France - Renaissance Flashcards

To become familiar with the salient characteristics and notable composers of French and Franco-Flemish Renaissance music.

You may prefer our related Brainscape-certified flashcards:
1
Q

Which French composers’ work appears in our listening examples?

A

Guillaume de Machaut
Guillaume Dufay
Clement Janequin
Claude Le Jeune
Josquin des Prez
Pierre de la Rue
Johannes Ockeghem
Jacob Obrecht
Jan Sweelinck

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2
Q

Which choral masterwork was written by Guillaume de Machaut?

A

Messe de Notre Dame

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3
Q

Which notable work in this list was written by Guillaume Dufay?

A

Missa l’homme arme

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4
Q

Which French composers wrote Masses on this list?

A

Machaut, Dufay, des Prez, & Ockegem

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5
Q

Whose vernacular chansons appear in this list?

A

Machaut, Janequin, Le Jeune, & des Prez

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6
Q

Which Catholic liturgical sacred genres did Franco-Flemish composers write?

A

Mass cycles and movements
Requiems
Latin motets
Magnificats

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7
Q

Which Protestant sacred genres did Franco-Flemish composers write?

A

Psalm settings
Sacred chansons

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8
Q

Which genre was the most prominent form of Franco-Flemish secular music?

A

Chanson

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9
Q

Describe the attributes of Franco-Flemish Mass settings.

A

Usually based on preexisting melodies
Melodies as cantus firmus in tenor (early)
Melodies as imitative material (later)
Gregorian chants were a main source of material
Chansons were popular sources with earlier composers

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10
Q

Describe the attributes of early, middle, and late Franco-Flemish motets.

A

Early - Gregorian chant in canon
Middle - chant as basis for imitation
Late - text pieces as basis for imitation

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11
Q

Describe the attributes of Franco-Flemish Magnificats.

A

Mostly early and middle Renaissance
Alternating passages of polyphony and Gregorian chant

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12
Q

What is alternatim style?

A

Alternating passages of polyphony and Gregorian chant

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13
Q

In which three styles would late Renaissance Franco-Flemish composers set psalter tunes?

A
  1. Hymn-like, with tune in tenor
  2. Slightly adorned, soprano on melody
  3. Motet-like, fully imitative
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14
Q

Who were earlier composers of chansons?

A

Dufay, Ockegem, La Rue, & some Josquin

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15
Q

Describe the attributes of early, middle, and late chansons.

A

Early - formes fixes
Middle - imitative, motet style
Late - “Parisian” homophonic style

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16
Q

Describe the character of French/Franco-Flemish Renaissance music.

A

Single texts
Integrated musical material
Imitative textures