France - Renaissance Flashcards
To become familiar with the salient characteristics and notable composers of French and Franco-Flemish Renaissance music.
Which French composers’ work appears in our listening examples?
Guillaume de Machaut
Guillaume Dufay
Clement Janequin
Claude Le Jeune
Josquin des Prez
Pierre de la Rue
Johannes Ockeghem
Jacob Obrecht
Jan Sweelinck
Which choral masterwork was written by Guillaume de Machaut?
Messe de Notre Dame
Which notable work in this list was written by Guillaume Dufay?
Missa l’homme arme
Which French composers wrote Masses on this list?
Machaut, Dufay, des Prez, & Ockegem
Whose vernacular chansons appear in this list?
Machaut, Janequin, Le Jeune, & des Prez
Which Catholic liturgical sacred genres did Franco-Flemish composers write?
Mass cycles and movements
Requiems
Latin motets
Magnificats
Which Protestant sacred genres did Franco-Flemish composers write?
Psalm settings
Sacred chansons
Which genre was the most prominent form of Franco-Flemish secular music?
Chanson
Describe the attributes of Franco-Flemish Mass settings.
Usually based on preexisting melodies
Melodies as cantus firmus in tenor (early)
Melodies as imitative material (later)
Gregorian chants were a main source of material
Chansons were popular sources with earlier composers
Describe the attributes of early, middle, and late Franco-Flemish motets.
Early - Gregorian chant in canon
Middle - chant as basis for imitation
Late - text pieces as basis for imitation
Describe the attributes of Franco-Flemish Magnificats.
Mostly early and middle Renaissance
Alternating passages of polyphony and Gregorian chant
What is alternatim style?
Alternating passages of polyphony and Gregorian chant
In which three styles would late Renaissance Franco-Flemish composers set psalter tunes?
- Hymn-like, with tune in tenor
- Slightly adorned, soprano on melody
- Motet-like, fully imitative
Who were earlier composers of chansons?
Dufay, Ockegem, La Rue, & some Josquin
Describe the attributes of early, middle, and late chansons.
Early - formes fixes
Middle - imitative, motet style
Late - “Parisian” homophonic style