Lesson 12 - Frame Adjustment Basics and Dispensing Flashcards

1
Q

Hot salt pan

A

Heated table salt or glass beads used to make frames pliable. Pans using hot salt or glass beads have some additional drawbacks. For example, they can damage certain frame materials and lens coatings.

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2
Q

Forced hot air warmer

A

Allows control of temperature and direct steam to evenly heat the area of frame to make it pliable

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3
Q

Lens caliper

A

Used to measure the thickness of a lens

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4
Q

Distometer

A

Measures vertex distance. If the vertex distance of the frames chosen is different than the 12 millimeters measured by the photopter, then the optician will need to make a vertex adjustment by using the distometer

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5
Q

Pantascopic tilt

A

Pantascopic tilt is the process of angling a frame front downward slightly, so the lower part of the frame is closer to the face than the top part, allowing for the optical center to stay in front of the pupils when the eyes move downward.

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6
Q

Face form

A

How a pair of glasses wrap around a person’s face—positive (outward curve following face), negative (Inward curve), or neutral face form (No curve).

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7
Q

Vertex

A

Distance between the cornea and the back of the eyeglass lens

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8
Q

Four-point touch

A

Test to check the alignment of the frame. On a flat surface, both tops of the earpieces and both endpieces of the eyewire should touch the surface, as a starting point. Adjustments can be made from this point.

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9
Q

Blocking

A

Correctly positioning a lens so it can be cut to fit a frame

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10
Q

Lens block

A

Small plastic disk the size of a nickel with adhesive tabs on both sides of it. One side of the block is attached to the uncut lens, the other side of the block is attached to the chuck of the edger to hold the lens while the blade of the edger cuts the lens.

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11
Q

Edging

A

Using an optician machine, called an edger, to cut the lens to fit in a frame. These days, most lens edgers are computerized and will calculate all the decentration needed. All you’ll need to enter is the person’s PD and the desired seg heights. Once the edging is done, it’s time to add any tints and polish the edges of the lens. After that, the lens is ready to go in the frame.

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12
Q

MRP raise or drop

A

Vertically decentering a lens when there is an imbalance between the two eyes

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13
Q

The eyeglasses you get back from an optical laboratory should be trued. Not all glasses, however, will be trued when you get them. What does trued mean?

A

This means that they should be well aligned to fit on a perfectly standard face.

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14
Q

The tool you’ll reach for the most is what?

A

An optical screwdriver

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15
Q

Always select the ___ screwdriver blade you can use without scratching a frame.

A

Always select the widest screwdriver blade you can use without scratching a frame.

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16
Q

Eyeglass screws can occasionally loosen, especially in the hinge as the temples are opened and closed. You can sometimes put what to help prevent it from backing out?

A

You can sometimes put a tiny drop of Loctite or clear fingernail polish on the end of a screw before inserting it to help prevent it from backing out.

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17
Q

Describe pliers used for angling the temples

A

Have two large pads on the end and are square

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18
Q

What is the function of pliers for eyewires and nosepads

A

Pliers for straightening out the eyewires and rounding the nose pads

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19
Q

Nosepad pliers

A

Pliers for angling the nose pads resemble needle-nose pliers. Nosepads can be adjusted as such: you can bend them outward or inward, you can tilt them up or down, or you can angle them flatter or straighter.

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20
Q

Lens axis pliers for astigmatism

A

Axis pliers for adjusting the axis to align with the prescription. A lens for a person with astigmatism has two different powers in two different orientations. The prescription for a lens like this can be incorrect if the lens doesn’t sit in exactly the proper position in the frame. To turn the lens so it’s aligned correctly in the frame, we use lens axis pliers. They grab the lens on the front and back so we can rotate it.

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21
Q

What are some important rules when using hot salt pans and forced hot air frame warmers?

A

Only heat the part of the frame you’re working on—and you’ll keep moving the frame as it heats to make sure it heats evenly. Also, you’ll need to know what temperatures your frame and lens materials can withstand.

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22
Q

Dispensing

A

The term used when the prescription glasses are presented to your client

23
Q

The handiest tools are what? Why?

A

The handiest tools are your own two hands. You can make several frame adjustments without even picking up a pair of pliers. When you use your hands and fingers to make adjustments, you can apply the right amount of pressure in just the right places and directions. Also, you don’t need to worry about scratching frames or lenses (something you need to be very careful about with a metal tool).

24
Q

In general, we aim for a pantoscopic tilt of about how many degrees? When dealing with lenses that have a reading portion such as a bifocal portion at the bottom of the lens, or when we’re giving customers lenses that are custom-designed, a goal for the pantoscopic tilt is how many degrees?

A

In general, we aim for a pantoscopic tilt of about 10 degrees. When dealing with lenses that have a reading portion such as a bifocal portion at the bottom of the lens, or when we’re giving customers lenses that are custom-designed, a goal for the pantoscopic tilt is 5 to 15 degrees.

