Italy - Renaissance Flashcards

To become familiar with the salient characteristics and notable composers of Italian Renaissance music.

You may prefer our related Brainscape-certified flashcards:
1
Q

Which composers’ work appears in the list?

A

Giovanni Pierluigi da Palestrina
Carlo Gesualdo
Orlande de Lassus
Antonio Lotti
Jacques Arcadelt

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2
Q

Which Mass appears in these listening examples, and who wrote it?

A

Missa Papae Marcelli, Palestrina

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3
Q

Whose madrigals appear in these listening examples?

A

Gesualdo, Arcadelt, & de Lassus

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4
Q

Describe the notable characteristics of early Italian Renaissance music.

A

Polyphonic
Focus on music over text
Occasional colla parte

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5
Q

What were the main centers of composition in Italy?

A

Venice and Rome

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6
Q

Why is Palestrina significant?

A

Codifying rules of counterpoint
Tasked with writing rules for music in Catholic church

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7
Q

What were Palestrina’s rules of counterpoint? (4 rules)

A

Flow of the music must be dynamic
Melody line should have only a few leaps
Leaps must be followed by contrary stepwise motion
Dissonances only on weak beats and passing notes

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8
Q

Describe the attributes of early, middle, and late madrigals.

A

Early: uncomplex polyphony & moments of homophony
Middle: thicker textures, more homophony, rhythmic variety
Late: texts set in declamatory style

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9
Q

Which styles are associated with Monteverdi’s early and late madrigals?

A

Early: stile antico/prima prattica
Late: stile moderno/seconda prattica

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10
Q

What is the name of the practice in which texts are swapped without changing the musical composition?

A

Contrafactum

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11
Q

Where in Italy were specialized centers of activity for madrigals?

A

Ferrara & Mantua

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12
Q

What were the most common compositional genres in Renaissance Italy?

A

Masses, motets, and madrigals

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13
Q

Which genres became popular in Italy at the end of the Renaissance?

A

Canzonets, villanellas, & ballettos

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14
Q

Describe the attributes of early, middle, and late Italian Mass settings.

A

Early: tenor cantus firmi
Middle: lots of imitation
Late: intelligibility of text, word painting, declamatory

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15
Q

How were later secular genres - villanella, canzonet, and balletto - characterized?

A

Homophonic and comedic

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