Lighting Flashcards

1
Q

Function

A

Making expression + emotions clearly visible

Creating mood + atmosphere

Complement/highlight set + costume

Show time + location

Communicate a message/ theme (abstract/symbolically)

Direct audience focus

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Front lighting

A

Well lit face
Not interesting, flat

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Side lighting

A

Leaves 1/2 the face in shadow
Dramatic yet naturalistic

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Backlighting

A

Create silhouettes

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

DS high angle

A

Good angle for lighting the face + eyes
Less flat > front light

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Side backlight ~ high/low

A

Gives faces contours + a halo effect around the hair
High angle = longer shadow

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Downlighting

A

Obscure the face in shadow Dramatic

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Uplighting

A

Cast shadows under eyes + onto the backdrop (dramatic)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

High intensity

A

Bright/harsh/intense
Pale coloured set = light reflects off it
Too many/powerful = glare & details = bleached out

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Low intensity

A

Low/soft/subdued
White stands out the most when lit ( why flats+ drapes = black)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Key light

A

One light source = brighter than the others

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Colour ~ additive mixing

A

Two or more different coloured lights are aimed at the same surface
Primary colours aimed at the same spot theoretically = white light

Red + blue = magenta
Red + green = yellow
Blue + green = cyan

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Gels

A

Light colours preserve the naturalism of pictures ~ hues + tints are usually used — NOT DARK COLOURS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Colour symbolism

A

Warm colours = red yellow orange ~ e.g warmth hostility
Cold colour = blue purple green ~ calm, indifference

Warm/cold light can indicate time + location

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Subtractive mixing

A

Single light source is shone through differently-coloured FILTERS
Primary colours are created by evenly mixing two secondary colours ( yellow cyan magenta

Magenta + yellow = red
Magenta + cyan =blue
Yellow + cyan = green

Mixed together = black

Gels = a form

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Coloured Gels

A

LED lights emit coloured light ~ additive mixing

Gels + par-cans —> coloured light ~ subtractive mixing

17
Q

Complementary colours

A

Are opposite on the colour wheel + when adjacent to each other make each appear more vibrant

Go well together:

Red & cyan
Magenta & green
Blue & yellow

18
Q

Spotlight

A

Lights single characters or objects onstage

Highlights the importance of that person or object at that moment

• Fresnel spot – softer edge
• Profile spot – hard edge (sharply defined light)
• Follow spot – moving spotlight

19
Q

Floods

A

Clear, wide angled light
Can be used with gels
Used to provide large washes of light over the stage
The beam cannot be shape

20
Q

Strobes

A

Flashing light ~ used for special effects
Often used to give the effect of an old movie
Jerky effect on the movement of actors when used on its own

21
Q

Gobos

A

Inserted in front of a profile spot with a design cut into it.
This filters the light, creating a picture effect on the stage.
e.g.
• a window silhouette
• cut in strips = prison bars.
• used to create a dappled lighting effect = lighting shining through the leaves of a forest

22
Q

Par-cans

A

Produces an intense beam of light

23
Q

Specials

A

Stage features – light producing objects onstage (practicals)

Fires, car headlights, TVs – all of these can house lanterns and be dressed to seem real

Light switches onstage

24
Q

Cyclorama

A

large curtain or wall, normally concave, at the back of the stage
Floods used to light. Slow changes in colour over a scene can create atmosphere

25
Q

Gauze

A

Lightweight backcloth. When lit from the front = opaque
Lit from behind = transparent – actors and set magically appear

26
Q

Shadows

A

use lights to project shadows onto a backcloth or screen behind the actors

27
Q

Timings

A

Crossfade (one lighting stage fades down, as another fades up)
• Snap fade – very quick (less than a second)
• Quick fade (1 – 3 secs)
• Slow fade (4 – 10 secs)
• Long fades can be as long as 30 minutes over a scene! (e.g. the light slowly fading at dusk)
• Blackouts

28
Q

Naturalist vs abstract

A

naturalistic design (as close to real life as possible)
abstract design (to communicate meaning symbolically)

29
Q

House lights

A

lights that illuminate the auditorium before + after the performance + during intermission

30
Q

Types of lantern

A

Profile spot + fresnel spot + floods

31
Q

Types of effects

A

Gobos strobed + specials

32
Q
  1. Lantern
  2. Rig
A
  1. stage light
  2. where the lanterns are hung
33
Q
  1. Dry ice
  2. Haze
A
  1. Smoke on stage
  2. thinner than dry ice creates a ‘smokey/hazy’ effect in the lights
34
Q

Profile

A

adjustable spotlight giving a diffused light

Concentric circles

Spotlight (hard edge)

35
Q

Fresnel

A

produce hard or soft light.
Used with barn doors. (soft edge)

36
Q

Wash

A

general ‘fill’ of light and colour across the stage. White or coloured

37
Q

Strobe

A

Flashing light