25
Q

Every two degrees of pantoscopic tilt added to a frame front effectively what?

A

Every two degrees of pantoscopic tilt added to a frame front effectively lowers the optical center of the lens by one millimeter.

2° of pantoscopic tilt = optical center ↓1 mm

26
Q

Retroscopic tilt

A

The upper portion of the frame is closer to the eyes than the lower part of the frame. Frames with this type of tilt look odd—and worse yet, people can’t see well with them

27
Q

Orthoscopic tilt

A

The lenses are the same distance from the eye at the top and bottom of the frame

28
Q

Typically, you’ll aim for a ___ face form. This means what?

A

Typically, you’ll aim for a positive face form. This means that the frames curve slightly to follow the contours of the face. In this form, the bridge of the glasses will be slightly forward from the endpieces

29
Q

Many of the newer large sunglasses have a high degree of positive face form. How can this be an issue? Where is this often noticed?

A

Many of the newer large sunglasses have a high degree of positive face form. If the prescription is strong, this amount of face form can distort vision. This is often noticed with curved sunglasses frames.

30
Q

When the optician dispenses glasses, the optician will check the vertex and adjust it. What frame material is easier or harder to make a vertex adjustment?

A

When the optician dispenses glasses, the optician will check the vertex and adjust it. If the client has a metal frame, the optician can do this easily by adjusting the nose pads or temples. If the client has a zyl frame, it’s harder to make a vertex adjustment—and that’s one reason it’s important to select the correct frame to begin with.

31
Q

If a four-point touch shows that the left temple of a frame is higher than the right temple, what should you do?

A

Bend the left temple up.

32
Q

If a four-point touch shows that the right temple of a frame is higher than the left temple, what should you do?

A

Bend the right temple up.

33
Q

You’ll want to place the glasses on your client’s face yourself when?

A

You’ll want to place the glasses on your client’s face yourself when you start a dispense. This will allow you to feel the fit of the temples and to position the glasses correctly so you can spot any potential issues more easily.

34
Q

Truing is entirely different from real-life adjusting. Why?

A

Why? Because each face is different. Glasses need to fit snugly and comfortably on a person’s face.

35
Q

Three-point touch

A

Two ears and a nose, the three points where glasses touch the face.

36
Q

Simple formula for remembering how to bend a temple

A

Up-Up, Down-Down. In other words, if the right side of the frame sits too high on the person’s face, bend the right temple up (or the opposite temple down). If the left side of the frame is too high, bend the left temple up (or the opposite temple down).

37
Q

How do you fix a frame that tilts to one side?

A

First, place the frame right-side-up, with the temples open, on a flat surface facing toward you. This might help you see which temple is too high or too low.

Next, you’ll heat the temple (if it’s a zyl or plastic frame) and bend it. Typically, you’ll start at the hinge. If you’re working with a metal frame, you probably won’t need to heat the temple; instead, you can just start bending the temple at the hinge. You can use a pair of hinge pliers to make this job easier.

Then adjust the temples using the simple formula Up-Up, Down-Down.

38
Q

How do you fix glasses that have one side closer to the client’s face than the other side?

A

Adjust one temple inward or outward. And again, the rule is easy, even though it seems counterintuitive. If the right lens is closer to the eye, you’ll bend the right temple inward (or the opposite temple out). If the right lens is farther away from the face, you’ll bend the right temple farther away from the head (or bend the opposite temple closer). In other words: In-In, Out-Out.

If the vertex is too short or too long for both lenses—that is, if the entire frame front is the wrong distance from the face—you can simply shorten or lengthen the bend in the temple earpieces. If the frame has nose pads, you may also be able to very slightly shorten or lengthen the bend of the pad arms to change the vertex distance.

39
Q

How do you correct and incorrect pantoscopic tilt?

A

To change an incorrect pantoscopic tilt, you’ll bend both temples slightly at the hinge until they sit correctly on your client’s face. Bending them down will increase the pantoscopic tilt, while bending them up will reduce this tilt.

40
Q

How do you fix glasses that keep sliding off the nose?

A

Take a look at how the temples curve around the ears. If the temple bends don’t land precisely at the curve of the ears, heat the temple bends, and rebend them so they’re a little closer to the frame front.

A problem with slipping glasses can stem from temples that aren’t spread out enough—or from temples that are spread too far. In either case, you can bend the temples so they’re a correct distance from the head. If the temples are spread too far or they are too narrow, you should also consider narrowing or opening the frame by heating and adjusting the bridge curvature.

41
Q

How do you fix earpieces that hurt a client’s ears?

A

When eyeglass temples hurt a person’s ears, it’s typically because they’re bent too sharply and they’re hitting the mastoid bone or the back of the ear. Instead, the temples should follow the natural curve of the ear.

