History of Art and Interior Design Flashcards

1
Q

An aesthetically pleasing and meaningful arrangement of element such as words, sounds, colors, shapes, etc.; a form of human activity

A

Art

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2
Q

The science and profession of designing and constructing buildings other structures

A

Architecture

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3
Q

Any of the arts pertaining to the following: painting, sculpture, glass and glassware, ceramic and pottery, metallurgy, and plants

A

Decorative Arts

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4
Q

Approaches to Historical Style Analysis

A
  1. Practical
  2. Historical
  3. Aesthetics
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5
Q

An approach to historical style analysis that seeks to establish what was built, when, by whom, and for whom

A

Practical

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6
Q

An approach to historical style analysis that seeks the whys and its relationship to the social, economic, political, cultural, and religious environment

A

Historical

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7
Q

An approach to historical style analysis that accounts visual and stylistic differences and to explain how style change and why they do so

A

Aesthetics

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8
Q

Factors of Historical Development

A
  1. Rational, Technological, and Constructional
  2. Social and Religious
  3. Economic, Cultural, and Political
  4. Spirit of the Age (Zeitgeist)
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9
Q

From 30,000 to 10,000 BC; before written history; also known as Old Stone Age where Homo Sapiens or Cro-Magnon man used chipped stones; it concerned itself with food or fertility, it attempted to gain control over their management by magic or rituals, it respresented a giant key in human recognition: ABSTRACT THINKING

A

Paleolithic Age

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10
Q

Sub-periods in the Paleolithic Age

A
  1. Mousterian
  2. Aurignacian
  3. Magdalenian
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11
Q

A sub-period in the Paleolithic Age where the use of pigments for bodily ornamentation is a key characteristic

A

Mousterian

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12
Q

A sub-period in the Paleolithic Age where cave painting is a key characteristic

A

Aurignacian

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13
Q

A sub-period in the Paleolithic Age where the art found where engravings of animals on bone and the last of the hunter-gatherers existed

A

Magdalenian

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14
Q

Small figurines or decorative objects in the Paleolithic Age were carved or molded with __________.

A

Clay

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15
Q

Figurines in the Paleolithic Age were collectively known as __________ as they are unmistakably female of child-bearing build.

A

Venus

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16
Q

During 10,000- 8,000 BC; also known as the Middle Stone Age; most of the glacial ice as well as certain food disappeared; the age where they saw the beginnings of settled communities and farming; the invention of bow and arrow, pottery for storage, and the domestication of animals; their art was highly stylized rather than glorified stick figures and they usually used human objects

A

Mesolithic Age

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17
Q

From 7,000-3,000 BC; also called the New Stone Age; it is when man first developed agriculture and settled in permanent villages; it is when mud brick were first used

A

Neolithic Age

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18
Q

A type of art in the Neolithic Age where they use it for storage and for cooking

A

Pottery

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19
Q

A large stone which had been used to construct a structure or monument either alone or with other stones without using mortar

A

Megalith

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20
Q

A large, single upright standing stone

A

Menhir

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21
Q

A free standing chamber consisting of standing stones covered by a capstone as lid; used for burial and were covered by mounds; literally means table

A

Dolmen

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22
Q

An upright slab forming part of a larger structure

A

Orthostat

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23
Q

Also known as Cromlech in Welsh

A

Stone Circle

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24
Q

A linear arrangement of upright, parallel standing stones

A

Stone Row

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25
Q

A straight standing stone, topped with another forming a “T” shape

A

Taula

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26
Q

Two parallel upright stones with a horizontal stone, called a lintel, placed on top; eg. Stonehenge

A

Trilithon

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27
Q

Also known as Metal Age: it was when copper and twin were widely used; they also used semi precious stones; when there was advancement in pottery

A

Bronze Age

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28
Q

From 4,300-331 BC; known as the cradle of civilization because of its enormous advances and contributions including domestication of animals, trade and coinage, legal government, potter’s wheel, wagon wheel, alphabet, architecture, mathematics and astronomy, monotheism and monogamy; their art form had stylized aesthetics (based only on technique and style, not realistic)

A

Mesopotamian Civilization

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29
Q

Mesopotamia is surrounded by the rivers __________ and __________.

A

Euphrates and Tigris

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30
Q

From 6,000-4,000 BC; contributed to the cuneiform and the Ziggurat architecture; known to have invented writing and produce the world’s first literature: THE EPIC OF GILGAMESH

A

Sumerian

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31
Q

Artificial mountains made of tiered rectangular layers which rose in number from one to seven

A

Ziggurat

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32
Q

First Mesopotamian rulers to call themselves kings; may have been the first to cast hollow life-size bronze sculptures; famous ruler: Sargon I

A

Akkadians

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33
Q

From 4,000-700 BC; also known as Chaldean Period; their greatest king, Hammurabi, formulated wide-ranging laws immortalized on the Code of Hammurabi; they built the Ishtar Gate

A

Babylonians

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34
Q

From 700-500 BC; their palaces were fortified citadels with lamassu guardians

A

Assyrians

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35
Q

From 539-331 BC; wealthiest empire; believed in Zoroaster, the god of fire; Cyrus the Great of Persia defeated the Babylonians; the empire, through Darius I, built the Persepolis

A

Persian Empire

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36
Q

A system of writing typified by the use of characters formed by the arrangement of small wedge shaped elements

A

Cuneiform

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37
Q

Mesopotamian __________ are characterized by large circular eyes and curly hair and beard.

A

Sculptures

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38
Q

A great stone statue of a human-headed winged bull that preceded the Palace of Ishtar

A

Lamassu

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39
Q

Tiny triangle-like shapes found on top of the Gate of Ishtar

A

Crenellations

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40
Q

Mesopotamian Capital

A

Bull

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41
Q

Persian Capital

A

Double Bull

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42
Q

The text of Hammurabi’s code comprising of 300 statues written in Akkadian on 51 columns

A

The Law Code of Hammurabi

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43
Q

Provided for civic, commercial, and even industrial activities; often raise upon a great platform situated at the town center

A

Temple

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44
Q

The __________ introduced polychrome ornamental brickwork and also high plinths or dadoes made of great stone slabs placed on edges; usually carved with low relief sculpture.

A

Assyrians

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45
Q

Entrance to the Palace of Sargon; named after the goddess of love, fertility, and war; it is face with glazed bricks with rows of bulls and dragons; were flanked by great towers, and with lamassu figures carved in stone

A

Ishtar Gate

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46
Q

A seven tiered ziggurat rising rom a base of 297 sqft.; its mounds of ruins lay in Baghdad

A

Tower of Babel

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47
Q

A great palace built by Nebuchadnezzar for his wife, Amytis

A

Hanging Gardens of Babylon

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48
Q

Built on a stone platform, consisted of multi-colored buildings; access to the platform was a long double stairway

A

Palace of Persepolis

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48
Q

They focused on permanence, stability, eternity, and life after death; it is when they discovered the making of glass

A

Ancient Egyptian Period

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49
Q

When pharaohs are thought to be gods

A

Theocracy

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50
Q

A system of writing with picture-symbols; this allowed Egyptian history to be written

A

Hieroglyphics

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51
Q

For Egyptians, preparation for the after life was of extreme importance. The body must be preserved if the soul or __________ is to live on in the beyond using the same body.

