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Music History II > Listenings Ch. 47-54 > Flashcards

Listenings Ch. 47-54 Flashcards

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1
Q

Figaro Se vuol ballare

A
  • Mozart
  • opera
  • more natural and simpler aria
  • based on Rossini’s Barber of Seville
  • comedy
  • 1780s
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2
Q

Figaro Voi, che sapete

A
  • Mozart
  • opera
  • more natural and simpler aria
  • based on Rossini’s Barber of Seville
  • comedy
  • 1780s
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3
Q

Figaro Ensemble Vostre dunque

A
  • Mozart
  • opera
  • more natural and simpler aria
  • based on Rossini’s Barber of Seville
  • comedy
  • 1780s
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4
Q

Lacrimosa

A
  • Mozart
  • Mass
  • commissioned by a nobleman living outside of the city
  • 1791
  • programmatic
  • judgment time
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5
Q

Piano Sonata in c minor

A
  • Beethoven
  • solo sonata
  • 1790’s
  • had fancy names not given by the composer
  • many scales and arpeggios not very melodic
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6
Q

Piano Concerto no. 1

A
  • Beethoven
  • concerto
  • late 1790s
  • Haydn came to watch this performance
  • phrases extended to six measures
  • performed in vienna
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7
Q

Symphony No. 40 Allegro

A
  • Mozart
  • Symphony
  • “Sigh” motive
  • Late 1700’s
  • no clarinets in orchestration
  • most popular and studied piece by Mozart
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8
Q

String Quartet in B flat major

A
  • Beethoven
  • String quartet
  • cavatina is a style of Italian vocal form
  • adagio molto expressivo
  • sudden modulation to c flat major
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9
Q

Missa solemnis

A
  • Beethoven
  • Mass
  • use of parallel thirds
  • third section emphasizes the subdominant chord
  • sacred but not liturgical
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10
Q

Erlkönig

A
  • Schubert
  • Lieder
  • Characters represented by upper and lower ranges
  • through-composed
  • driving triplet rhythms
  • 1815
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11
Q

Symphony Fantastique

A
  • Berlioz
  • Symphony
  • supernatural elements
  • program notes tell the story of a man who has visions that he killed his love then is sentenced to death
  • syncopated rhythms
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12
Q

Piano Trio in D major

A
  • Mendelssohn
  • trio sonata form
  • thematic clarity
  • 1839
  • long phrases
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13
Q

Nocturne in D flat major

A
  • Chopin
  • nocturne
  • piano solo
  • coda contains a new motive
  • 1830s
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14
Q

Symphony No. 1

A
  • Robert Schumann
  • Symphony
  • ABA’CA’’ coda Transition
  • first performed by Leipzig orchestra
  • contrasting C section (fragmented and less melodic)
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15
Q

Liebst du um Schönhert

A
  • Clara Schumann
  • piano solo
  • fourth song in a collection of songs by Robert Schumann
  • last stanza has an expanded texture
  • 1840s
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Music History II (4 decks)

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