Humanities 10 Flashcards

1
Q

What architectural style does the following describe:

Sheer verticality of twin towers, overall upward movement, and the multitude of pinnacles

A

High Gothic Style

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

When a piece of music has a time signature of 4/4 a quarter note receives how many beats?

A

1
The top number of the time signature is equal to the number of beats in a measure. The bottom number denotes which note is equal to one beat.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Which musical style is characterized by a swing feel, a strong rhythmic beat, and improvisation?

A

Jazz

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Which musical style combines elements of country, rhythm and blues, and other black idioms such as gospel and the blues?

A

Rock n Roll

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

What musical style is an orchestral work with three or four movements?

A

A symphony

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What musical style is a vocal dramatic work?

A

Opera

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

goes beyond the surreal and often includes the world of the unconscious or dreams

A

surrealism writing

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

present life as they feel it to be, not as is appears

A

expressionistic writing

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

presents life as the writer wishes it could be and usually describes strange lands and adventures

A

romantic writing

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

style used by novelists of the 18 and 19th centuries which relies on greater-than-life heroes, villains, and a grandiose sense of the macabre

A

Gothic style of writing

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

detailed descriptions of everyday life

A

realistic style of writing

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

non-metrical language, the opposite of verse

A

prose

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

a poem of lamentation for the dead

A

elegy

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

a type of reasoning pattern in which the conclusion does not follow the line of reasoning used to reach it

A

non sequitur

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

poetry that does not rhyme or have a regular meter

A

free verse

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

a stage projecting into the audience and the audience surrounding the stage on three sides?

A

Thrust stage

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

when the audience is seated on two sides of the stage?

A

central stage

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

traditional staging in a theatre with proscenium arch

A

Proscenium stage

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

audience is completely surrounding the playing area

A

theater-in-the-round

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

Famous French building characterized by flying buttresses

A

Notre Dame Cathedral

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

famous building characterized by Doric columns and high-relief metopes of the Doric frieze

A

Parthenon

22
Q

Famous building characterized by frescoes and barrel-vaulted ceilings

A

The Sistine Chapel

23
Q

Famous palace of Louis XIV, outside of Paris, characterized by the ornate style of baroque grandeur

A

Versailles

24
Q

the main interior room of an ancient Greek temple, in which the cult statue was sheltered

A

cella, as in the Parthenon cella

25
Q

is a Doric peripteral temple, which means that it consists of a rectangular floor plan with a series of low steps on every side, and a colonnade (8 x 17) of Doric columns extending around the periphery of the entire structure. Each entrance has an additional six columns in front of it.

A

Parthenon

26
Q

the inner area of the portico of a Greek or Roman temple, situated between the portico’s colonnade or walls and the entrance to the cella, or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as the cella.

A

portico

27
Q

Difference between the Pantheon and Parthenon

A

The Pantheon and the Parthenon are both ancient temples. While the Pantheon was built in Rome to celebrate all the Roman gods, the Parthenon was built in Ancient Greece for the goddess Athena. The Parthenon pre-dates the Pantheon by about six centuries; it was built around 447-438 BCE, while the Pantheon was built in 126 CE.

28
Q

is characterized by exaggerated motion and clear detail used to produce drama, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, and music.

A

Baroque style

29
Q

a lament for the dead, song that is part of funeral rite

A

dirge

30
Q

what stage direction occurs when the actor directly addressed the audience, while out of hearing of the other actors?

A

an aside

31
Q

is a moment in a play or other work when a character makes a critical discovery.

A

anagnorsis

32
Q

occurs when a moment of high tragedy at the emotional climax of a play is followed by an emotional cleansing for the characters and the audience.

A

a catharsis

33
Q

The significant moment in the plot of a play, when things change, or reach a crisis point.

A

climax

34
Q

The moment in a drama when the essential plot point is unravelled or explained. (e.g. “So you see I couldn’t have killed the gardener. Because I AM the gardener” (Loud organ music etc.)).

A

denouement

35
Q

The section of plot at the start of a play which provides essential background information about the characters, their situation, and their relationships to each other.

A

exposition

36
Q

The events in a play that occur after the climax has been reached, but before the final part.

A

falling action

37
Q

Form of comedy play originated in France, using fast-paced physical action and visual comedy more than humour based on language.

A

farce

38
Q

Predominantly European artistic and philosophical movement that arose due to changes in society and industry in the late 19th and early 20th centuries. The movement is also seen as a reaction against the horrors of World War 1. Characterised by a rejection of ‘traditional’ artistic forms; gave rise to abtract art, atonal music, stream-of-consciousness writing etc.
Initially modernist theatre was an attempt to employ naturalistic principles, as advocated by Emile Zola in the 1880s. However, a simultaneous reaction against naturalism attempted to integrate poetry, painting, music and dance in a harmonious fusion.

A

Modernism

39
Q

An allegorical performance in which the protagonist is met by personifications of various moral attributes who try to prompt him to choose a godly life over one of evil. Popular in Europe during the 15th and 16th centuries.

A

morality play

40
Q

any recurring element that has symbolic significance in a story. One example is the flute sound in Arthur Miller’s Death of a Salesman.

A

a motif

41
Q

Introductory musical piece played before a musical which contains many of the musical motifs and themes of the score.

A

overture

42
Q

Lines delivered by an actor on stage as if to her/himself

A

soliloquy

43
Q

is a form of theatre originally developed by avant-garde French playwright, essayist, and theorist Henry Becque.
Antonin Artaud, some 50 years later, is also seen as a main contributor to the genre, notably with The Theatre and its Double. Originally a member of the surrealist movement, Artaud eventually began to develop his own theatrical theories. The Theatre of Cruelty can be seen as a break from traditional Western theatre and a means by which artists assault the senses of the audience, and allow them to feel the unexpressed emotions of the subconscious. While Artaud was only able to produce one play in his lifetime that reflected the tenets of the Theatre of Cruelty, the works of many theatre artists reflect his theories. These artists include Jean Genet, Jerzy Grotowski, and Peter Brook.

A

Theater of Cruelty

44
Q

form of drama based on human suffering that invokes in its audience an accompanying catharsis or pleasure in the viewing. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization.

A

tragedy

45
Q

known as Distancing Effect or Alienation Effect, this is a concept coined by Bertholt Brecht “which prevents the audience from losing itself passively and completely in the character created by the actor, and which consequently leads the audience to be a consciously critical observer.”

A

the V-effect

46
Q

Hagia Sophia was originally built as?

A

Byzantine palace church

47
Q

The art of using movement instead of words to create a story refers to
an ancient dramatic entertainment representing scenes from life usually in a ridiculous manner

A

mime

48
Q

the art or technique of conveying emotions, actions, feelings, etc., by gestures without speech.
a play or entertainment in which the performers express themselves mutely by gestures, often to the accompaniment of music.
significant gesture without speech.

A

pantomime

49
Q

the ability to adapt the body to the properties of things

A

mimetic imitation

50
Q

a technique in which a performer creates circumstances and applies it to games

A

improvisation

51
Q

group of masked characters presenting plays in an improvisational form

A

commedia dell’arte