A

Ka

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52
Q

Storage for organs of the Egyptian dead

A

Canonic Jars

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53
Q

A symbol of the sun god and the pharaoh; sacred life

A

Lotus

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54
Q

A symbol for purity in Ancient Egypt

A

Palm

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55
Q

Emblem of the Egyptian sun god

A

Sun Disk

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56
Q

Symbol of upper Egypt; symbolizes loyal protection

A

Vulture

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57
Q

Symbolizes rebirth and eternal life in Egypt; it is also the symbol of the god Khephera who was believed to cause the sun to move

A

Scarab Beetle/ Scarab

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58
Q

Symbolizes loyalty in Ancient Egypt

A

Serpent

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59
Q

It is the symbol of life in Ancient Egypt

A

Ankh

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60
Q

Face must look straight ahead and each side must be exactly like the other; Although the hands and feet at in profile, shoulders in front view; Royalty portrayed large and formally, commoners are portrayed naturally, slaves and enemies are in the smallest scale; men are colored reddish brown, and females are in yellow

A

Law of Frontality

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61
Q

Mythical beast of ancient Egypt; sometimes symbolizing the pharaoh as an incarnation of the sun god Ra; usually in a recumbent (lying down) position with the head of a man and the body of a lion but sometimes constructed with a ram’s head or with a hawk’s head

A

Sphinx

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62
Q

Carved, generally stone case in which the linen-wrapped mummy was placed

A

Sarcophagus

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63
Q

Characterized by structures mostly made of bricks, and some stone; massive and solid and with excessively thick walls; simple forms and few mouldings

A

Ancient Egyptian Architecture

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64
Q

A system of (decorated) column and lintel

A

Trabeated Construction

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65
Q

The first recorded artist of Western History and architect to Zoroaster; enjoyed the status of a court official and was later deified (worshiped or treated as god)

A

Imhotep

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66
Q

Funerary temples for commoners; one-storey structure with sloped walls and a flat roof, vertical shafts in the floor leading to the burial chamber

A

Mastabas

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67
Q

A city of mastabas; a complex of tombs; city of the dead

A

Necropolis

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68
Q

A royal tomb and considered the place of ascent for the spirit of the deceased pharaoh

A

Pyramid

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69
Q

3 types of pyramids

A
  1. Straight/ perfect
  2. Stepped
  3. Bent
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70
Q

Square shaft of stone with a pyramidal top set upright to represent the benben on which the rays of the rising sun first fell at the dawn of creation; hewn out of a single stone that can reach as high as 30 meters or more and weighs as much as 7dozen tons

A

Obelisk

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71
Q

Was considered ‘the horizon’ of divine being, the point at which the God came into existence at creation; mirror of the universe and a representation of the benben

A

Egyptian Temple

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72
Q

Kinds of Egyptian Temples

A
  1. Mortuary Temples
  2. Cult Temples
  3. Rock-hewn Tombs/ Temples
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73
Q

An Egyptian temple for the dead pharaoh

A

Mortuary Temples

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74
Q

An Egyptian temple for popular worship of the ancient gods or the spirit gods

A

Cult Temples

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75
Q

Ancient Egyptian structure located on cliffs where they cut labyrinth passageways that lead to ceremonial and burial chambers which were later replaced by temples; for the noble and royal

A

Rock-hewn tombs/ temples

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76
Q

The large gate at the front of the temple; the walls of it were decorated with carved and painted scenes of the pharaoh, gods, and goddesses

A

Pylon

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77
Q

A part of the temple that was large open room without a roof; the outer walls shows scenes of the pharaoh in battle; inner walls showed the pharaoh making offerings to the gods and goddesses

A

Peristyle Court/ Courtyard

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78
Q

A hall that represented a marsh in the beginning of time; filled with column that looked like papyrus plants; only the important priests and the pharaoh were allowed to enter it; used for performing religious rituals

A

Hypostyle Hall

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79
Q

A place in the Egyptian temple that contains a small shrine which was used as receptacle for the small statue of a god; only the pharaoh can enter it

A

Sanctuary

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80
Q

Kinds of Egyptian Capitals

A
  1. Palmiform
  2. Lotiform (Lotus)
  3. Papyrus Bundle
  4. Papyriform
  5. Campaniform
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81
Q

Columns that tend to have ribbed shafts which represent the stems of the plant that is topped with capital representing open or closed ** buds; used in secular and residential structures

A

Lotiform

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82
Q

Capitals/ columns that do not actually represent palm trees but rather, the eight palm fronds tied to a central pole

A

Palmiform

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83
Q

Flower of bell shaped form; either lily of papyrus

A

Campaniform

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84
Q

From the papyrus- the plant representing the lower Egypt; suggesting the presence of a temple; can have circular or ribbed shafts

A

Papyrus Bundle

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85
Q

Symbol of upper Egypt

A

Lily

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86
Q

Columns that were widely used in the Step Pyramid Complex of Djoser

A

Reed Columns

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87
Q

Three 4th dynasty pyramids erected on a rocky plateau on the West Bank of the Nile River near Al-Jizah (Giza) in northern Egypt

A

The Giza Pyramids

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88
Q

The 3 Pyramids at Giza

A
  1. Pyramid of Khafre (Chephren)
  2. Pyramid of Khufu
  3. Pyramid of Menkaure (Mycerinus)
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89
Q

The symbol for protection; hewn out of natural limestone with the addition of stone blocks; molded into a human-headed lion with the face representing Khafre; a paved open temple is located between its paws

A

The a Great Sphinx

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90
Q

Situated beneath the cliffs at Deir el Bahari on the west bank of the Nile; a colonnaded structure which was designed and implemented by Senemut (royal architect of the queen **); it is built one cliff face that rises sharply above it and consists of three layered retraces reaching 30 meters (97ft.) in height

A

Mortuary Temple of Queen Hatshepsut

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91
Q

Located in Karnak, Egypt; it boasts of a hypostyle hall with 134 free standing columns in 16 rows; built by a sacred lake

A

Great Temple of Amun

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92
Q

The very first pyramid built by the Egyptians; constructed during the 27th century BC for the burial of Pharoah ** by his Vizier Imhotep

A

The Step Pyramid of Djoser

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93
Q

An archeological site comprising two massive rock temple in Southern Egypt on the western bank of Lake Nasser; originally carved out of the mountain side during the reign of Pharaoh Ramesses the Great as a lasting monument to himself and his queen, Nefertari

A

The Great Temple of Abu-Simbel

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94
Q

3 Sub-periods of the Aegean Civilization

A
  1. Cycladic
  2. Minoan
  3. Mycenaean
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95
Q

Mycenaean capital; made of Cedar wood; the column gapers from top to bottom

A

Bun or Pillow Capital

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96
Q

A period in history where the a funerary mask is an example; eg: gold mask called “Mask of Agammemon”

A

Mycenaean Civilization

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97
Q

The Mycenaean ruins are a fortress on a hill that is entered through the __________. Large rectangular area with hearth in the center and with many columns supporting the roof.

A

Gate of Lions or Lion Gate

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98
Q

“Big room”; a prehistoric throne room enclosing a circular hearth

A

Megaron

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99
Q

A ___________ or a tholos is a round building and a tomb

A

Beehive Tomb

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100
Q

Arranging the courses of layers of stone so that each level projects over a stone

A

Corbelling

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101
Q

______________ boasted of the largest dome in the pre-Roman world

A

Aegean Civilization (Mycenaean Civilization)

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102
Q

Civilization that flourished on the Greek Peninsula, in Asia Minor, on the north coast of Africa, and in the Western Mediterranean until the establishment of the Roman dominion in 146 AD

A

Greek Civilization (3200 - 32BC)

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103
Q

Characterized by a system of construction based on rules of form and proportion

A

Greek Art

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104
Q

The Ancient Greek civilization rose from the ____________ who overwhelmed the Mycenaeans.

A

Dorians

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105
Q

Greece was composed of independent city-states known as ____________.

A

Polis

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106
Q

The Greeks believed in the high potential of the ______________ that encouraged a high level of creative expression.

A

Human Being

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107
Q

The Greeks believed in “_____________” proportion and the balance and moderation in all things.

A

Golden Mean

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108
Q

The Greeks, particularly Plato, had the belief in the ___________ form.

A

Ideal

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109
Q

Types of Greek Art:

A
  1. Painting

2. Sculpture

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110
Q

Paintings in Greek Art can be seen in __________ and ____________ decoration

A

Mural and Pottery

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111
Q

Sculptures in Greek Art are done in ____________ or ___________.

