Lecture 6 - Localisation and auditory scene analysis Flashcards

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1
Q

How do we localise sound?

A
  • Binaural cues
  • Monaural cues
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2
Q

What are some aspects of binaural cues?

A

-Require comparison of signals in left and right ears and are vital for signalling location of a sound in azimuth (left-right plane).
-Interaural time differences (ITDs).
-Interaural level differences (ILDs).

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3
Q

What are some aspects of monaural cues?

A

-Work with one ear and can help localise the elevation (up-down plane) and distance of a sound.
-Filter properties of the pinna (outer ear).
-Intensity and reverberation.

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4
Q

What are interaural time differences (ITDs)?

A

-Relative time at which a sound arrives at the two ears depends on its location in azimuth (left-right).
-If the sound source is straight ahead, the distance to each ear is the same and there is no difference in time.
-When the sound source is positioned to one side, the sound will reach the nearer ear first.
-The range of ITDs depends on speed of sound (typically 330m/s through air) and distance between the two ears (larger heads create a bigger range).
-Maximum ITD in humans is around 600μs (0.6ms).
-Requires precise signalling of timing.
-Most useful for low frequency or abrupt-onset sounds.

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5
Q

What are interaural level differences (ILDs)?

A

-Relative sound pressure level reaching the two ears also depends on the location of the source in azimuth.
-Reduction in sound level occurs for the far ear due to the acoustic shadow created by the head.
-This reduction occurs for high-frequency sounds but not low frequency sounds.

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6
Q

What is the physiology of binaural processing?

A

-Processing of ITDs and ILDs starts within the brainstem in the superior olivary complex (superior olive).
-Binaural localisation cues processed by different types of neurons, located in different parts of the superior olive.
-The lateral superior olive (LSO) contains neurons that are sensitive to ILDs
-The medial superior olive (MSO) contains neurons that are sensitive to ITDs.

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7
Q

What are some strengths of binaural cues?

A

-ITDs and ILDs provide complementary information about azimuth location.
-ITDs work particularly well for low-frequency sounds.
-ILDs provide information about high-frequency sounds.

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8
Q

What are some weaknesses of binaural cues?

A
  • they provide ambiguous information about elevation and tell us nothing about distance.
    -Cone of confusion – set of points from which a sound source will produce identical ITDs and ILDs.
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9
Q

Monaural localisation cues - elevation: What are the filter properties of the pinnae?

A

-When sound reflects off the nooks and crannies of your external ear, the relative intensity of different frequencies sound wave changes.
-This changes with sound source elevation (and azimuth*).
-Individuals have different ear shapes and will filter the frequency content of complex sounds in slightly different way.
-Artificially altering ear shape with plastic moulds impairs the ability to localise sound elevation.

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10
Q

Monaural localisation cues - distance: what is relative intensity?

A

Sound intensity decreases with distance, so closer object will tend to have greater amplitudes than farther ones.

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11
Q

Monaural localisation cues - distance: what is reverberation?

A

-The way in which sound reflects off object also provides a cue to distance.
-Multiple reflections combine to produce a persistence of sound called reverberation.
-The distance of a source alters the relative intensity and timing of direct and reverberant sounds.

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12
Q

What is the precedence effect?

A

-Similar sounds arriving in quick succession from different locations are localised according to the direction of the first sound.
-Provided the delay is short (<10 -20ms), only a single sound is perceived.

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13
Q

What is auditory scene analysis?

A

-Natural environments contain multiple sound sources, so the auditory system needs to make sense of the mixture of component sounds that makes up the auditory scene.
-It must segregate the components of the sound coming from different sound sources.
-It needs to group the components of the sound that come from the same sound source.

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14
Q

What are some strategies for auditory grouping/segregation?

A

-Follow many analogous principles e.g common fate, proximity, similarity, continuity.
-We also need to consider spectral grouping – combining different frequency sounds components that occur at the same time.
-Also need to consider sequential grouping – combining sequences of sounds over time.

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15
Q

What does spectral grouping consist of?

A

-Harmonicity
-Common frequency change

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16
Q

What is harmonicity?

A

-If a component is mistuned to other components, it will be heard as a separate sound.

17
Q

What is common frequency change?

A

– Analogous to the principle of common fate, frequency components that change together tend to group together.

18
Q

What is the sequential grouping?

A

-Auditory stream segregation - the process of organising sounds over time into separate perceptual events.
-Changing the characteristics of the sounds can bias us to either group the sequence or segregate it into multiple streams.

19
Q

How does similarity of pitch create sequential grouping?

A

-Sounds with similar pitch are often produced by the same source.
-Increasing frequency difference promotes stream segregation.

20
Q

How does temporal proximity create sequential grouping?

A

-Sounds that occur in rapid progression tend to be produced by the same source.
-Increasing presentation rate also promotes stream segregation.

21
Q

How does similarity of timbre create sequential grouping?

A

-Sound sources often have distinct timbre (e.g musical instruments), providing a good cue for stream segregation.

22
Q

How does continuity create sequential grouping?

A

-Sounds that stay constant or change smoothly are often produced by the same source.
-Perceived as continuous even when interrupted by noise.

23
Q

How does phonemic restoration create sequential grouping?

A

-This effect is not restricted to tones but can also occur with speech.