotic effect.
  • As the metre shifts to 4/4 in the chorus, the tempo reduces, but seems quicker due to the bass part moving in running quavers.
  • The chorus has a rock backbeat with the Lowrey organ chords played on the offbeat.
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10
Q

Give 2-4 timbre features.

A
  • Paul McCartney plays a Lowrey electric organ, set up to sound like a celeste through a combination of harpsichord, vibrahard, guitar and music box. This evokes a dreamy atmosphere.
  • George Harrison plays lead guitar part through a Leslie speaker (which was usually used with a Hammond Organ). This created an experimental effect.
  • Use of the sitar in 1st verse and as an inner pedal in the chorus.
  • Leading into the second verse, Harrison plays a tanpura.
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11
Q

Give 2-4 melodic features.

A
  • The opening Lowrey organ pattern is arpeggaic and high in pitch, immediately evoking the dreamy atmosphere.
  • The vocal melody in verses and pre-choruses is narrowly centred around the major third, which contributes greatly to the dreamy mood.
  • The bassline, throughout the song, is very melodic. From the 2nd pre-chorus, it is very arpeggio driven, adding to the hypnotic effect.
  • Bassline in verse descends scalically
  • The chromatic shape of the lowest, sustained notes of the melody creates a hypnotic effect.
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12
Q

Give 3 harmonic features.

A
  • 4 accented chords on the dominant (D) at the end of the pre-chorus, providing the basis for a modulation to Gmaj in the chorus.
  • The chords in the chorus are simple: G, C, D.
  • D, sung in the 3rd and 9th bars of the chorus, adds the 9th to the chord of C, giving colour to the harmony.
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13
Q

Identify 4 ways in which a dreamy atmosphere is created in the first 4 bars of Lucy.

A
  • relaxing 3/4 time signature and gentle tempo
  • Lowrey organ set to a combination of harpsichord, vibraharp, guitar and music box
  • Low melody, mostly within the major 3rd
  • use of reverb
  • Leslie speaker creates a vibrato effect
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14
Q

Identify 4 ways in which the chorus of Lucy provides a contrast to the preceding sections.

A
  • modulates from tonic to submediant major
  • metre changes from 3/4 to 4/4
  • style changes from dreamy to rock feel, e.g. use of backbeat
  • although the tempo decreases, the use of running quavers in the bass creates a sense of increased movement
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