A

Stone or Bronze

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112
Q

4 Periods in Greek Art

A
  1. Dark Age and Geometric Period (100-700 BC)
  2. Archaic Period (700-480 BC)
  3. Hellenic/ Classical Period (480-323 BC)
  4. Hellenistic Period (323-31 BC)
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113
Q

Characterized by

  • sculptures,
  • cylindrical forms and simple formalized features of draperies,
  • kouros,
  • archaic smile,
  • vases (black and red figure ware),
  • Doric and Ionic Columns
A

Archaic Period

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114
Q

A robed standing youth; favorite during the Archaic period

A

Kouros

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116
Q

Pertaining to Ancient Greek history, cultural Art, especially before the time of Alexander the Great; includes the Severe and Classical Style

A

Hellenic Period

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117
Q

A style characterized by movement; towards increasing naturalness and freedom of form; the use of lost wax method and bronze casting

A

Severe Style

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118
Q

The art of Greece’s Golden Age; idealized representations of the subject with perfect bodily proportions; sculpture is characterized by vertical folds of cloth and contrapposto

A

Classical Style

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119
Q

The Greek’s attempt to depict reality by using devices to create illusion of a third dimension in flat **

A

Paintings

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120
Q

Pertaining to Greek culture and art of the times of Alexander the Great’s death in 323 BC through the 1st century BC during which the Greek dy nasties were established in Egypt, Syria, and Persia, and Greek culture was modified by foreign elements

A

Hellenistic Period

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121
Q

A Greek period where the sculptures are adapted to employ the canons and mathematical rules of proportions; realism and emotional intensity

A

Hellenistic Period

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122
Q

A Greek period characterized by the revival of figure in painting

A

Geometric Period

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123
Q

A Greek period characterized by the construction of the oldest Doric and Ionic Temples and life she stone statues

A

Archaic Period

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124
Q

A Greek period characterized by the contrapposto in statues, formulation of the canon of proportions, and the rebuilding of the Athenian Acropolis

A

Classical Period

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125
Q

The person who formulated the canon of proportions

A

Polykleitos

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126
Q

A Greek period where the sculptors humanized Geek gods and where the Corinthian capital was introduced

A

Hellenic Period

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127
Q

A Greek period where artists explore new subjects and where the artists break the rules of the classical orders

A

Hellenistic Period

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128
Q

A Greek pottery style characterized by rectilinear meander patterns; each pattern is framed by circular horizontal borders that emphasize the shape of the pot

A

Geometric Style (1000-700 BC)

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129
Q

A Greek pottery style characterized by the assimilation of Eastern iconography; shapes are larger and more curvilinear, and geometric patterns are now used simply as borders

A

Orientalizing Style (700-640 BC)

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130
Q

Greek pottery where the artist painted the figure in black silhouette with a slip made of clay and water; black silhouette with red background; during Archaic (640-490 BC)

A

Black-figure Ware

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131
Q

Greek pottery where the figures were left in red against a black background, and the details were painted in black; during the late Archaic to Classical (530-400 BC)

A

Red-figure Ware

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132
Q

Greek pottery where a wash of white clay formed the background; figures were then applied in black and additional colors were added; during the classical to late classical period (420-4th Century BC)

A

White-ground Ware

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133
Q

Storage for wine, olive oil, honey, or water during the Greek Civilization

A

Greek Vases

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134
Q

A water jar with three handles

A

Hydria

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135
Q

A flask for storing and pouring oil

A

Lekythos

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136
Q

Bowl for mixing wine and water

A

Krater

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137
Q

Vessel for storing hone, olive oil, wine, and water

A

Amphora

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138
Q

Drinking cups

A

Kylix

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139
Q

A jug for pouring wine

A

Oenochoe

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140
Q

A general feature of Greek architecture: they constructed monumental buildings from ___________, ____________, and ____________.

A

Wooden timbers
Clay bricks
Marble

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141
Q

Orders in Greek Architecture

A
  1. Doric
  2. Ionic
  3. Corinthian
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142
Q

An order in Greek architecture that is the earliest, simplest, and the most massive; the column has no base, a fluted shaft, and a plain capital; Archaic

A

Doric

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143
Q

An order in Greek architecture that is lighter than Doric; it has a fluted shaft, a base, and a volute capital; Archaic

A

Ionic

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144
Q

A variant of the Iconic with its plinth and fluted shaft and its distinctive ornate capital; it has a basket of acanthus leaves, has a base but no pediment because it is not for exterior purposes

A

Corinthian

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145
Q

The top most step of the tree steps

A

Stylobate

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146
Q

The column itself composed of individual sections (drums) and concave grooves (flutes), with a base and capital

A

Shaft

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147
Q

A snug band at the top of the shaft

A

Necking

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148
Q

A flat, curved element, like a plate, with rounded sides (Doric Order)

A

Echinus

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149
Q

A flat square above the echinus or volute

A

Abacus

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150
Q

Forms the lintel of an order

A

Entablature

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151
Q

A plain, horizontal member above the capital

A

Architrave

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152
Q

A band above the architrave consisting of alternating triglyphs and metopes

A

Frieze

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153
Q

Rectangles with vertical incisions carved into their surface (Doric Order)

A

Triglyph

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154
Q

Slabs of stone, either plain or with sculpture in relief (Doric Order)

A

Metope

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155
Q

Short Band under the Triglyph (Doric Order)

A

Regula

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156
Q

A fillet directly positioned above the architrave

A

Tenia

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157
Q

A projection above the Frieze to protect it from the weather

A

Cornice

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158
Q

A low, slanting cornice

A

Ranking Cornice

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159
Q

The triangular part or gable rested on the cornice atop a classical building; can have sculptures

A

Pediment

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160
Q

A technique plied on columns which do not taper in a straight line, but bulge outward about one-third of the way up from the base

A

Entasis

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161
Q

A small, flat, plain surface used to separate other mouldings

A

Fillet

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162
Q

A moulding that is wide and has a straight surface

A

Fascia

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163
Q

A moulding characterized by a convex curved surface; a quarter circle; often paired with the Egg and Dart motif

A

Ovolo

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164
Q

A moulding characterized by a concave surface approximating the her curve of a quarter circle

A

Cavetto

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165
Q

An S-shaped curved surface that starts and ends horizontally; usually paired with a honeysuckle motif

A

Cyma Recta

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166
Q

A moulding that starts and ends vertically; usually paired with the waterleaf motif

A

Cyma Reversa

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167
Q

A moulding characterized by a conveys surface approximately the exterior of a semi-circle; usually used with the guilloche motif

A

Torus

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168
Q

A small Torus

A

Bead

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169
Q

A moulding characterized by a deep, hollow, concave moulding, usually found on the column base

A

Scotia

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170
Q

Are Greek column with shafts in the female form

A

Caryatids

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171
Q

Are Greek columns that use male figures as the column itself

A

Atlantes

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172
Q

Are Greek columns that use the top halves of male figures as a column

A

Telamones

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173
Q

A Greek plaza /court, meeting place, and a platform for a speaker; it can also serve as a market place

A

Agora

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174
Q

A long colonnaded multipurpose Greek building

A

Stoa

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175
Q

It was built to house the deity in Greece

A

Temple

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176
Q

Parts of a Greek Temple

A
  1. Pronaos
  2. Naos
  3. Sanctuary
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177
Q

A part of the Greek temple known as the antechamber

A

Pronaos

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178
Q

A part of the Greek temple that is after the Pronaos; sometimes where the deity is

A

Naos

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179
Q

It is the most sacred room in a Greek Temple that houses the statue of the God

A

Sanctuary

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180
Q

A Greek architecture that is for plays an performances; it consisted of stone seats wrapped around the ‘orchestra’ and face the ‘skene’ or the stage of the building

A

Theatre

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181
Q

A type of Greek theatre that had a semi-circular form and was hollowed out of a hill

A

Auditorium

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182
Q

A type of Greek theatre that small and covered

A

Odeon

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183
Q

An elongated Greek theatre for foot races

A

Stadium

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184
Q

A Greek theatre for horse and chariot races

A

Hippodrome

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185
Q

A part of the Greek theatre known as the dancing place; a large, circular area that contains a slightly raised stone on which was placed the statues of deities (usually Dionysus)

A

Orchestra

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186
Q

A part of the Greek theatre that is an acting area behind the orchestra

A

Proscenium

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187
Q

A part of the Greek theatre that served as a backdrop for the acting area or dressing room

A

Skene

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188
Q

___________ or entrance and __________ or exit are high portals on each side of the orchestra

A

Parados

Exodus

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189
Q

A Greek senate house for elected officials

A

Prytaneion

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190
Q

A Greek council house; a covered meeting place for elected officials

A

Bouleterion

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191
Q

A Greek large tomb usually a large stone building with places of entombment above the ground; for the rich

A

Mausoleum

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192
Q

A Greek gymnasium

A

Palestra

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193
Q

The fortified citadel and state sanctuary of the city of Athens

A

Acropolis of Athens

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194
Q

The monumental entrance to the Acropolis

A

Propylaea

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195
Q

The gallery in the Acropolis that housed the tablets or pictures honoring the gods

A

Pinacotheca

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196
Q

A temple dedicated to worship the two principal gods, Athena and Poseidon; protasis on the east side, and the famous porch of caryatids on the south; architects were Icthinus and Callicarates

A

Temple of Erecthion

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197
Q

The temple of Erecthion was built in what order?

