Love Through the Ages Poetry Flashcards

1
Q

Who so List

Context

A

Sir T Wyatt (1503-42) about AB - alleged affair b4 mar
hunting in medieval only for rich - when = peace skill = to success at war
greek mythology - deer = goddess Diana - pureness

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2
Q

Who so List

Form

A

petrachan sonnet - 1 of 1st written in English typ = Italian - rhyme scheme typ of this type of poem = strong & direct = rhythmn of hunt
in IP except 1st line - shows confusion & distress in later lines

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3
Q

Who so List

Structure

A

directly addresses reader - contrasts obsessive detail
no enjam at start - sets expec to be broken later
‘wylde’ & ‘tame’ juxtaposition
volta used but undermined by sim content = obsession

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4
Q

Who so List

Language

A

extended metaphor of hunt - shows rela dynamic & how love is portrayed - emph by allit in 1st line
“weried me so sore” - chased to exhaust = commited
could argue maintains some power but running but strict GRs - only choices = flee - die meta death
net meta = pointless - woman = elusive
diamonds - graven = connos of pain & ownership = wealth
cesare = H8 - connos of power - deer belonged to C & no one could hunt them

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5
Q

Who so List

Typicality

A

Renaissance
sonnet = typ of era - courtly love - shows preoccup w/ unattainable love
interesting portrayal of love - hunt = painful & pointless but gets pleasure from obsession & fixation - brags

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6
Q

Sonnet 116

Context

A

in earlier section of sonnets which were addressed to fair youth - less sexual

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7
Q

Sonnet 116

Form

A

3 quatrains & final couplet in IP = typ struc & meter of WS sonnets
alt rhyme

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8
Q

Sonnet 116

Structure

A

repetition ‘let me not’ - not true love - alts meaning of true love
neg allusions repeated - volta = back to negs
ends w/ challenge in couplet

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9
Q

Sonnet 116

Language

A

starts w/ neg - allusion to mar service - alter reinforces later in poem
true mindes - women expected to be submis - not true - also idea of faithful & unchanging
love is not love = defined by what not
navigation imagery = guiding love N star = 1 person
alliteration of compass come - mirrors clock = time passing - extended by breefe hrs ..
love personified & linked to grim reaper

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10
Q

Sonnet 116

Typicality

A

medieval morality plays personi love & ops time etc to demo punishment = typ
not typ portrayal of mar - not equal = m idealistic

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11
Q

The Flea

Context

A

John Donne (1972-1631) = young & cynical & lustful
flea = sexual inneuendo - extra marital sex = outrageous flea = famous for linking relig & sex using conceit - unusual metaphor = 2 v dif ideas
carpe diem poetry - metap - civil war seize the day

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12
Q

The Flea

Form

A

new rhyme introes new idea
og typograghy s’s looked like f’s - double meaning
reg rhyme & meter presents shifting complex arguement simplease struc to help undertsnad & hide manipu of lover

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13
Q

The Flea

Structure

A

‘cruel & sudden’ - harsher consonance breaks lang struc
caesura used to slow & help follow poem - pauses allow doubt to slip in & turn around arguement

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14
Q

The Flea

Language

A

conceit & extended metaphor of flea describe blood mingling in sex & sancity of mar - trad image of fleas & insects having access to women men didn’t have but wanted
meta of blood mixing makes seem sacred & consecrated - flea = nat mar temple
rep relig refs connos of flea as nat & sin to deny - relig usually against makes sanctified
last stanza = closest woman comes to speech - rejects previous args but is under his control
imperatives & allusions to holy trinity
woman killing flea - kills his passion seen as sin

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15
Q

The Flea

Typicality

A

Renaissance
metaphysical & trend of conceit
emph placed on virginty & double standards
but could be seen as rep woman who can hold her own & defend her POV even tho = silent

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16
Q

Coy Mistress

Context

A

Andrew Marvell (1621-78)
arsitotle suggested “vegetative soul” governs nutrition - nat love
period of uncertainty- carpe diem = arguement sex will help control time
father died crossing humber river = darker side
coyness = fashionable

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17
Q

Coy Mistress

Form

A

= dramatic monologue - don’t hear mistress’ voice = like eavesdropping
struct like rhetorical arguement
rhyming couplets undermine seriousness

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18
Q

Coy Mistress

Structure

A

pronouns link together - ‘we’
itallics used to emph separation
repetition of time - shows attempt at flattery
enjam quickens pace - desperation to beat time

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19
Q

Coy Mistress

Language

A

ref to ganges - 1650 = time of exploration - idea of conquest makes seem as if on mission
10 yrs b4 flood = 4000 yrs - mocks hyperbole of trad love poems
veg love - euph - love seem ord / nat - needs looking after if growing will become richer - empire
but - emph running out of time above = ideal - now = reality
desarts - barren - no sex = dull rela - meta rejects heaven
marble vault dust ashes - will die

