Lecture 5: Jazz Flashcards

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1
Q

WW1 (1914-1918)

A
  • good for economy
  • technology = blessing and a curse
  • immigrants diversify the US
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2
Q

post WWI (1918-1939)

A
  • great depression
  • friction of ethnic diversity
  • racist organizations thrive
  • cars became a symbol of independence
  • unified pop culture (tin pan alley, phonograph, radio, rise of broadway)
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3
Q

technology and the music business

A
  • records before the great depression, then radio bc its cheaper and films
  • licensing and copyright agencies
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4
Q

rise of radio

A
  • 1920-1927
  • NBC was the first national commercial radio network
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5
Q

rise of film

A
  • jazz singer was the first film with sound
  • by 1930s there are hundreds of musicals
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6
Q

licensing and copyright agencies

A
  • control production and exposure
  • who gets the profit
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7
Q

james europe

A
  • influential black musicion of the early 1900s
  • music director for vernon and irene castle
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8
Q

vernon and irene castle

A
  • broadway dance sensations
  • james europe
  • brought tango/ragtime dance to the average household
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9
Q

castle house rag

A
  • violins, cellos, banjos, brass, winds, percussion
  • lots of instruments to create contrast in the piece + play over talking and dancing of people
  • ragtime and march inspired
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10
Q

Jazz

A
  • originally called jass or hot music
  • 1900 in new orleans
  • hybrid musical culture - white, creole, black (black musicians lived uptown, creole musicians lived downtown and had more formal musical training)
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11
Q

genres that influenced jazz

A

ragtime, march, habanera, tin pan alley, spirituals, blues

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12
Q

instrumental roles of jazz

A
  • cornet: main melody
  • clarinet: counter melody
  • trombone: bass line, slides
  • piano: chords, keeps us from getting lost
  • drums: heartbeat
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13
Q

original dixieland jazz band

A
  • white group lead by nic larocca (the cornest)
  • first jazz recording ever - sparked a national fad
  • tiger rag
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14
Q

tiger rag

A
  • dixieland jazz band
  • pre-planned improvisation
  • stop-time technique (everyone pauses to let one person improvise)
  • shout chorus - last section of a piece where music climaxes
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15
Q

the creole jazz band

A
  • black group led by king joe oliver (cornest)
  • first recording by black musicions from new orleans
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16
Q

dipper mouth

A
  • the creole jazz band
  • mature jazz style
  • pervasive swing and syncopation
  • relaxed, smooth, identifiable melody + harmony
17
Q

louis armstrong

A
  • developed jazz singer’s “swing”
  • student of king joe oliver, 2nd cornet in the creole jazz band
  • west end blues
18
Q

west end blues

A
  • louis armstrong
  • jazz is now an expressive art form
  • 12-bar blues form
  • prolonged improvisation
  • scat singing for the first time