A

Iconic

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198
Q

A temple devoted to the worship of Athena and was built of marble with timber roof; architects were Icthinus and Callicrates; sculptor was Phidias

A

Parthenon

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199
Q

The temple of Parthenon was built in what order?

A

Doric

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200
Q

Contrary postpone of the arms and legs that give more movement to the sculpture;
eg: Discobolus, Parthenon Statues

A

Contrapposto Position

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207
Q

The establishment of Absolutism was under the reign of __________.

A

King Louis XIV

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208
Q

A period in history that went through the reigns of Francis I, Francis Ii, Charles IV, Henry III, and Louis XIII

A

French Renaissance

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209
Q

It’s characteristics includes:

  1. Classical horizontality and a tendency to become vertically gothic
  2. High mansard roofs with dormer windows and lofty chimney
  3. Used a combination of classic and medieval mouldings
A

French Renaissance

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210
Q

Has four loft halls finished by elliptical barrel vaulting, crowned with a lantern; piles of gothic features clothed with Renaissance details; features a double helix stone stairs

A

Chateau de Chambord

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211
Q

The favorite residence of Francis I; the largest palace of the 16th century; with horse shoe shaped staircase

A

Palais de Fontainbleau

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212
Q

Became the architectural style in the 17th - 18th century with its capital at Versailles

A

French Baroque

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213
Q

___________, the Sun King, ruled with pomp and magnificence during the French Baroque; French became the standard of taste

A

Louis the XIV

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214
Q

The minister of Finance during the reign of Louis XIV; organized a system for the development of the decorative arts when he built Chateau Vaux-le-Vicomte

A

Nicholas Fouquet

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215
Q

Was the actual seat of power in France until Louis XIV moved to Versailles

A

Louvre Palace, Paris

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216
Q

Church built by Queen Anne after the birth of Louis XIV; projecting portal by Francois Mansart and dome by Le Mercier

A

Church of Val de Grace

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217
Q

A style of classical art that evolved from the Baroque; distinguished by fanciful carved spatial forms and elaborate profuse design of shellwork and foliage

A

French Rococo

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218
Q

French Rococo flourished during the reign of __________.

A

Louis XV

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219
Q

French Rococo was derived from the words _____________ which means rock work and ____________ which means shell work.

A

Rocaille and Cocaille

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220
Q

Its historical background includes:

  1. Influenced by the decline of the Catholic Church
  2. Center of taste shifted from the court to the Paris Hotel (elegant private house)
  3. Patronage from royalty to aristocracy
  4. Belief in the supremacy of human reason and science
A

French Rococo

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221
Q

The 18th century was called ___________; belief in the supremacy of human reason and the centrality of the natural sciences, inherited and advanced by philosophers

A

The Age of Enlightenment

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222
Q

Its characteristics include:

  1. Gentle and playful style
  2. Pastel Colors
  3. Asymmetric
  4. Eroticism and Superficiality
  5. Cherubs and Venus sculptures
A

French Rococo

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223
Q

The leading English Rococo painter form Flanders;
Works include:
- Pilgrimage to the Island of Cythera
- The Dance

A

Antoine Watteau

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224
Q

An English Rococo artist that calls on classical imagery to provide a more serious underpinning for frivolous erotic themes;
Works include:
- Happy Accidents of the Swing

A

Jean- Honore Fragonard

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225
Q

A Rococo artist who took contemporary manners and social conventions as the subject of his satire;
Works include:
- Marriage a la Mode
- Scene II

A

William Hogarth

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226
Q

An English Rococo painter of portraits, landscapes, and fancy and peasant scenes; works with light and rapid brush strokes and delicate and evanescent colors

A

Thomas Gainsborough

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227
Q

Full name of Clodion

A

Jean Claude Michel

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228
Q

He treated light hearted terra cotta sculptures that epitomized the Rococo style

A

Jean Claude Michel or Clodion

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229
Q

A small chateau on the grounds of the palace of Versailles, France; designed by Anges-Jacques Gabriel by the order of Louis XV for his mistress Madame de Pompadour

A

Petit Trianon

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230
Q

His works are characterized by shallow recesses with rounded corners and ornamentation employing shell motifs, leafy scrolls, and classical busts in medallions

A

Nicolas Pineau

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231
Q

Was founded by an Augustinian monastery; its interiors were redecorated in a High Baroque style by painter Matthäus Günther and stuccoist Josef Schmuzer

A

Rottenbuch Church, Germany

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232
Q

The classicism prevailing in the architecture of Europe,
America, and various European colonies during the late 18th - early 19th century; characterized by intro and widespread use of Greek and Roman motifs, the subordination of detail to simple, strongly geometric compositions, and the frequent shallowness of relief in ornamental treatment of Facades

A

French Neoclassic Period

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233
Q

The French Neoclassic period was during the reign of ___________ and __________.

A

Louis XVI and Marie Antoinette

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234
Q

The principles or style characteristic of the culture, art, and literature of the Ancient Greece and Rome

A

Classicism

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235
Q

Art and architecture in the style of ancient Greece and Rome as that of the Italian Renaissance and the neoclassical movements in England and in the US

A

Classical Revival

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236
Q

Features linear strokes in which the outlines of objects are sharply defined thanks to carefully controlled brush strokes

A

Neoclassic Art

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237
Q
The art director of Napoleon Bonaparte; he recorded the horrors of the period, mythology, and Napoleonic exploits 
Works include:
- The Oath of Horatii
- The Death of Socrates
- Marat Assasinated
A

Jacques Louis David

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238
Q

A Rococo artist who painted less royalty and more of the academic and classical style;
Work: The Grand Odalisque

A

Jean-Auguste-Dominique Ingres

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239
Q

The submerged brushstrokes and the highly smooth finishes are characteristics of an ___________ painting.

A

Academic

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240
Q

The greatest of the French classicist; he sought the ideals of form and subject matter, of landscapes with figures of light with color and mood;
Work: A Dance to the Music of Time

A

Nicolas Poussin

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241
Q

Was an anti-Rococo artist; he favored simple still lives and unsentimental domestic interiors; a realist painter of down-to-earth scenes; works include:

  • The Governess
  • The Blessing
  • A House of Cards
A

Jean-Baptiste Chardin

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242
Q

A Neoclassic artist who displays the sweeping grandeur and idealization of the Neoclassic style; works include

  • Cupid and Psyche
  • Pauline Borghese
A

Antonio Canova

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243
Q

Architecture characterized by:

  1. Classical restraint resurfaced
  2. Purely Greek, purely Roman, or a Greco-Roman hybrid
  3. Beaux Art (combination of the classics)
A

Neo-classic Architecture

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244
Q

___________ architecture derived from the villas of Andrea Palladio, the greatest architect of the Late Renaissance.

A

Palladian

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245
Q

_________ building features a vast rectangular of square plan, with a flat roof and an exterior rich in classical detail; this aesthetic is also known as the Beaux-Art Style

A

Classical Block

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246
Q

Beaux- Art was developed principally by the French ___________.

A

Évole des Beaux-Arts

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247
Q

Intended as a pantheon by order of Napoleon; imitation of the Greek colonnaded temple with roman style podium; inspired by a sison Carrée at Nimes

A

The Madeleine, Paris

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248
Q

A structure built by Bruant and Mansart; a home and hospital for aged and unwell soldiers

A

Church of Les Invalides

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249
Q

A term given to early Renaissance architecture in England

A

Elizabethan Period

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250
Q

Elizabthan Period : England

___________ : Italy

A

Cinquecento

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251
Q

Cinquecento : Italy

__________ : France

A

Early Renaissance

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252
Q

Early Renaissance : France

__________ : Spain

A

Plateresque

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253
Q

Its characteristics include:

  1. Followed Tudor style
  2. Versions of the Dutch gable
  3. Flemish strap work
A

Elizabethan Period

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254
Q

He introduced the Renaissance classicism into England; influenced by Andrea Palladio; royal architect of England

A

Indigo Jones

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255
Q

An example of English Palladianism by Inigo Jones; former royal residence for Queen Anne of Denmark- the queen of King James I of England

A

Queen’s House

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256
Q

Also known as Middle Renaissance in England; had Charles III as its patron

A

English Baroque

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257
Q

A structure by Christopher Wren; largest cathedral in England; the dome is an adapted and enlarged version of the Tempietto of Bramante

A

St. Paul’s Cathedral

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258
Q

Also known as the Late Renaissance in England; a name given to the set of architectural styles between 1720-1840; it is Olympus for the first four British Monarchs of the House of Hanover - George I, George II, George III, and George IV

A

Georgian Architecture

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259
Q

The architecture of the Moors and native Andalusians who remained in Christian territory but we’re not converted to Christianity

A

Mudejar

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260
Q

Characterized by extremely decorated facades which reminds of the decorative motifs of silversmiths’ work

A

Renaissance or Plateresco

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261
Q

Silversmiths are called _________ in the Spanish style.

