lecture 6 Flashcards

1
Q

how is the image we receive from the real world different to our perception?

A

image we receive is 2D but our perception is 3D

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2
Q

generally people are quite accurate at judging an ambient distance up to…?

A

20 feet

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3
Q

Visual cliff experiment

A

36 babies
plexiform platform with illusory cliff on one side

no babies coaxed to their mothers when it meant movement from the shallow end across the deep end

all babies coaxed to mothers when they could stay on shallow end

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4
Q

conclusion of the visual cliff experiment

A

depth perception is partially innate, but develops further when a baby starts crawling etc

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5
Q

cues to depth

A

oculomotor cues
pictorial cues (monocular cues)
motion produced cues
binocular disparity

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6
Q

basis of oculomotor cues

A

cues that depend on our ability to sense the position of our eyes and the tension in our eye muscles

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7
Q

what happens as an object moves closer to our eyes?

A

our eyes move inwards and the tension in them increases

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8
Q

convergence

A

eye muscle cause you to look inwards (closer teh object the smaller the convergence

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9
Q

accommodation

A

as the lens bulges to focus on a near object

tightening of the ciliary muscles, allowing the pliable crystalline lens to become more rounded

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10
Q

what distances produce effective oculomotor cues

A

only closer that 5-10 feet

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11
Q

what are shape of the lens and position of the eye correlated with?

A

the distance of the object you are observing

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12
Q

what are pictorial cues?

A

cues that can be depicted in a still picture (TV, photos, paintings) and do not require viewing with both eyes in order to work

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13
Q

8 pictorial cues

A

1) overlap, interposition or occlusion
2) relative size
3) relative height
4) atmospheric perspective
5) familiar size
6) linear perspective
7) shading and shadows
8) texture gradient

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14
Q

overlap, interposition or occlusion

A

one object obscures part of another, or overlaps with it

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15
Q

relative size:

A

the retinal image of an object gets smaller as they get further away

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16
Q

what can change, even if an object looks the same size at different distances?

A

the retinal image size

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17
Q

what happens to the retinal image when the object is at an increased distance?

A

retinal image size decreases

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18
Q

what happens to the retinal image when the object is at a decreased distance?

A

the retinal image size decreases

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19
Q

size constancy

A

the ability for an image to look the same size despite changing retinal image size

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20
Q

Emmert’s law

A

1) objects that generate retinal images of the same size will look different in physical size if they appear to be located at different distances
2) the perceived size of an object increases as its perceived distance from the observer increases
3) an object of constant size will project progressively smaller retinal imaged as its distance from the observer increases
4) if retinal images of two different objects at different distances are the same, the physical size of yeh object that is further away must be larger than the one that is closer

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21
Q

relative height

A

as an object gets further away, the nearer they get to the horizon
if the objects are below eye height, the highest object is furthest away
if the objects are above eye height, the lowest object is the furthest away

22
Q

atmospheric perspective

A

distant objects appear less sharp because there is more air and particles to look through

distant objects appear more blue as blue light is scattered by the atmosphere

23
Q

familiar size

A

for a larger object in real life to be perceived as the same size as a smaller object in real life, it must always be further away

24
Q

linear perspective

A

lines that are parallel in a scene converge as they get further away
(remember the retina is curved)

25
Q

shading and shadow

A

attached shadows
the shading that results from the depth within an object is a cue to depth
detached shadows

26
Q

why is the meaning of shadows ambiguous?

A

a depression and an elevation in a surface will be shaded on one side, telling the difference relies on knowing the direction of the light source

27
Q

where do we assume all light sources come from?

A

above

28
Q

attached shadows

A

shadows within an object

29
Q

texture gradient

A

texture becomes smaller/ finer as distance increases

30
Q

motion produced cues

A

cues that depend on movement of the observer, or movement of objects in the environment

31
Q

types of motion-produced cues

A

motion parallax

deletion and accretion

32
Q

motion parallax

A

an observer moves relative to 3D space, nearby objects appear to move rapidly while far away objects appear to move slowly

33
Q

motion parallax informs you of

A

1) relative direction

2) amount of motion

34
Q

who uses motion parallax?

A

animals that dont have much binocular overlap

head bob and orthogonal running

35
Q

deletion

A

as one object moves in front of another, deletion occurs

-front object covers more of the back object

36
Q

accretion

A

as one object moves away from another, accretion occurs

front object covers less of the back object

37
Q

binocular disparity

A

a cue that depends on the fact that slightly different images of a scene are formed on each eye

38
Q

what causes our binocular disparity? what is it dependent on?

A

because our eyes are in slightly different positions, determined by the distance between them

39
Q

how does binocular disparity cue for depth diminish?

A

with distance

40
Q

another name for binocular disparity

A

binocular stereopsis

41
Q

what is the basic of stereoscope 3D movies?

A

binocular disparity

42
Q

corresponding retinal points

A

for every point on one retina there is a corresponding point if the other

  • these two points would be identical if one retina was moved to superimpose the other retina
  • when you fixate on an object it will stimulate corresponding points on the eyes
43
Q

non corresponding retinal points

A

regions on the retinae that would not overlap if you slid one retinae on top of the other

separated on the retinae and cause disparity

44
Q

what does the amount of disparity tell us

A

how far an object is from our focus

45
Q

what is stereo blindness?

A

people that appear to lack mechanisms for processing disparities

46
Q

how many people show stereo blind performance?

A

2-5% of people

47
Q

what is the usual cause of stereo-blindness?

A

strabismus in early childhood prevents the normal development of binocular disparity detecting cells in the visual cortex

48
Q

what is strabismus?

A

misalignment of the eyes, failure to converge on a common target

49
Q

hyperstereo

A

can give increased depth form disparity

50
Q

stereogram to create 3D image

A

present same stimulus in both eyes but shift one slightly to the left or right
the shifted one will appear to be displaces in depth ad create a 3D image