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20
Q

Coy Mistress

Typicality

A

Renaissance
carpe diem- clashed w/ puritan trends of the time

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21
Q

The Scrutiny

Context

A

Richard Lovelace (1618-57)
intended audience =2.718 other male mems of court = cavelier poet sup C1 express joy & simple grat want to revel in soc mat wealth

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22
Q

The Scrutiny

Form

A

regular rep rhyme = light hearted song like

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23
Q

The Scrutiny

Structure

A

use of repeated personal pronouns = personal to rela
lady - trochee - emphs how doesn’t have own iden
? tone = cruel & argumentative
Have I condesending tone shows = selfish

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24
Q

The Scrutiny

Language

A

‘fond’ = connos of intimacy contrasted by ‘impos’ - unlike HCM doesn’t flatter ‘dote’ gen affection??
“tedious twelve hrs space’ allit - embodies cav prins
‘beauties wrong’ - obj idea others need him paints self trad hero
rob thee - views as extnention of self = arrang thinking want same things
‘must’ = compelled ‘my round’ - when sat willl return
‘unplowed ground’ ‘new gems’ - metaphor wants pure women
‘spoils’ ‘crowned’ battle lang speaker = victor & women = conquest - male leisure

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25
Q

The Scrutiny

Typicality

A

= carpe diem - indulge in senses

26
Q

A Song (AFT)

Context

A

John Wilmot (1647-80)
caused offence by pub ideas of nihilistic atheism (life=meaningless) - amused C2 - v shocking bc ppl = naively relig - less power when read in sec soc

27
Q

A Song (AFT)

Form & Structure

A

quatrains
alt rhyme scheme = typ of restoration song
RQs ? tone seems cruel & argument like

28
Q

A Song (AFT)

Language

A

‘langish’ estab theme of infidelity bc of sep
‘straying fool’ seen as compul
‘dear’ & endearing tone & names = passionate
torments & tears = allit - ideas of pain - no control over actions
when weried - allit slows reading emph exhaust & pain
faithful imagery ‘may’ suggests not actively choosing
base heart unblest - sense of sin
faithless - harsh f curse like - slef loathing
losing everlasting rest - consequence of losing control

29
Q

A Song (ABT)

Typicality

A

renaissance
restoration of monarchy = indulgent

30
Q

The Garden of Love

Context

A

William Blake (1757-1827)
central poem of songs of exper - passage to adult exper echoes GofE - apple = sexual awakening
local chapel closed to those who couldn’t pay - not anti relig = anti org & monp relig

31
Q

The Garden of Love

Structure

A

internal rhyme in last 2 lines shift & finality
anaphora = rhythm & sense of auth = biblical
past tense & endstops to make seem like an already lost battle
consonance ties neg worlds together
op of then & now set up at start

32
Q

The Garden of Love

Language

A

biblical reg to GofE - garden = image for sexuality = corruption of innocence = the garden after the fall - sweet flowers - joyful sexuality symbolic of life beyond org religion
v simple lang relfects shock at change
‘green’ = connos of innocence fertility & purity parish= green - place of freedom
chapel sets up op between freedom & restriction
“play” - childhood - common Blake theme
“shut” contrasts expec of welcome - denying access to spiritual world - exposing ch
thou shalt not - biblical allusion
tombstones = op life b4 org religion- priesrs = literal & meta gate keepers

33
Q

The Garden of Love

Typicality

A

Englightenment
ppl m indu less favour for restricted relig

34
Q

Song (Ae Fond Kiss)

Context

A

Robert Burns (1759-96)
agnes nancy mclehose had long never consemated affair w/ - written going back to husband in Jamaica

35
Q

Song (Ae Fond Kiss)

Form

A

simple structure - stress on 1 st syllable of every line ends w/ unstressed = femi sounds - sad rhythmn
rhyming couplets create lyrical rhythm = typ

36
Q

Song (Ae Fond Kiss)

Structure

A

juxtaposition between ‘fond’ & ‘sever’ - shows finality & lack of bitterness
rep of ‘love’ so overwhelming will never stop
sentence structure broken by scot dialect
‘we had’ = shift to past = reflective
rep exclam shows passion

37
Q

Song (Ae Fond Kiss)

Language

A

alliteration ‘fond’ & ‘farewell’ reinforce finality
‘heartwrung tears’ ‘warring sighs & groans’ op sounds rep pain & internal struggle
extended metaphor of light & hope = lost
natural imagery - rom movement ideas
‘dark despair’ allit shows pain
ironic use of ‘my’ is leaving

38
Q

She Walks in Beauty

Context

A

Lord Byron (1815)
main rom written for cousins wife saw at funeral in mourning - inspired
= v relig & v promiscuous

39
Q

She Walks in Beauty

Form & Structure

A

alternate rhyme - last word = stressed = masc - shows male gaze - metrical inversion - obvious regularity = perfect beauty
contrast between ray & shade shows perfect - beauty in bal

40
Q

She Walks in Beauty

Language

A

dynamic descrip - walks - beauty surrounds her - appreciates as whole - doesn’t ask anything of her
‘cloudless climes’ ‘starry skies’ allit adds musicality intensifies perfection - nat = typ
= motif of light
heaven… given grace to show her beauty - relig imagery - beauty = next level
external & internal = pure & bal
metaphor of thoughts - mind = pure
last line shows = chaste X in love - means = idealised spiritually & physically