A

Plateros

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262
Q

A sub period of the Spanish style of austere Renaissance style

A

Desormamentado

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263
Q

The most prominent architect of Desormamentado was

A

Juan de Herrera

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264
Q

Originally from Crete; he painted austere religious subjects inspired by Jesuit fanaticism; he is Spain’s principal Mannerist; works include:

  • The Burial of Count Orgaz
  • The vision of St. John Divine
A

El Greco or Domenicos Theotocopolus

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265
Q

The architect of Granada Cathedral that is one of the most impressive building constructed using Plateresque influence

A

Diego de Siloe

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266
Q

A historical residence of the King of Spain; by Juan Bautista de Toledo and Juan de Herrera

A

The Escorial

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267
Q

Also known as Spanish Baroque; their work reflects the naturalism of the time, the dramatic light and shade contrasts and their sobriety of colors are features that linked them to the tenebrosi palettes of Caravaggio and the Italians; considered as the Golden Age of Spanish Art

A

Churiguerresque Style

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268
Q

Churiguerresque style was from ___________ who revolted against the sobriety of the Herreresque classicism and promoted and intricate, exaggerate, almost capricious style of surface decoration

A

Jose de Churiguerra

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269
Q

Leading artist of the Spanish Baroque/ Churiguerresque style; royal painter to Philip IV; works include:

  • Las Meninas
  • Portrait of Innocent X
A

Diego Velasquez

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270
Q

Spanish court painter; poignant depictions of the brutality and corruption of the time; works include:

  • Chronos Devouring his Children
  • The Execution of the Third of May, 1808
A

Francisco Goya

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271
Q

The front of this Spanish structure is Baroque with the original facade was Romanesque

A

Cathedral of Santiago de Compostela

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272
Q

A type of American style characterized by small cottages, medieval half-timbering, and one room with loft or chimney; style of the English settlers in the eastern coast of North America

A

American Early Colonial

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273
Q

An early colonial (American) plan that has an overhanging second story, small windows and a central chimney

A

Hall and Parlor Plan

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274
Q

Characterized by having steep pitched roofs that were essential for allowing rain and snow to run off easily

A

Garrison Colonial

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275
Q

The New England __________ developed from the Hall-and-Parlor or Garrison Stye with the addition of an ell or lean-to on the back

A

Saltbox

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276
Q

English inspired colonial architecture marked by a greater concern for style and higher standards of comfort; regency; characterized by symmetry with ornamental detailing such as pediments, pilasters, and Palladian window

A

American Georgan

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277
Q

Takes its name from American history; followed a stricter version of neoclassicism

A

Federal Style

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278
Q

An American statesman, embassy for to France, and Third American president; he had great influence in the architecture of the period

A

Thomas Jefferson

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279
Q

Was simultaneous with the Gothic Revival; dominated American arch tut during 1818-1850; it was the first truly national style in the United States found in all regions of the country; due to strong associations with classical tradition and democracy

A

Greek Revival Style

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280
Q

Characterized by strong associational values of religion and nature; revival style based on English and French precedents from the late 12-15th century; from Richard Upjohn’s urban churches to Carpenter’s Gothic cottages

A

Gothic Revival

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281
Q

A style that exalted individualism, subjectivism, irrationalism, imagination, and emotions over reason and senses over intellect; first used by German poets and writers August Willhelm and Friedrich Schlogel to label a wider cultural movement

A

Romanticism

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282
Q

Its general features include:

  1. Expression of emotions (historic nostalgia, fears, supernatural elements, social injustice, etc.)
  2. Adoration of nature
  3. Painterly style
A

Romantic Art

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283
Q

Where freedom of color takes precedence over sharply-defined forms; brushstrokes are less restrained resulting in somewhat messy outlines

A

Painterly Style

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284
Q

2 Types of Romantic Art

A
  1. Figure Painting

2. Landscape Painting

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285
Q

A Romantic artist who usually painted with watercolor over prints to produce some highly imaginative and enigmatic works of art; work:
- Ancient Days

A

William Blake

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286
Q

The 1st great American painter; famous for his portraits of important figures in colonial New England, particularly men and women of the middle class; his portraits were innovative and tend to portray their subjects with artifacts that were indicative of their lives; works include

  • The Boy with Squirrel
  • Watson and the Shark
A

John Singleton Copley

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287
Q

English Romantic painter known principally for his landscape paintings of Dedham Vale; work:
- Hay Wain

A

John Constable

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288
Q

A French Romanticist who revealed an interest in human psychology and a sense of revolt against political and social pressures; works:

  • Mad Woman with a Mania of Envy
  • The Raft of Medusa
A

Theodore Gerricault

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289
Q

He often derived his subjects from masterworks of western literature; his paintings are characterized by large sweeps of color, lively patterns, and energetic figure groups; Works inlcude:

  • Liberty Leading the People
  • The Death of Sardanapalus
  • The Barque of Dante
A

Eugene Delacroix

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290
Q

It was an age of faith in all knowledge which would derive from science and scientific objective methods which could solve all human problems; sets a goal not imitating artistic achievements but the truthful and accurate depiction of the models of nature and contemporary life of the artist

A

Realism

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291
Q

The age of Rationalism and Imperialism; Age of Science and Doubt; Age of Progress, and the Victorian Age

A

Realism

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292
Q

Its general features include:

  1. Photographic Accuracy
  2. Veered away from idealism
  3. Absolute objectivity
A

Realism

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293
Q

A group of intentional artists in Paris which began to devise new methods of pictorial representation; focused on concepts of vision and the study of optical effects of light;
Artists: John Singleton Copley, Gustav Courbet, Hilaire Germaine, Edgar Degas, Edouard Manet

A

The Realists

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294
Q

A group of French landscape artists; named after the forest of Fontainebleau near the village of ** where they got away from the revolutionary Paris to produce their art;
Artists: Theodore Rousseau, Jean-Froncois Millet

A

Barbizon School

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295
Q

English painters, poets, and critics grouped to reform art by rejecting practices of contemporary academic British Art; first avante-garde movement in art; believed that the only great art was before High-Renaissance, before Raphael

A

Pre-Raphaellite Brotherhood

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296
Q

First American school of landscape paining; their subjects were the spectacles of the Hudson River Valley and the upper state of New York

A

Hudson River School

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297
Q

First French Realist; believed that artists could accurately represent only their experience; works include:

  • The Painter’s Studio
  • Funeral at Ornans
A

Gustave Courbet

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298
Q

A lithographer and cartoonist, famous for his satirical caricatures; works include:

  • The Freedom of the Press
  • Third Class Carriage
A

Honore Daumier

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299
Q

A movement in French painting sometimes called as OPTICAL REALISM; more bold with real events happening in that moment; true to what is happening in that moment; quick painting

A

Impressionism

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300
Q

Its general features include:

  1. Light and its reflection
  2. Quickly painted surfaces
  3. Dot, dashes, commas, and other short brushstrokes
  4. Modern life as subject matter
A

Impressionist Art

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301
Q

A landscape impressionist and leader of the pleinarists; paints a single subject number of times in varying lights and seasons; works include:

  • Autumn Effect on Argenteuil
  • Les Bassin de Nympheas
  • Impression: Sunrise
A

Claude Monet

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302
Q

People who believed in working outdoors

A

Pleinarists

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303
Q

Painted with full brush and full strokes; originally a realist; works include:

  • Bar at Folies Bergere
  • Boating at Argenteuil
A

Edouard Manet

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304
Q

Adopted the big diagonal viewpoint and abrupt cutting of composition by picture frame; his favorite subject was ballet; works include:

  • Absinthe
  • Dancers Practicing at the Bar
A

Edgar Degas

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305
Q

An impressionist artist interested in the interplay of colors caused by flickering so of sunshine and shadow, and his tone harmonies are attained by innumerable light refractions; works include:

  • The Luncheon at the Boating Party
  • By the Seashore
A

Pierre August Renoir

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306
Q

An impressionist sculptor who was interested in covert dynamic experimental process rather than in the finished work itself; works include:

  • The Kiss
  • The Thinker
  • The Gates of Heaven and Hell
A

Rodin

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307
Q

Who gave the name ‘Post Impressionists’ to the independent artists who simply decided to leave Impressionism behind and follow their own artistic directions; in his exhibit called ‘Manet and the Post-Impressionists’

A

Roger Fry

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308
Q

Sub-styles of Post-Impressionism

A
  1. Pointillism
  2. Symbolism
  3. Synthetism
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309
Q

Also called confettiism; originated by George Pierre Seurat; based on the putting side by side touches of pure color.

