Lecture 5: Visual Art Part II Flashcards

1
Q

Pictures
Static vs 2D

A

Static: can have a sense of implied motion
2D: implied depth

We perceive depth in 2D objects using monocular depth cues

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2
Q

Ventral vs Dorsal system

A

Ventral stream = “what” pathway: object identification (shape, colour)
STATIC aspect of pictures
- Object recognition
- Shape perception
- Colour perception

Dorsal stream = “where” pathway: object location and motion
DYNAMIC aspect of pictures
- Overall spatial layout
- Implied depth
- Implied motion/emotion

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3
Q

“how” pathway

A

visually guided action

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4
Q

Modules in the Ventral Stream

A

Fusiform face area (in temporal lobe and responds strongly to faces)
Extrastriate body area (occipito-temporal cortex and involved in visual perception of human body and body parts)

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5
Q

Results from study: creating a copy of a drawing vs watching a drawing form

A

First Phase: asked to recreate a drawing
Drawing system includes all the visual streams (what, where, how pathway)

Addition to study: rather than drawing themselves, watch another person drawing
Watching a drawing emanate activates full drawing system expect for the motor cortex –still activates what and where pathways

Emanation during drawing is about perceiving MOTION, not perceiving static object

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6
Q

Production vs Perception

A

Production (dynamic process) –instrumental gestures
Perception (static objects) –emanation (visual motion)

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7
Q

2 stages of art’s evolution

A

1) Geometrics (77 000 yrs ago)
2) Figurative (45 000 yrs ago)
- imitative arts

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8
Q

Mark Making

A

Objects (shape): patterns ON objects
Zigzag patterns 77 000 yrs ago
Parallel lines 60 000 yrs ago
Neanderthals 65 000 yrs ago

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9
Q

Theories about origins of geometrics in rock art (4)

A
  1. Visual System Primitives
  2. Hallucinations
    - “form constants” during mescaline hallucinations –see spiral patterns when taking drugs
  3. Phosphene Theory (perception of light, seeing light w/o light entering the eye)
    - Altered state of consciousness
    - Said to be able to see distinct shapes
    TMS (magnetic pulse can stimulate/inhibit functions) –if put on occipital lobe, could cause phosphene
    - Tried it; only saw clouds/blob shapes, no distinct geometric shapes
  4. Axes of limb movement (most likely the source)
    - Easy up/down and side to side movement in arms
    - Children’s drawing:
    Earliest stage: linear
    2nd stage: circular
    3rd stage: linear and circular combined (ex: sun, tadpole
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10
Q

Geometrics as the building blocks of… (6)

A
  1. Earliest Human Rock Art
  2. Object Recognition
    - Recognition by components theory: images/common objects can be broken down into geometric shapes (common objects perceived as geons –basic building blocks)
  3. Object ornamentation (of human-made objects)
    - Checkers on a shirt
  4. Architectural and interior design
    - Ceiling in a cathedral (symmetrical stained window)
    - Nature is not geometric, human-made is very geometric
    Geometric patterns are not derived from nature. They are a feature of human design and production.
  5. Notation Systems
    - Musical notation (staff and notes)
    - English Writing (lines and circles)
  6. Configurations of Human Social Interaction
    - Face-to-face configuration: triangular arrangement
    - Dance (couple dancing): face to face, side to
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11
Q

The recursiveness of visual art

A

Visual art objects are:
1) objects that
2) represent other objects

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12
Q

iconic vs arbitrary

A

Visual arts: static, mainly iconic
Dance (mainly iconic) & theatre/storytelling (mainly arbitrary): both dynamic

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13
Q

3 manners of generating figurativity
(origins of figurative art)

A

1) From memory
2) Tracing
3) Copying

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14
Q

2D vs 3D examples

A

2D: picture (painting) vs emblem (road sign)
2D: single images vs multi-panel images
- Multi-panel: comic strips, graphic novels
- Geoglyphs (earth etchings) –the Nazca lines (Peru)

3D: Figurines
Lion man figure 40 000 yrs ago
Venus figure 35 000 yrs ago (fertility figures)

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15
Q

Petroglyph vs Pictograph

A

Petroglyphs=rock etchings
Pictograph=rock painting

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16
Q

Gestural Model of Drawing Origin vs Pantomime

A

DRAWING
Object Perception (“what” pathway)
Tool use (“how” pathway)
Mark-making (emanation)
Object depiction (re-creation)

Object Perception to Object depiction (internal model of object –memory)
Output: Static display (visual arts)

PANTOMIME
Object Perception)
[“how” pathway]
[re-creation]
Object depiction

Object Perception to Object depiction (internal model of object)

17
Q

Drawing/Pantomime Hypothesis

A

The representational capacity of drawing evolved from that of pantomime

18
Q

Writing Systems (2)

A

Phoneme
- Speech sound
- Consonant or vowel
/k/ -sound “keh”

Grapheme
- Written sign
- Some are phonemic
- Some are pictorial
K, c, ck, ch, x, qu –represents the sound “keh”

18
Q

3 types of writing systems

A

1) Pictographic/logographic (ex: Egyptian hieroglyphics)
- Each grapheme represents a complete word
- Graphemes are generally iconic
2) Syllabic
- Each grapheme represents a syllable (e.g., ba)
3) Phonetic
a. Consonantal –each grapheme represents a consonant
b. Alphabetic –each grapheme represents a consonant or vowel