Leading to V

Question 1

harmonizing soprano 5-6-7-8

Answer 1

I-IV-viiº6-I

either tonic chord can be in first inversion
viiº can be replaced by V4/3

Question 2

strong chords leading to cadence

Answer 2

ii-V

IV-V

Question 3

expanding predominant harmonies IV and ii

Answer 3

IV -ii is much more common than ii-IV
often IV-ii6 over prolonged bass note

ii-I-ii6
ii6-I-ii
soprano line is often 2-3-4 or 4-3-2 in this

Question 4

harmonizing 1-2-3-4-5 in bass

Answer 4

I-viiº6-I6-IV-V

viiº6 can be V4/3
IV can be ii6

Question 5

preparing 7th of V7 as a common tone

Answer 5

7th is scale degree 4 and ii or IV have scale degree 4 present

usefull: ii6-V4/2-I6 with first two chords over prolonged bass

Question 6

best doubling in ii or IV

Answer 6

the root

Question 7

best doubling in ii6

Answer 7

root or third

Question 8

iiº in minor key

Answer 8

no diminished triads in root position so use iiº6

Question 9

picardy chord

Answer 9

major chord where it should be minor

eg) I in a minor key where it should be i