A

Pointillism

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310
Q

His works include:

  • Le Grande Jatte
  • Le Circus
A

George Pierre Seurat

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311
Q

Movement providing an intellectual alternative to the purely visual painting of the impressionist; aspired the surrealist; mor on the spirits world and representation

A

Symbolism

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312
Q

A symbolist painter (Post impressionist) who painted unmodeled shapes, tropical landscapes, and brown-skinned natives; works include:

  • The Spirit of the Dead Watches
  • Two Tahitian Women
A

Paul Gaugain

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313
Q

A theory of the art that posted works of art ought to blend three primary elements: (1) outward appearance of the subject, (2) artist’s emotional reaction to the subject, and (3) artistic choices of color, form, and line

A

Synethetism

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314
Q

Pre-cubism artist, post-impressionist artist; simple handling of masses and planes given depth by structure, color, and unconventional perspective; works include:

  • Still Life with Plaster Cupid
  • Mount of St. Victoria
  • Apples
A

Paul Cezane

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315
Q

The revival and eclectic architecture, decor and furnishings popular in English speaking countries during the reign of Queen Victoria of England

A

Victorian Architecture

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316
Q

Pits a General features include:

  • Cast-iron Framing
  • Utilitarian structures that often lacked Traditional ornamentation
  • Made of Metal
A

Victorian Architecture

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317
Q

A structure by Joseph Paxton; the main pavilion of the first World’s Fair- the a Great Exhibition in 1851; made of prefabricated iron and glass panels

A

Crystal Palace

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318
Q

Eiffel Tower is an iron lattice tower located on the Champ de Mars in Paris built for the 1889 International Exhibition and was named after __________.

A

Gustav Eiffel

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319
Q

A movement aimed at reviving the spirit of Gothic Architecture; architects of this style include:

  • Augustus Pugin
  • Eugene Viollet Le Duc
A

Gothic Revival

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320
Q

An American sub style; aka Fisherman’s Gothic or Rural Gothic; where Gothic aesthetic is applied to a simple wooden building

A

Carpenter Gothic

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321
Q

Is a structure that is a collaboration between Sir Charles Barry and Augustus Pugin; it is the meeting place of the two houses of the Parliament of the United Kingdom - the House of Lords and the House of Commons

A

Westminster Palace

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322
Q

A movement that originated in England as a reaction against poor quality mass-produced goods; they wanted English homes made by honest English craftsmen

A

Arts and Crafts

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323
Q

A design movement that emphasized the decorative use of materials and gestures and the development of ornament as an integral part of a structure rather than as an applied ornament

A

Rationalism (Arts and Crafts)

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324
Q

Became associated with the Pre-Raphaellite Movement; championed the cause of craftsmen and encouraged a return to the skill of weaving, hand printing, etc.

A

William Morris

325
Q

A structure by Charles Rennie Mackintosh; a towering rectangular block with almost no decoration, an austere statement and bold break away from the traditional methods of architectural adornment

A

The Glasgow School of Art

326
Q

A style of fine and applied arts characterized by fluid and undulating motifs often derived from natural forms

A

Art Nouveau

327
Q

The Style Guimard is the French for Art Nouveau; named after __________.

A

Hector Guimard

328
Q

Art nouveau in Italy that means floral style

A

Stile Floreale

329
Q

Art Nouveau in British; named after British designer Arthur Lassen

A

Stile Liberty

330
Q

The Spanish version of Art Nouveau

A

Modernismo

331
Q

Art Nouveau is called __________ in Austria; Vienna Secession)

A

Sezzesionistil

332
Q

Art nouveau for German-speaking countries for “Youth Style”

A

Jugendstijl

333
Q

“The straight line belongs to man and then curve line belongs to God”

A

Antoni Gaudi

334
Q

Shortened version of Exposition International Des Artes Decofatifs et Industriels Modernes

A

Art Deco

335
Q

Style of decorative art; geometric motifs, streamlined and curvilinear forms, sharply defined outlines, often bold colors and the use of synthetic materials; modernism turned into fashion; influenced by Egyptian and Mesopotamian

A

Art Deco

336
Q

It was briefly the world’s tallest building before it was overtaken by the Empire State Building; it is now the second tallest building in New York City

A

Chrysler Building

337
Q

Used to describe paintings depicting wild beasts in the use of brilliant luminous colors and bold, spontaneous handling of paint

A

Fauvism

338
Q

Leader of the Fauves; his painting have an extraordinarily decorative quality with flat patterned composition in pure colors; works include:

  • Le Luxe II
  • Large Red Interior/ The Red Studio
A

Henri Matisse

339
Q

Is an opposition to academic standards and emphasized artists’ subjective emotion which overrides fidelity to the actual appearance of things; distortion to emphasize feelings

A

Expressionism

340
Q

Greatest Dutch painter since the Baroque times; subjects reflects a social consciousness reminiscent of Realism; use of powerful brush strokes; works include:

  • Starry Night
  • Sunflowers
A

Vincent Van Gogh

341
Q

Norwegian painter and printmaker whose intense evocative treatment of physiological, emotional themes was a major influence on the development of German Expressionism; works include:

  • The Scream
  • Puberty
A

Edward Munch

342
Q

Movement of conscious and methodological destruction of particular and recognizable in appearance; artistic elimination of rational visual association

A

Abstraction

343
Q

An influential Russian painter and art theorist credited with painting the first purely abstract work; works include:

A

Wassily Kandinsky

344
Q

An art movement that aimed to show objects in their basic geometric shapes

A

Cubism

345
Q

A French painter who started and lead Cubism; representing the world as seen from a number of different view points; works include:

  • Piano and the Mandola
  • Violin and Candlestick
A

Georges Braque

346
Q

2 Types of Cubism

A
  1. Analytic

2. Synthetic

347
Q

A type of cubism where the analytic details are stripped away

A

Analytic

348
Q

A type of cubism where overlapping planed shared one color; real pieces of paper replaced painted flat depictions of paper

A

Synthetic

349
Q

A Spanish painter and sculptor; co-founder of cubism; father of collage; works include:

  • Guernica
  • Demoiselle d’Avignon
A

Pablo Picasso

350
Q

Textural effects using paper and other material in the compostition

A

Collage

351
Q

Concurrent presentation of 2/3 side of an object; 2 views in one plane

A

Simultaneity in Art

352
Q

When Pablo Picasso painted beggars and miserable humanity

A

Blue Period

353
Q

When Pablo Picasso painted circus objects

A

Rose Period

354
Q

School of art founded in the Netherlands marked especially by the use of black and white with primary colors, rectangular forms, and asymmetry; founded by architect Gerrit Reitveld, and artists, Theo Van Doesburg and Piet Mondrian

A

De Stijl

355
Q

Recognized as the purest most methodical of the early abstraction; simplified elements of his artwork in an effort to reflect what he believed to be the order underlying the visible world

A

Piet Mondrian

356
Q

Mondiran’s use of asymmetrical balance and a simplified pictorial vocabulary were crucial in the development of ___________.

