Intervention artic/phono 3 Flashcards

0
Q

What is phase 1 of the 4 phase intervention approach?

A

Phase 1: Familiarisation and production of contrasts
Familiarise child with rule – e.g. long vs short
Familiarise child with vocabulary/pictures to be used
Ask child to firstly imitate and then produce target contrasts
Lasts 1-2 sessions only

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
1
Q

What are the intervention principles for all four therapies?

A

Provide opportunities for child to discover ‘rule’ being focused on Provide frequent salient contrastive sounds with physical prompts where possible (e.g. long/short)
Use contrastive words in functional, meaningful play activities Give child feedback on meaning of contrasts
Use about 5 contrastive sets per session
Ensure that words are meaningful to child Keep contrastive sets together – don’t separate words e.g. “tea/key” said consecutively
Provide communicative feedback to child about success of their production
Aim for about 60-100 productions per session (30 mins)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What is phase 2 of the 4 phase intervention approach?

A

Phase 2: Contrast and interactive play
Imitation of minimal pairs in activities – until 70% accuracy Spontaneous – in activities until 90% accuracy
Focussed production first, then in play

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What is phase 3 of the 4 phase intervention program?

A

Phase 3 - Contrasts within Communicative Contexts Productions start to be used in more game/play based activities (e.g. Go Fish)
contrasts do not need to stay paired here
Child needs to reach 90% accuracy with target words before moving on

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What is phase 4 of the 4 phase intervention approach?

A

Phase 4 – Conversational Recasts
More naturalistic training – within play and functional activities Designed to put child in situation of being encouraged to make conversational repairs
When child makes errors, say word immediately to child with correct target sounds

Phases 2 and 3 are the focus of these therapies - Phase 4 may not be required

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

What is minimal pair contrast therapy?

A

Cognitive-linguistic’ approach
Aims to increase child’s awareness of semantic difference between their erroneous production and the adult model Contrast between words in a pair is minimal i.e., phonemes differ by only one feature e.g. ,pat-bat; pour-four; tea-key

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

When is minimal pair contrast therapy appropriate?

A

Appropriate when two or more sounds are collapses into one sound creating homonymy.
Most common type of contrasts are substituted or deleted sound with target sound.
Training designed to establish sounds contrasts that mark a difference in meaning.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What is important in choosing minimal pairs?

A

Within vocabulary of child
Able to be pictured
Not used in assessment procedure
Not likely to be called something different
Should not include phonemes which could ‘confuse’ child (e.g., tick/kick where final /k/ might confuse child into assimilating

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Who would benefit most from minimal pair therapy?

A

Children with mild-moderate phonological difficulty of ages 3-6 years with no organic or hearing difficulties
NOT clients who display many sound distortions and/or many omissions
Children who are consistent in their use of speech sounds and in their errors
Clients who are stimulable for target sounds

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What is multiple oppositions therapy?

A

Variation of minimal contrast approach
Based on assumption that learning is facilitated by size and nature of ‘chunks’ of linguistic information presented to child
Multiple errors, where 1 sound is used in place of 2 or more others, are best treated with a systemic approach (consideration of the function of sounds, not characteristics) - ie. many sounds replaced by one sound.
 Simultaneously contrast several target sounds with a comparison sound.
 Targets elimination of homonymy.
Promotes generalisation
Targets both systemic and structural process errors

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Which client group would benefit most from multiple oppositions therapy?

A

Clients with moderate to severe to profound phonological disorders
Children of 3-6 years with no organic or hearing difficulties Children who have at least 6 sounds in error across 3 different manner classes
Useful for children who substitute one phoneme for several, very different phonemes

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

What is the foundation of complexity approaches?

A

3 factors important for facilitating change
1. The number of feature differences
2. The nature of feature differences
3. Known vs unknown targets (most vs least phonological knowledge)
The more complex each of these factors, the more significant change and generalisation will be

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

What therapy type is chosen for complexity approach?

A

Maximal oppositions therapy.
Proponents argue that increased feature difference between sounds increases opportunity for generalisation by allowing child to ‘fill in’ gaps in their phonological knowledge.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

What are the three criteria for selecting an opposition sound in maximal oppositions therapy?

A

Three criteria in selection of comparison sound:
The comparison sound must be:
independent of child’s error.
eg. if child produces /t/ for /sh/, maximal opposition approach would select a sound other than /t/ to contrast with the target /sh/.

Comparison sound selected on basis of the following two criteria:
a sound produced correctly by child
 maximally distinct from target sound

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

What are some limitations of maximal contrasts?

A

Often target sounds which are not typically part of child’s phonemic inventory
Research using maximal contrasts has not targeted consonant clusters

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Why does maximal oppositions work?

A

as comparison sound is independent of child’s error, the resulting maximal oppositions not produced as homonyms:
‘me’ - ‘tee’ ‘my’ - ‘tie’ ‘Mack’ - ‘tack’ ‘mall’ - ‘tall’
child maintains a phonemic contrast between pairs of words, but not same contrast as in adult speech
elimination of homonymy not directly addressed - left for child to discover and eliminate on their own

16
Q

How do maximally different sounds vary?

A

Differ on two parameters

  1. The number of unique distinctive features that differentiate sounds
  2. The nature of the feature – is it a major class feature eg. +vocalic (eg liquid vs. stop), +consonantal (eg. stops vs vowel), +sonorant (eg. liquids, glides, nasals vs stops, fricatives, affricates
17
Q

Which clients would benefit most from maximal oppositions?

A

Clients with moderate to severe phonological disorders of unknown origin –functional disorders with no organic/structural basis
Children of 2;8 to 7;11 (average 4 years)

18
Q

What is treatment of the empty set?

A

Similar to maximal oppositions in that the paired words used in training are not homonyms
Different in that BOTH sounds that are contrasted are produced as errors by child
Therefore, child receives intervention on two target sounds simultaneously

19
Q

Which client group would benefit most from treatment of the empty set?

A

Clients with moderate to severe phonological disorders of unknown origin functional disorders with no organic/structural basis
Children of 2;8 to 7;11 (average 4 years)