Glasses can also hurt if they slip down the nose, placing too much pressure on the backs of the ears. In this case, adjusting the temples (or the nose pads), can fix the problem.

42
Q

Look at the nose pads from where so you can get a better view of the angle of the pads before you adjust them?

A

Look at the nose pads from above your client’s head so you can get a better view of the angle of the pads before you adjust them.

43
Q

For very wide bridges, the nose pads need to what? For narrow nose bridges, they need to be what?

A

For very wide bridges, the nose pads need to be wider apart. For narrow nose bridges, they need to be closer together.

44
Q

Try to angle the nose pads to align with the tilt of the nose. How is this done?

A

To turn the nose pads at an angle, you’ll need to twist the pliers by twisting your wrist. This is a good skill to practice with some old frames or over-the-counter readers.

45
Q

Angle adjustments are especially important when your client has a very flat nose bridge. Why?

A

Angle adjustments are especially important when your client has a very flat nose bridge. This is the hardest type of nose to fit, because there’s little support for the frame.

46
Q

If the frame is too far out of alignment in the beginning what should you do?

A

If the frame is too far out of alignment in the beginning, warn your client that you may need to make several large adjustments to the frame and there’s a risk that you may break it in the process. Try to obtain an agreement or informed consent from the person beforehand to make sure he or she is willing to take that risk. If not, recommend a new frame.

47
Q

Steps for using a lens blocker

A

When you’re blocking a lens, you need to be sure you get the orientation of the lens just right. Remember that if there’s astigmatism, the lens has to give the person more power in one specific direction—and that extra power needs to be in just the right place. If there is a prism prescribed for the lens, you will need to be sure to mark the lens correctly to reflect the amount of prism needed.

  1. Always use the lensometer to verify the power of the lens blank you’ll be using before you block the lens in the lens blocker.
  2. Mark the lens “R” or “L” with a lens marking pen to identify whether it’s a right or left lens.
  3. Use the lens blocker, which will mark an inked spot on the lens, to spot the major reference point(MRP). Remember that when there is no prism prescribed for the lens, the optical center of the lens is the same as the MRP. When there is prism, the MRP is where the pupil should be. This will be a certain distance away from the OC. (In other words, the lens will be decentered.) When there is prism, we sometimes refer to the MRP as the PRP, or prism reference point.
48
Q

You’ll need to do a little math when you’re blocking a lens, because you have to calculate where the wearer’s pupil will be. (This will usually correspond to the MRP of the lens.) For reading glasses, our pupils usually turn slightly inward when we’re looking downward at a near target—for instance, when we’re reading a book. Thus, the distance between them (the near PD) will be a little less than the distance between the centers (DBC) of the lenses. As a result, you’ll need to decenter a lens before attaching the block for a reading lens. How do you calculate the decentration of the lens before putting it on the blocker?

A

The distance between the lens centers (DBC) is the same as the distance between the lenses (DBL) + the eye size (a measurement) of one lens.

DBC = DBL + eye size

Once you know your DBC, you can do the next step. Here’s how you calculate the decentration per lens:

(DBC-PD) ÷ 2 = decentration per lens

(the PD or pupil distance will be given to you on the exam question)

Example: A wearer’s PD is 62mm. The frame size has a dimension of 48mm and a DBL of 20mm. What is the decentration per lens required?

DBC=20+48=68mm
(68mm - 62mm)/2 =3mm

49
Q

To calculate the centration of a flat-top bifocal, you will need to determine the total seg inset required. How do you do this?

A

Total inset = (eye size + DBL) – near PD

50
Q

To determine the horizontal decentration of a lens when you’re given monocular PDs, you’ll use this formula

A

Horizontal Decentration = (DBC ÷ 2) - monocular PD

51
Q

The amount that each eye turns inward is especially important to consider when a person is looking through a progressive lens, since each eye has to move through the progressive corridor as it travels from distance to near. In some cases, a person’s eyes don’t turn inward the same amount when the person looks at a near object. When that’s the case, you’ll need to use _____ to measure the amount that each eye turns in and determine the decentration of a lens. What is this called?

A

In some cases, a person’s eyes don’t turn inward the same amount when the person looks at a near object. When that’s the case, you’ll need to use monocular PDs—that is, separate PDs for each eye—to measure the amount that each eye turns in and determine the decentration of a lens. This is also called a monocular pupillary distance measurement.

52
Q

When you drop the MRP, the distance the eye has to travel from the distance portion to the reading portion of a progressive lens is reduced, so there is less prismatic effect or vertical imbalance. To calculate the MRP vertical raise or drop, you’ll use this formula

A

MRP Raise or Drop = MRP – (B measurement ÷ 2)

53
Q

If the person is wearing a bifocal and has a vertical imbalance, you’ll calculate the amount of vertical seg drop or raise needed. What is the formula for this?

A

Seg height change = seg height – (B measurement ÷ 2)