Lecture 7 - Creativity Flashcards

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1
Q

What is creativity?

A
  • a form of ill defined problem solving
  • you don’t know what the goal is until you get there
  • creative ideas are both novel and useful or worthwhile
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2
Q

How do we judge creativity?

A
  • creativity in the arts
  • creativity in the sciences
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3
Q

Introspective accounts?

A

Gestalt psychologists asked creative thinkers to reflect on their thought processes

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4
Q

Wallas - 4 stages of thinking?

A
  • described 4 stages of thinking based on his own introspection
    1. preparation
    2. incubation = problem set aside for other work
    3. illumination = solution to problem, sudden insight
    4. verification = solution is developed and tested
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5
Q

Smith & Blankership - remote associates task?

A
  • looked at incubation
  • p’s asked what links wheel, electric and man?
    -> 57% of p’s given a break solved the problem, only 27% of p’s not given a break solved the problem
  • shows importance of incubation
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6
Q

Why does incubation work?

A
  • Forgetting: Allows the ‘forgetting’ of unnecessary constraints or decay of mental sets
  • Unconscious Work: representations related to problem are still active and interacting with LTM, but are not strong enough to reach awareness
  • Spreading Activation: similar to unconscious work account
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7
Q

Evaluation of introspective accounts?

A
  • Useful framework for describing creativity
  • Empirical support for concept of incubation
  • Descriptive not explanatory
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8
Q

What are the 2 types of creative processes identified by Guildford?

A
  1. divergent thinking
    -> fluency and novelty
    -> search for new solutions
  2. convergent thinking
    -> search for optimal solution
    - use together for optimal problem solving
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9
Q

What are the 2 stages of creative thought?

A
  1. generation
  2. exploration
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10
Q

Generation?

A
  • develop preventive forms = ideas that don’t solve the problem but that might be useful
  • based on prior knowledge
  • divergent thinking
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11
Q

Exploration?

A
  • using preventive forms to try and solve the problem
  • convergent thinking
  • if no solution or idea is produced, cycle back to generation and start again
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12
Q

Evaluation of creative cognition?

A
  • Some empirical evidence that generation and exploration are important processes
  • Deferring evaluation of forms does seem to increase novelty
  • Does not describe processes involved in generating pre inventive forms
  • Focus is on originality, rather than creativity per se
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13
Q

What 2 ways are used to increase creativity?

A
  1. brainstorming
  2. morphological synthesis
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14
Q

Brainstorming?

A
  • increases idea production
  • 2 main principles:
    1. deferment of judgement
    2. quantity breeds quality
  • 4 rules
    1. no criticism
    2. free-wheeling is welcome
    3. quantity is encouraged
    4. everyone is free to combine and improve ideas
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15
Q

Evidence for brain storming?

A
  • Meadow et al., (1959)
    -> Think of uses for a broom and a coat-hanger - Ideas rated for uniqueness and usefulness, good idea had to score on both
    -> Brainstorm group produced more good ideas than control group
  • Brilhart & Jochem (1964)
    -> Investigated deferment of judgement
    -> Most creative when ideas produced 1st then evaluated
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16
Q

Morphological synthesis?

A
  • involves blending acquired information with the new information
  • Allen (1962)
    -> Use a 2 or 3 dimensional matrix to represent different aspects of a problem
    -> New ideas found by combining 2 points in the matrix
    -> Ideas then evaluated
17
Q

Evidence for morphological synthesis?

A
  • Warren & Davis (1969) Compared 3 methods for generating ideas
    1. Short checklists of idea-spurring suggestions
    2. Long checklist of questions organised into categories
    3. Morphological Synthesis
  • Morphological Synthesis produced the most ‘good’ ideas in the fastest time