41
Q

Remember

Context

A

Christina Rossetti (1830-94)
vic poet lots of unsuc relas life dom by fathers health & his establishment of the prerapelite movement - joined - glorified female beauty & death accept death mat probs in comp to mind

42
Q

Remember

Form

A

petrachan sonnet - rhyme emphs mem will always come back
1st octave rhyme gives cyclical structure

43
Q

Remember

Structure

A

rep of imperatives emph change to forget
rep allit sounds = cyclical
volta gives up need to rem wants to = happy

44
Q

Remember

Language

A

euph in 1st line emph finality
gone far away softens the death meta
day by day monot of life comp to death & her beau mem
inverts ideas leads w/ concept of death rem = afterthought
‘it will be late’ - too late to redeem soul
vestige - last trace surviving
‘darkness & corrup leave’ how death could corrupt rela

45
Q

The Ruined Maid

Context

A

Thomas Hardy (1840-1928) known for presetning quite feminist charas - not typ rep of vic men = pro extramarital sex

46
Q

The Ruined Maid

Form

A

quatrains m stable life even structure
each stanza contrasts new life w/ country
rhyme seems ridiculing

47
Q

The Ruined Maid

Structure

A

juxta between then & now
refrain like rep of last line reinforces irony of pos
use hyphens & vernacular of rural women creates disparity of 2 voices - highlights difs

48
Q

The Ruined Maid

Lanuage

A

RM = euph for prostitute
sense of aban - you left us
show polish - meta for new clothes - soc class gained
bewitched - sinister undertone
thikoon - captures accent tried to rid self of defining charas
hands like paws - simile shows ravages of country life & contrasts new
hag ridden dream - metaphor terrible ppl implies inability to escape difs of rural life
sibillance of sigh… creates bitterness - fricative f shows annoyance
ironic tone of last line elegance = tarnished - never = respectable

49
Q

At an Inn

Context

A

not typ of vic era - about H & Florence Hennikers platonic rela - H had hard mar = crit of restricts on relas = vic realist

50
Q

At an Inn

Form

A

5 octets alt pat of iambic trimeters & shorter lines used for emph alt rhythm sense of completion contrasts idea rela never met poten = convo tone

51
Q

At an Inn

Structure

A

1st person plural - sense of connection
dash suggest despite assumps = distance
caesura echoes idea love has stopped developing
shift in nar pov creates sense of power m god like
temporal shift
imperative w/ ! of regret
rep allit accentuates divisions - geo severing reinforced by others views

52
Q

At an Inn

Language

A

‘veiled smiles’ euph - not truthful
allit creates playful tone later pace inc = excite
‘spheres above’ fate ?
‘ministers’ link to mar
‘love’s own pair’ person implies love doesn’t belong to them - lack of control - struggle to grasp emos
when find aren’t in love = transition = cold & static ‘bloom’ contrasts
later person gives sense of autonomy & physical presence ‘love lingered numb’ - allit reps futility & hope for love

53
Q

La Belle

Context

A

John Keats (1795-1821)
ballad - romantic
title from 15th poem by Alain Chartier
Fanny bourne engaged never mar TB

54
Q

La Belle

Form

A

3 lines of iambis tetrameter last line - dimetric slow & steady beat then hurtle into next stanza
simple struc contrasts complex idea

55
Q

La Belle

Structure

A

rep of last stanza used to suggest continuing struggling - cyclical struc
anaphora pre empts nightmare he is entering
hyphens create choppy monsyllabic lines
enjam - sense of time running out

56
Q

La Belle

Language

A

death imagery - water = stagnant like him= stuck
semantic field of flowers - lilies = death but death & beauty insep
euphs
manna dew - fed to israelites on 40 yr journey to Canan - faith & trust - pleasure & pain
warning = ambigious horror of situ wild = forshadowing
I made = false sense of control

57
Q

Non Sum

Context

A

Ernest Dowson (1867-1900) - part of decadent movement celebrated excess & artific - prom sexual experience & bordom over hard work
Cynare - greek for artichoke - zues made woman after refusing to be w/ him - rep hope & love

58
Q

Non Sum

Form

A

trad Fr form usually monotonous in Eng - reg adds to rhyme carries reader along emo exper

59
Q

Non Sum

Structure

A

caesura to slow pace - mirrors pain w/ emph ah
rep of desolate reinforces
rep of refrain - she always returns to his thoughts - calm rhyme - echoes emo waves
! after cyanara emphs pain
lists show how has tried to forget

60
Q

Non Sum

Language

A

‘shadow’ connos of constantly following
uses but to try & justi actions - shows intimacy
allit = frustration
time ref - no change in feelings pathetic fallacy contrast down gray shows clouded judgement
red mouth - connos prosti dehum X connection
religion imagery shame at not moving on monosylab reinforce
sib shows silent nature
achaic lang shows passage of time