A

Modern Art

357
Q

A deliberate philosophical and practical estrangement from the past in the arts and literature; occurring in the course of the 20th century; conscious rejection of period influences

A

Modernism or Modem Style

358
Q

Established by Walter Gropius; the concepts were characterized chiefly by the synthesis of technology, craft, and design aesthetics, with an emphasis on the functional design

A

Bauhaus Design Movement

359
Q

A German architect and founder hot the Bauhaus School

A

Walter Gropius

360
Q

Universally known as the pioneer for skyscrapers

A

Ludwig Mies Van Der Rohe

361
Q

“God is in the Detail”

A

Ludwig Mies Van Der Rohe

362
Q

“Less is More”

A

Ludwig Mies Van Der Rohe

363
Q

The director of the cabinet making workshop at Bauhaus; work: Seagrams Building

A

Marcel Breuer

364
Q

The first to use curtain-walling

A

The Bauhaus Buildings

365
Q

Asymmetrical single storey building divided by partition walls made of marble, onyx, and chrome; by Ludwig Mies Van Der Rohe

A

The German Pavillion

366
Q

“Form follows function”

A

Louis Sullivan

367
Q

Called as the “father of modernism” and regarded as one of the most individual and innovative architects of the developing modern period; he replaced the standard classical ornamentation of the day with highly original, organic, architectural details inspired by nature; works include:
- Wainwright Building

A

Louis Sullivan

368
Q

An apprentice of Louis Sullivan; sought to make his buildings organic; the house should not be located ‘on site’ but rather be a natural extension of the site; works include:

  • Falling Water
  • Guggenheim Museum
  • Johnson Wax Administration Building
  • Usonian Houses
A

Frank Lloyd Wright

369
Q

Are made up from easy to assemble, prefabricated wood sandwich panels designed to be erected in a simple construction; by Frank Lloyd Wright

A

Usonian Houses

370
Q

Universally known as Corbu (raven); wrote Verse Une Architecture where he linked Greek temples, Gothic cathedrals, aircraft, cars, and ocean liners with the new architecture; he also described the house as ‘a machine for living in’ (should be functional); works include:

  • Villa Savoye
  • Unite d’Habitation
  • Notre Dame- du - Haut Ronchamp
A

Le Corbusier (Charles Edouard Jeanneret)

371
Q

Other artist/ architect of ____________ style:

  • Wallace K. Harrison
  • Oscar Niemeyer
A

Modernism/ Modern Style

372
Q

A movement aimed at ridiculing art and destroying the idea of art; characterized by a deliberate irrationality and rejection of the prevailing standards of art; to gain freedom for the artist in search for new meaning and fun

A

Dadaism

373
Q

Dada means

A

Hobby House

374
Q

A Dadaism artist whose famous work is L.H.O.Q.Q that is French for ‘Woman with Hot Ass’

A

Marcel Duchamp

375
Q

A Dadaism artist whose famous work is the Little Gland Saying Tic-tan

A

Max Ernst

376
Q

An artistic movement in hunt of science of expression of the subconscious; dreams; inspired by Sigmund Freud

A

Surrealism

377
Q

Surrealism began with __________ after he published Manifesto de Surrealisme

A

Andre Breton

378
Q

A surrealist artist whose works include:

  • Persistence of Memory
  • The Temptation of St. Anthony
A

Salvador Dali

379
Q

A surrealist artist whose famous work is The Column

A

Frida Khalo

380
Q

A surrealist artist whose famous work is The Mystery and Melancholy of the Street

A

George de Chirico

381
Q

A surrealist artist whose famous work is The Birthday

A

Marc Chagall

382
Q

A surrealist artist whose famous work includes: The Son of Man

A

Rene Magritte

383
Q

A term used by Alfred Barr, Jr. To refer to nonfigurative paintings of Kandinsky; no subject (abstract) with distorted emotions (expressionism); applied paint rapidly, with force, or painting gesturally, non-geometrically, sometimes applying paint with large brushes, and sometimes throwing or dripping it onto canvas

A

Abstract Expressionism

384
Q

A term coined by critic Harold Rosenberg to describe the work of certain members of the New York School; famous artist of this style include:

  • Hans Hoffman
  • Mark Rothko
  • Jackson Pollock
A

Action Painting (Abstract Expressionism)

385
Q

The most significant style to emerge in America in the 60s whose popular imagery was derived from commercial sources, the mass media and the everyday life

A

Pop Art

386
Q

He startled the art world in 1962 by exhibiting paintings beer on comic book Cartoons; work:
-Blam!

A

Roy Lichenstein

387
Q

A leading figure in the visual art movement known as pop art; explores the relationship between artistic expression, celebrity culture and advertisement; his works include:

  • Mao
  • Marilyn Monroe
A

Andy Warhol

388
Q

A Pop Art artist whose famous work is Just what is it that makes today’s home so different so appealing?

A

Richard Hamilton

389
Q

The recognizable object is totally eliminated in favor of geometric abstraction; the artist produce kinetic effects, arrangements of color, lines and shapes, or some combination of their elements

A

Op Art (Optical Art)

390
Q

A movement in architecture emphasizing the aesthetic use of basic building processes, especially of cast-in-place concrete, with no apparent concern for visual amenity

A

Brutalist (Contemporary)

391
Q

Brutalism was derived from the French term ___________ which translates to ‘rough concrete’

A

Beton Brut

392
Q

A movement in architecture and decorative arts in reaction to the principles and practices of modernism, encouraging the use of the elements from historical vernacular styles and often playful illusion, decoration, and complexity

A

Post Modernism

393
Q

A Post-Modernist architect who said that “Less is a Bore”; his work includes:
- Vanna Venturi House

A

Roberto Venturi

394
Q

The style whose famous architects include:

  • Michael Graves
  • Philip Johnson
A

Post- Modernism

395
Q

A style that goals to liberate the maximum volume of space inside by positioning all its workings outside the interior envelope of the building

A

High-Tech

396
Q

An architect of High-Tech; designs emphasize the repetition of industrialized “modular” units in which prefabricated off-site-manufactured elements are frequently employed; work includes:
- HSBC, Hong Kong

A

Norman Foster

397
Q

The city of Rome became known as ___________, because of its position as the top of world power

A

Caput Mund

398
Q

Roman sculpture was anatomically exact in both animals and humans; it was also applied in portraiture and relief sculpture

A

Realism

399
Q

3 Periods in the Ancient Rome

A
  1. Roman Republican Period
  2. Early Roman Empire
  3. Late Roman Empire
400
Q

A period in Ancient Rome where the declaration of Octavian as the first emperor, reign of Augustus, and the reign of Marcus Aurelius happened

A

The Early Roman Empire

401
Q

A period in Ancient Rome when the capital was moved to Byzantium by the Emperor Constantine

A

The Late Roman Empire

402
Q

A sculpture representing the upper portion of the human body showing only the head, shoulders, and upper chest

A

Bust

403
Q

Two types of Fresco techniques

A
  1. Buon Fresco

2. Fresco Secco

404
Q

A type of fresco technique where the painting is done on wet plaster; original; literally means good or true fresco

A

Buon Fresco

405
Q

A type of fresco technique where the painting is done on dry plaster; literally means dry fresco

A

Fresco Secco

406
Q

A pattern or picture made of many small colored pieces of stone, glass, etc.; sometimes in trompe l’oeil technique

A

Mosaics

407
Q

A statue of a rider on a horse; commemorate the triumphs of generals and emperors

A

Equestrian Monument

408
Q

Characterized by massive brick and concrete construction employing features such as semi-circular arches, barrel and groin vaults, and the dome; elaboration of the Greek orders as purely decorative motifs, and the use of marble linings, mosaics, and molded stucco for interiors

A

Roman Architecture

409
Q

Structure from wedge-shaped stones formed by the use of centering

A

Arch

410
Q

Arched masonry that forms the ceiling of a building; an extended arch

A

Vault

411
Q

An extended round arch

A

Dome

412
Q

Mixture of small stones, sand, limes and water that is poured onto wooden forms to become a solid mass

A

Concrete

413
Q

A Roman architect, engineer, and author of De Architectura, a handbook for Roman architects that established certain rules for standardizing the Greek orders for architecture

A

Marcus Vitruvius Pollio

414
Q

2 Major orders of Roman Architecture

A
  1. Composite

2. Tuscan

415
Q

A Roman order described as the combination of an Ionic shaft and A Corinthian capital; stands on a pedestal

A

Composite

416
Q

A Roman order described as a simple Roman variation of the Doric column with an unfluted shaft and a capital composed only of an abacus and echinus

A

Tuscan

417
Q

The counterpart of the Greek Agora; composed of temples, triumphal arches, pillars of victories, Roman basilica, senate, and shops

A

Forum

418
Q

3 kinds of Roman Houses

A
  1. Domus
  2. Insulae
  3. Villa
419
Q

A Roman house of the middle class

A

Domus

420
Q

Box of flats used as a shop and apartment; for the lower class and usually five storeys high

