Landmarks of Ling Thought I / II & The Ling Sign (Joseph) / Ungerer pragmatic sign Flashcards
Saussure’s metaphor for language?
Thought itself is a cloud (shapeless, swirls around) but LANGUAGE gives it structure;
Sounds equally are shapeless parts of the cloud -> have no intrinsic form, are arbitrary
Saussure’s metaphor for sign
two sides of a paper: inseparable, existing at the same time
Saussure’s departure from 18th century linguistics
- regarded language as a closed system -> gives structure to shapeless thought clouds
- before: language and parole were not strictly separated
- before: interested in recreating historic word developments: e.g. Latin “causa” may have become French “chose”
- he argued primarily for language to not be viewed as a mere index of words, not a nomenclature
language as a structure metaphor:
X not a structure like a house (with individual building blocks, woods, other material)
Instead: like a chess game:
- all pieces make it complete
- other pieces make the game unplayable
- outside of a game, a pawn chess piece is nothing but a carved statue → thus linguistic signs also cannot exist outside of langue, has only value inside it
- every single chess piece has its own value
Saussure’s fixation with synchrony?
- language is a closed, fixed system with a complete structure
- elements cannot change > previous state (e.g. of a word) was part of a completely different system
- E.g the sound “m” (e.g. in Latin mare, and French mer) has not simply remained unchanged, but instead what we today call as “m” the consonant has been constantly reintegrated from all systems from Latin to today’s French → it survived because each system had an open slot for a sound with these properties
What Saussure meant by structure?
language as a structure: it exists as a whole, the structure creates itself by its internal relations
Arbitrariness and syntagmatic relations and associations
Any two words in the Eng language could swap places and for Saussure - this would not matter: they are arbitrary. It does have consequences for syntagmatic and associative relations:
if cow and horse switch, then the associations we have for cow (produces milk, munches grass…) are now those of the sound sequence for “horse” ;
syntagmatic: now cow has to combine with words that previously were combined with horse: e.g. racecow
but what is lost are e.g. semantically logical rhymes: “horses for race courses” makes no sense anymore because cows don’t race
Arbitrariness and syntagmatic relations and associations
Any two words in the Eng language could swap places and for Saussure - this would not matter: they are arbitrary. It does have consequences for syntagmatic and associative relations:
if cow and horse switch, then the associations we have for cow (produces milk, munches grass…) are now those of the sound sequence for “horse” ;
syntagmatic: now cow has to combine with words that previously were combined with horse: e.g. racecow
but what is lost are e.g. semantically logical rhymes: “horses for race courses” makes no sense anymore because cows don’t race
Jakobson’s linguistic position?
Prague School of linguistics
Saussure influenced Jakobson how?
Jakobson influenced by notion of language as a self-contained, closed system; a system which has elements of different values
But he came to disagree on the notion of complete arbitrariness
Differences Saussure and Jakobson:
Jakobson, worked on historical developments of sound system -> did work diachronically, Saussure strictly wanted synchrony
Saussure: phonetic sound of a sign is arbitrary, could be any other sound
Jakobson: sounds t and d are clearly more related than t and f -> d is merely more voiced than t; And: in GER: d slot at the end of words is getting devoiced into a t ; however (while it is still d in other forms of the word, thus it is the same phoneme)
-> Jakobson does not agree that phonetic value does not matter; d cannot be devoiced into f
Continued:
Saussure: since language is a complete system, any two values could switch position and it would make no difference, e.g. all dental and velar sounds can switch
Jakobson: studied child acquisition and langue loss and observed a natural sequence of sound acquisition and parallel loss -> there must be a natural hierarchy of sounds; therefore: 2 sounds also cannot just switch within the same language, it would create unnatural speech
idea of markedness
two linguistic phenomena that differ in 1 feature: e.g. voicedness: t - unmarked / d (t+voice) = marked
Rat and Rad are both pronounced /t/ → unmarked version in nominative, but in genitives “des Rates” und “des Rads”
→ d is exposed as marked, more complex sound (vibration of vocal cords)
Jakobson and iconicity
connects it with his principles of markedness:
singular is unmarked, while plural forms or possessives are marked by s or ‘s (plurality or possession are more complex things than sth. singular)
-> iconicity is the added morpheme as iconic for more complexity
Thus: word forms are not arbitrary, they can be iconic!
And: Jakobson thought this iconic motivation within words must be a universal logic across all languages
Jakobson and Formalism
- Jakobson did flee Europe to the US from the Nazis
- met chomsky
- Jakobson did believe in a natural hierarchical order of sounds -> does fit with core believe of Universal grammar
- also Jakobson believed in iconic motivation of forms (e.g. complex concepts will have more complex forms: plural -s addition is more complex than its singular form)
Saussure’s gripe with how general public viewed language?
He viewed language as a system of signs (mental concept + sound), but felt as if people instead focused on language as a collection of written words + meanings -> Saussure called this Nomenclaturism = viewing language (wrongly) as an inventory of names