I, Daniel Blake Flashcards
INDUSTRY AND AUDIENCE
Who directed IDB and how was it produced + distributed?
Directed by Ken Loach who works for and started up Sixteen Films.
Sixteen Films then partnered up with a French company Why Not productions.
- Since 16 and WN are not vertically integrated eOne distributed and marketed IDB.
Who helped fund IDB?
BFI and BBC.
What is some context about Ken Loach?
Ken Loach is an award winning social realism director.
- Ken Loach was the reason Why Not Productions agreed to work with sixteen as the film would most likely be a success.
He is known for being left wing and anti-conservative.
What’s some economic context about IDB?
- Funding for the film had an impact on the content of the film and marketing materials.
- The BBC and BFI don’t tend to fund mainstream films.
What is the BBC’s remit?
To inform, educate and entertain.
What are some risks of IDB?
- It’s a regional british film which is niche as it’s hard to sell to a global audience due to accents.
- It did better in countries that could watch it subbed or dubbed and not in English speaking countries like USA.
What is guerilla marketing?
An advertising strategy that uses unconventional tactics to delight and attract customers. (can sometimes be illegal)
How was IDB marketed effectively?
- Used lots of traditional forms of marketing like posters, trailers etc possibly due to older nature of audience.
- Used the Daily Mirror due to their left wing audience to promote an article which was written as if Daniel Blake were and real person which created a narrative enigma for audiences.
- The posters and trailers heavily featured Ken Loach’s name.
- Also feature award nominations like the Palme D’or which engages audiences looking for a culturally significant film.
What is featuring Ken Loach’s name in the trailers and posters an example of?
Hesmondhalgh’s Star based formatting.
What guerilla marketing techniques did e-One do and how did they attract audiences?
- Projected quotes onto the sides of important buildings like parliament which targeted British audiences along with global audiences who may have seen it via online services.
—> Helped make the political message of the film clear - Regional marketing officers were hired to grow publicity in low budget ways especially in the North like promoting preview screenings and vox pops.
- ~wearealldanielblake speech video released containing local people and celebrities.
- Northern audiences targeted specifically due to them being more likely left wing and anti conservative due to political issues in the 80s.
How can Curran & Seaton be applied to IDB?
C&S’s theory of media concentration limiting creativity and profit and power can be applied to IDB through the independent ownership of IDB. The ownership type may be the reason it’s more creative and less mainstream.
- Furthermore, IDB may not be about profit and power due to its educational message/agenda and also demonstarted by the offering of free screenings. However it is still partially about profit (Why Not only agreeing to assist in production due to Ken Loach’s high probability of success)
How was technology used/not used in IDB?
- Few new tech used, no CGI, 3D, IMAX etc.
- Did have social media parges like Facebook and Twitter, marketing was more traditional.
- The film was distributed on DVD after cinema release and available for digital download.
How was regulation difficult with IDB?
Regulation was harder due to the digital release as people can avoid age checks/restrictions.
- IDB was a 15 by the BBFC due to the language and narrative of the film.
What is Livingstone and Lunt’s theory ?
Regulating media to protect citizens from harmful content can limit freedom of expression.
What is a digitally converged platform?
The ability to access a wide range of media content from the SAME DEVICE. (this is because of the digitisation of content)