hokusai under the great wave of kanagawa Flashcards

1
Q

mount fuji context

A

national icon, people were religiously devoted to it

said to become the focus of ‘fuji cults’

fuji cults would go on pilgrammages up it- origional purchasers of print made pilgramme=gest

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2
Q

what did mount fuji mean to Hokusai

A

became a symbol of longevity of age to him

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3
Q

isolationist japan context

A

had been closed to foreign travel since 1630s

1720 ban lifted on importing chinese translations of european books and certain trade

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4
Q

materials and techniques

A

-prussian blue pigment used (shows hokusais readiness to use eurpoean ideas)

woodblock print, thousands of prints made (was prefered method of art in japan in 1800s)

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5
Q

subject matter

A

view of mount fuji (part of a series of colour prints of fuji by Hokusai)

huge wave over 3 small skiffs and crouching oarsman in seascape

looks back on Japan

plunging breaker wave is repeated by a small cresting wave below which mirrors mount fuji sillouhete

nature much larger than man

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6
Q

what were the oarsmen doing

A

headed out to sea to meet fishing fleet

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7
Q

what type of wave is shown

A

a ‘plunging breaker’

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8
Q

how is the sillouhete of Mount Fuji mirrored

A

mirrored by plunging breaker wave and smaller cresting wave

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9
Q

how is the sea given animalistic intent

A

claw like foaming evokes violent movement and gives sea animalistic intent

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10
Q

how do we get a sense of the sublime

A

natures scale in much larger and its violence is accentuated by foaming claws

water is given dominance over earth as fuji is dwarfed

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11
Q

how does hokusai add a comical element

A

spray of wave looks like snow falling on mountain

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12
Q

space and depth

A

-low horizon line links back to europpean art

-little mid ground

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13
Q

viewpoint

A

no footing as a viewer, suggests viewer is also in a boat and in danger emphasising the vunerability of humanity

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14
Q

composition

A

asymmetrical- huge wave creates imbalance on other side

wave curves over central space emphasising Mount Fuji which is echoed by prow of boats showung earths dominance over man

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15
Q

how is earths dominance over man shown

A

foaming claws

wave curves over crouching humans

viwer suggestively also in a boat

earth is smaller than wave

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16
Q

style

A

extreme stylisation and graphic quality

prominent use of line emphasised by woodblock technique

17
Q

use of colour

A

prussian blue- rare and european adding status to wave

repetition of blue and white creates harmony

blue dominantes colour of oarsmen showing fragility