Lecture 1: Intro Flashcards

1
Q

Standard model vs MAWA model

A

Standard model: arts REFLECT cognitive capacities
MAWA concept: arts SHAPED cognitive capacities

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2
Q

Ways to achieve MAWA (4)

A

1) Artful cognition
Ex: social behaviour can be seen as theatre (playing diff roles in life)
2) Novel art functions in humans
Ex: musical scales –diff from other species (not seen in monkeys, etc.)
3) Joint evolutionary precursors (art/non-art)
Ex: co-evolution of music and language
4)Applied arts effects on cognition/behaviour
Ex: melodic intonation therapy –musicalize speech can restore speech

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3
Q

Art thinking vs MAWA concept

A

Art thinking: make ordinary thinking art-like (Witterger’s perspective)

MAWA: ordinary thinking has art-like nature to it

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4
Q

Narrative vs Performing/Coordinative arts

A

Narrative: how we tell stories
- Static: visual arts –paintings, sculptures, photography, poetry
- Theatre/Storytelling

Coordinative: music and dance

Categories are not mutually exclusive; however, visual art is not performing art & music not narrative art

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5
Q

Narrative triad

A

Images –sculptures, paintings)
Language –theatre/story-telling
Gesture (wordless manner)– dance

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6
Q

Performing triad

A

Utterances (something that is spoken rather than “sentences” that is written)–in theatre
Dance phrases
Melodies –in music

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7
Q

2 words to describe narrative vs coordinative arts

A

Narrative Arts: visual arts (STATIC narrativity) & theatre (DYNAMIC narrativity)
- Character –I can think about them but they cannot think about me, no on-going interaction

Coordinative Arts: dance (coordination of BODIES) & music (coordination of VOICES)
- Partner –interact w each other (reciprocity in interaction)

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8
Q

Objects (5)
(part of top 10 systems of core knowledge)

A

1) Objects and their categorization –identify and categorize
2) Language –abstract associations w objects
3) Numerical cognition –how many or how much
4) Logic and deductive reasoning
5) Spatial cognition & orientation –where they occur in environment and where you are in relation to them

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9
Q

Events (2)
(part of top 10 systems of core knowledge)

A

6) Causal inference thru inductive reasoning –inferring a causal relationship b/w 2 events
7) Mental time travel –retrospectively (in past, memory system), prospection (in future, mental stim of what you want to happen/what might happen)

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10
Q

Agent (3)
(part of top 10 systems of core knowledge)

A

8) Mentalizing (theory of mind) –inferences about others’ feelings based on facial, body language, etc. (observations)
9) Social intelligence; categorizing people
10) Self-awareness; self-regulation

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11
Q

Domain-general Processes (10)

A

1) Associativity: comes from experience, “train-of-thought” (one idea, builds from other)
2) Emotional appraisal/reward processing: appraisal whether these objects good/bad
3) Attention: focus on one thing, can shift your focus to something else quickly
4) Working memory: apply/manipulate info (in short term memory)
5) Inhibition/suppression/delaying
6) Conflict monitoring/response conflict
7) Task switching (going from task 1 to task 2) or cue switching (in one context cue means one thing, in diff enviro means something else) or multi-tasking (doing 2 or more tasks at the same time)
8) Updating: new info comes in and have to update understanding, cannot be fixed on one interpretation
9) Predicting: cognition for adaptive action (thinking about consequences)
10) Self-regulation/Self-monitoring

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12
Q

Domain-specific (7)
Unique Arts Capacities

A

1) Mime/pantomime (iconic gestures) –resembles/structurally similar to the thing itself, but not the actual action
2) Figurative drawing (iconic images in 2D) –realistic drawing of things, representation, but not the actual object/landscape
3) Acting (impersonation) –pretend to be someone else, socially sanctioned form to theatre (do not want someone to pretend to be a doctor for example)
4) Rhythmic synchronization of movement to other ppl thru group dancing
5) Most diverse musical scale systems (singing) of any species
6) Most diverse chorusing types of any species
7) Most elaborate group rituals of any species
Last 3 not unique but accentuations

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13
Q

Unique Sensorimotor Capacities
- Vocal (3)
- Manual (3)
- Pedal (1)

A

Vocal
1) Speech (and song)
2) Voluntary control of vocalization
3) Vocal imitation (vocal learning)

Manual
4) Highly enhanced manual dexterity
5) Gestural imitation
6) Demonstrational learning (teaching)

Pedal
7) Bipedalism: walk on 2 legs

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14
Q

What do narrative vs coordinative arts do in Systems of Social Knowledge

A

Narrative arts simulate social interactions –watching/reading some interaction you are not part of

Coordinative arts stimulate social interactions –actively part of it, engaging in it

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15
Q

Biological paradox of group living

A

Individual organisms are self-serving (selfish)
In groups, “cheaters” can reap the benefits of cooperation without paying the costs
Groups are unstable; defection is common

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16
Q

Within Group vs Between Group

A

Within Group: Competition (me vs you), Cooperation (us)

Between Group: Competition (us vs them), Cooperation (us+them)

17
Q

Social Brain Hypothesis

A

In primates, group size predicts brain size
Larger group=larger neocortex volume

Greater group size=greater # social relationships=greater brain size
Human brain expansion was driven by need for social intelligence.

18
Q

Social Intelligence (7)

A

1) Keeping track of social relationships in networks
- Recognizing people, knowing their name
- Being aware of people’s goal structure and agency (what kind of person are they, what can they do to you -harm you? help you?)
- Distinguishing friends vs foes
2) Intersubjectivity: understanding others, theory-of-mind
- Cannot know what others are feeling directly, but can infer
3) Categorizing the self and others into groups (us/them)
- In-group preferences (ethnocentrism)
4) Folk psychology: explaining people’s behaviour w/ regard to their mental states (e.g., emotions, desires)
5) Recognizing emotions in others (emotional awareness)
6) Concern for others; empathy
7) Helping behaviour, conflict resolution

19
Q

Behavioural Coordination

A

B/c social group are unstable, require mechanisms to maintain commitment
Performance rituals in which individuals synchronize w/ one another are one important means of supporting group functionality
“People who sync together think together”

Reciprocity: I help you, you help me (you owe me one)
- Works well for dyads, but not for large groups

Synchronize group rituals stim coordination –> behavioural coordination –> group cooperation
Coordination and cooperation are linked

20
Q

Functions of group rituals

A

Demonstrate commitment to the group (more than just saying you are willing to help, showing it as well)
Increase group cohesion (our sense of “we”)

21
Q

Social Learning & Cumulative Culture

A

Social learning –> Cultural transmission –>Cumulative culture

Cumulative culture: an inheritance system to build on the cultural behaviours of one’s predecessors, allowing increases in cultural complexity to occur

22
Q

Culture vs Cultural Evolution

A

Culture: system of accumulated knowledge that is transmitted across generations through social learning
Cultural evolution: manner in which cultural knowledge changes over generations