L2 theories of art Flashcards

1
Q

believes that children draw what they know

A

cognitive theory

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2
Q

the child draws what he knows and not what he sees

A

cognitive theory
Laquel, 1913

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3
Q

they describe how children’s thoughts processes are related to art

A

piaget and inhelder (1969)

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4
Q

what are reflected in children’s art product?

A

sensorimotor stage of thinking, symbolic functions, intuitive thoughts

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5
Q

he found that children’s works reflected their concept of that object

A

florence goodenough (1926)

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6
Q

believes children draw what they feel, not what they know

A

psychoanalytical theory

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7
Q

according to this theory art is conceived of as a mirror of children’s emotions, subconscious thoughts, and feelings

A

psychoanalytical theory

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8
Q

children draw people as a circle with sticks representing arms and legs not because they don’t know people have bodies with neck and shoulder because the circle represents a force deep within a child that is used as a symbol to represent the womb, breast, or other emotionally loaded objects

A

psychoanalytical

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9
Q

drawings of children symbolizes their

A

feelings and emotions

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10
Q

children’s drawings are limited due to the

A

inability to find a way to represent images on paper

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11
Q

there is exact pattern for each age level. true or false

A

false

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12
Q

but there is a gradual growth process that almost every child goes through. this growth is called

A

development

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13
Q

stages of artistic development by Lowenfeld

A

scribble 2-4
pre-schematic 4-6
schematic 7-9
dawning realism 9-11
pseudorealistic

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14
Q

4 sub stage of scribble 2-4

A

disordered
longitudinal
circular
naming

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15
Q

this is the uncontrolled markings that could be bold or light depending upon the personality of a child

A

disordered

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16
Q

at this stage/age the child has no or little control over motor activity

A

disordered

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17
Q

at this stage there is controlled repetitions of motions

A

longitudinal

18
Q

at this stage children demonstrate visually an awareness and enjoyment of kinesthetic movement

A

longitudinal

19
Q

at this stage there is further exploring of controlled motions demonstrating the ability to do more complex forms

A

circular

20
Q

the child tells stories about the scribble

A

naming

21
Q

at this stage there is an appearance of circular images with lines that seem to suggest a human or animal figure

A

pre-schematic 4-6

22
Q

at this stage the schema is developed

A

pre-schematic 4-6

23
Q

at this stage the drawing shows what the child perceives as most important about the subject

A

pre-schematic 4-6

24
Q

at this stage there is little understanding of space

A

pre-schematic 4-6

25
Q

at this stage objects are placed in a haphazard way throughout the picture

A

pre-schematic 4-6

26
Q

at this stage the use of color is more emotional than logical

A

pre-schematic 4-6

27
Q

easily recognize by the demonstrated awareness of the concept of space

A

schematic 7-9

28
Q

objects in the drawing have a relationship to what is up and what is down

A

schematic 7-9

29
Q

items in the drawing are all spatially related

A

schematic 7-9

30
Q

colors are reflected as they appear in nature

A

schematic 7-9

31
Q

shapes and objects are easily definable

A

schematic 7-9

32
Q

exaggeration between figures is often used to express strong feelings about a subject

A

schematic 7-9

33
Q

also known as gang age, group friendship of the same sex

A

dawning realism 9-11

34
Q

period of self-awareness to the point of being self-critical

A

dawning realism 9-11

35
Q

the attempts at realism need to be looked at from the child’s point of view

A

dawning realism 9-11

36
Q

realism is not meant to be real in the photographic sense rather than an experience with a particular subject/object

A

dawning realism 9-11

37
Q

first time that a child becomes aware of a lack of ability to show objects the way they appear in the surrounding environment

A

dawning realism 9-11

38
Q

3 dimensional effects are achieved along with shading and the use of subtle color combinations

A

dawning realism 9-11

39
Q

marked by two psychological differences

A

pseudorealistic stage

40
Q

two psychological differences in pseudorealistic stage

A

visual and non-visual individual artwork

41
Q

it focuses on the appearance and stage presentation inspired by visual stimuli

A

visual

42
Q

based on subjective interpretations emphasizing emotional relationships to the external world as it relates to them

A

non-visual individual artwork