General Principles of 4 part writing Flashcards

1
Q

spacing between upper voices (SAT)

A

no more than an octave

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2
Q

spacing between T and B

A

can be up to a 12th

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3
Q

close position

A

three upper voices are as close together as possible - no chord tone can be inserted between

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4
Q

open position

A

when upper voices are spaced far apart enough that you can insert a chord tone between them

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5
Q

parallell motion

A

voices move the same direction and the same amount

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6
Q

contrary motion

A

voices move opposite directions

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7
Q

similar motion

A

voices move in the same direction but not by the same intervals

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8
Q

oblique motion

A

one voice remains the same while the other moves

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9
Q

voice overlap

A

when parts are not in their correct placement in one chord

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10
Q

voice crossing

A

when voices cross going from one chord to the next

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11
Q

dissonant melodic intervals (within one voice)

A

augmented 2nds, tritones, sevenths

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12
Q

tendancy tones

A

those with a strong pull to resolve in a certain direction (leading tone)

do not double!

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13
Q

scale degree 7 versus chord 7th

A

scale degree 7 resolves up

chord 7th resolves down

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14
Q

leading tone resolution

A

in outer voice it MUST resolve up

in the inner voice it can be frustrated - moves down to nearest chord tone

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15
Q

doubling rules

A

try to have all chord tones
root is most common to double
inverted triads and 7th chords are usually complete
5th is most common tone to omit
roots and thirds must be present (3 root 3)
root position 7ths frequently double root and omit 5th

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16
Q

fifths and diminished fifth

A

parallel fifth to diminished 5th is better than the other way around

17
Q

similar motion to an octave involving outer voices

A

avoided except when the soprano is moving by step