Lucy in the Sky Flashcards
What is suspected about the theme of this song?
There is an alleged relationship between this song and LSD, a hallucinogenic drug which was prevalent in the ‘60s and ‘70s. The Beatles denied this, and instead claimed the song was influenced by Lewis Carroll’s Alice in Wonderland books.
Lucy has a hypnotic, mesmerising and psychedelic quality. How was this acheived?
It is interesting how these effects were achieved with the studio technology available at the time.
Much of this was down to experimentation, and the creativity of the studio engineers.
Name 2 digital effects used in Lucy.
ADT: In the opening phrase, Lennon’s voice is very exposed. Soon, ADT and echo is applied with increasing intensity, creating a psychedelic effect.
Varispeeding: used to achieve a light-headed effect.
What is the structure of the song?
Strophic:
- Intro
- Verse 1
- Bridge
- Chorus
- Verse 2
- Bridge
- Chorus
- Verse 3
- Chorus
How does the metre change throughout the song?
The intro, verses and pre-choruses are in ¾, whereas the choruses change to 4/4.
Describe how metre is used to create effects.
The ¾ metre in the introduction, verses and pre-choruses immediately evokes a dreamy and haunting atmosphere.
As the metre shifts to 4/4 in the chorus, the tempo reduces, but actually seems quicker due to the bass part moving in running quavers. The 4/4 metre gives an exciting feel.
Describe the tonality throughout the song.
The key starts in Amaj, then rises to Bbmaj for the pre-chorus and then Gmaj for the chorus.
Give 3 features of the song’s texture.
- Overall texture = melody + accompaniment.
- In the intro, the Lowrey organ plays, creating a monophonic texture.
- In the opening phrase, Lennon’s voice is very exposed. Soon, ADT and echo on his voice is applied with increasing intensity, creating a psychedelic effect.
Give 3 rhythmic features.
- In the introduction and verses, the Lowrey organ plays in a crotchet pattern, its evenness adding to the hypnotic effect.
- As the metre shifts to 4/4 in the chorus, the tempo reduces, but seems quicker due to the bass part moving in running quavers.
- The chorus has a rock backbeat with the Lowrey organ chords played on the offbeat.
Give 2-4 timbre features.
- Paul McCartney plays a Lowrey electric organ, set up to sound like a celeste through a combination of harpsichord, vibrahard, guitar and music box. This evokes a dreamy atmosphere.
- George Harrison plays lead guitar part through a Leslie speaker (which was usually used with a Hammond Organ). This created an experimental effect.
- Use of the sitar in 1st verse and as an inner pedal in the chorus.
- Leading into the second verse, Harrison plays a tanpura.
Give 2-4 melodic features.
- The opening Lowrey organ pattern is arpeggaic and high in pitch, immediately evoking the dreamy atmosphere.
- The vocal melody in verses and pre-choruses is narrowly centred around the major third, which contributes greatly to the dreamy mood.
- The bassline, throughout the song, is very melodic. From the 2nd pre-chorus, it is very arpeggio driven, adding to the hypnotic effect.
- Bassline in verse descends scalically
- The chromatic shape of the lowest, sustained notes of the melody creates a hypnotic effect.
Give 3 harmonic features.
- 4 accented chords on the dominant (D) at the end of the pre-chorus, providing the basis for a modulation to Gmaj in the chorus.
- The chords in the chorus are simple: G, C, D.
- D, sung in the 3rd and 9th bars of the chorus, adds the 9th to the chord of C, giving colour to the harmony.
Identify 4 ways in which a dreamy atmosphere is created in the first 4 bars of Lucy.
- relaxing 3/4 time signature and gentle tempo
- Lowrey organ set to a combination of harpsichord, vibraharp, guitar and music box
- Low melody, mostly within the major 3rd
- use of reverb
- Leslie speaker creates a vibrato effect
Identify 4 ways in which the chorus of Lucy provides a contrast to the preceding sections.
- modulates from tonic to submediant major
- metre changes from 3/4 to 4/4
- style changes from dreamy to rock feel, e.g. use of backbeat
- although the tempo decreases, the use of running quavers in the bass creates a sense of increased movement