A

Insulae

421
Q

Roman dwelling that housed the Roman upperclass; country homes for the wealthy

A

Villa

422
Q

A structure that is smaller than the colosseum; where Gladiatorial competitions are held; it emphasized decorative external orders so that the arches are the predominant features

A

Amphitheater

423
Q

A long hairpin race course for chariot races and foot races; also called a hippodrome

A

Circus

424
Q

Large reservoirs or cisterns for pipes to transport water to towns

A

Aqueducts

425
Q

Building to house the Roman law court; eventually became a hall of justice and commercial exchange

A

Basilica

426
Q

Palatial public baths of Imperial Rome; portray the customs of the pleasure-loving populace

A

Thermae/ Public Baths

427
Q

A part of the thermae known as the hot room

A

Caldarium

428
Q

A part of the thermae known as the warm room

A

Tepidarium

429
Q

A part of the thermae known as the cold room

A

Frigidarium

430
Q

A part of the thermae known as the dry swearing room

A

Lanconicum

431
Q

A part of the thermae for oiling and shampooing

A

Unctuaria

432
Q

A part of the thermae known as the dressing rooms

A

Apodyteria

433
Q

A domed temple dedicated to all the gods (planetary gods); the diameter of the floor plan is equal to the height of the dome and has an oculus at the center; has a coffered ceiling to make it light

A

Pantheon

434
Q

The colosseum built for a Roman games; features a combination of Roman arches and vault construction

A

Flavian Amphitheater

435
Q

Commemorative arch-monument decorated with reliefs that show moments of victory

A

Triumphal Arches

436
Q

Single, freestanding, colossal columns used as commemorative monuments

A

Column of Victory

437
Q

‘Altar of Peace’; a great marble monument constructed during th reign of Augustus

A

Ara Pacis

438
Q

Meeting place for early Christians

A

Catacombs

439
Q

Started by Emperor Leo III when he prohibited the production of icons in representational human form

A

Iconoclastic Controversy in 726

440
Q

The new capital for the a Roman Empire during the reign of Constantine I was called __________, Greek for ‘the city of Constatine’ or Nova Roma in Rome

A

Constantinople

441
Q

Handwritten book; written on vellum and colored in gold and other colors

A

Illuminated Manuscripts

442
Q

Characterized by iconography in stylized postures with serene expressions (usually with a halo) and in single plane

A

Byzantine Painting

443
Q

The favorite subject matter of Art in Byzantine Period

A

Jesus the Judge/ Jesus Panto Krator

444
Q

Religious images in the Byzantine period are called

A

Icons

445
Q

An inverted concave triangle that springs from a corner of the square curving up to meet the other **

A

Pendentives

446
Q

Corbel type arches piled on top of another, placed diagonally across the internal angles of a tower or base of a drum to convert the square form into an octagonal base to support an octagonal spire or circular dome

A

Squinch Arch

447
Q

Kinds of Byzantine Capitals

A
  1. Wind-blown/ Wind-swept Acanthus
  2. Bird & Basket Capital
  3. Geometric Cube
  4. Stylized Leaf
  5. Cushion Capital
448
Q

A type of Byzantine architecture that was formerly a hall of justice and oat redesigned to be a place of worship

A

Basilica

449
Q

A type of Byzantine architecture that enshrines a relic or a tomb of a martyr

A

Sanctuaries/ Martyrium

450
Q

A type of Byzantine architecture defined as a large tomb, almost temple like

A

Mausoleum

451
Q

A type of Byzantine architecture used for the sacrament of baptism

A

Baptistries

452
Q

Two kinds of Byzantine Basilica plans

A
  1. Central Plan

2. Latin Cross Plan

453
Q

Built as the major cathedral in Constantinople; literally means ‘Holy Wisdom’

A

The Hagia Sophia

454
Q

A style of art/ period emerging in Italy in the 9th Century and lasting until the advent of Gothic Architecture; literally means ‘in the Roman manner’

A

Romanesque

455
Q

The name Romanesque was given by

A

Giorgio Vasar

456
Q

English term for Romanesque

A

Norman

457
Q

A high-tech style architect; his interest in uninterrupted interior spaces has made him an heir to the functionalist tradition; work includes:
- Pompidou Center, Paris

A

Richard Rogers

458
Q

The Romanesque period was called the Age of _________ because the Church re-established itself as a strong unifying and stabilizing force

A

Age of Faith

459
Q

An economic system based upon limited land ownership and forced labor (serfs)

A

Manorialism

460
Q

A period in history characterized by monasticism, feudalism, knighthood, crusades, and manorialism

A

Romanesque Period

461
Q

Containers of relics (body parts or possessions of saints)

A

Reliquaries

462
Q

Investigated the world of machine and the properties of timber, brick, and plywood; work:
- Jean Marie Tibaou Cultural Center

A

Renzo Piano

463
Q

A multiple embroidered narrative that resonates the events leading to the battle of Hastings

A

Bayeux Tapestry

464
Q

In Romanesque period, it served as the “literature of the illiterate”; there is concern for religious emotions and concern for psychological reality rather than proportion

A

Romanesque Sculptures

465
Q

Monumental work/ entrance on the western front of the church; west because of the sunrise

A

Westwork

466
Q

Favorite themes during the Romanesque Period

A
  1. Majesty of Christ
  2. Last Judgement
  3. Torments of Hell
467
Q

Supporting columns between double doors

A

Trumeau

468
Q

Lunette above the door; ornamented with complex iconography

A

Tympanum

469
Q

An arch resting on an impost treated as downward continuations of an archivolt

A

Stilted Arch

470
Q

Arch struck from one or more centers below the springing line

A

Segmental Arch

471
Q

A distinct form of decoration aimed at relieving otherwise blank walls

A

Blind Arcading

472
Q

Romanesque Capitals

A
  1. Cushion

2. Scalloped

473
Q

A part of a Romanesque Basilica described as a forecourt surrounded or flanked by porticoes; open court

A

Atrium

474
Q

A part of a Romanesque Basilica described as a portico before the nave for penitents

A

Narthex

475
Q

A part of a Romanesque Basilica described as the principal or central part of the church, extending from the narthex to the choir; walkway

A

Nave

476
Q

A part of a Romanesque Basilica described as any of the longitudinal divisions separated from the nave; seats

A

Aisle

477
Q

A part of a Romanesque Basilica described as the raised platform; transverse open space separating the nave and the apse

A

Bema

478
Q

A part of a Romanesque Basilica forming a square at the crossing, consisting of the choir and the apse; cross arm

A

Transept

479
Q

A part of a Romanesque Basilica described as the part of the church occupied by the singers

A

Choir

480
Q

A part of a Romanesque Basilica described as the appointed place for preaching

A

Pulpit

481
Q

A part of a Romanesque Basilica usually semi-circular of polygonal, often vaulted recess, especially the termination of the sanctuary end of the church

A

Apse

482
Q

A part of a Romanesque Basilica described as the table upon which the Eucharist is celebrated

A

Altar

483
Q

Denote the building, or complex of buildings that houses a room reserved for prayer as well as the domestic quarters of monastics

A

Monasteries

484
Q

Private residence and fortress of the lords during the Romanesque period

A

Castles

485
Q

The greatest Norman building in England and regarded widely as the finest sample of Norman Architecture; largest Romanesque church

A

Durham Cathedral

486
Q

Royal of palace of her majesty; it is a typical example of Norman military architecture whose influence was felt throughout the Kingdom

A

Tower of London

487
Q

Was the center of a major monastic movement in the Middle Ages; largest christian church in the world until St. Peter’s basilica was rebuilt in Rome; grandest Romanesque monastery

A

Abbey Church of Cluny

488
Q

Generally called ‘Opus Fragencium’ meaning French Work which is an indication of its origin, or ‘Opus Modernum meaning modern architecture.

A

Gothic Period

489
Q

The name Gothic, given by __________, means barbaric.

A

Giorgio Vasari

490
Q

____________ art is elegant, highly decorated, and characterized by the use of sumptuous and colorful materials.

A

Gothic

491
Q

____________ architecture focused on the construction of churches and cathedrals.

A

Gothic

492
Q

Its history was defined by political and religious clashes, founding of the Dominican and Franciscan orders, decline of feudalism and growth of nations, and the bubonic plague

A

Gothic Period

493
Q

A monk who may have invented the Gothic style when he designed the facade, ambulatory, and chapels of the ROYAL ABBEY CHURCH OR ST. DENIS

A

Abbot Suger

494
Q

Was the favorite theme or subject matter of the Gothic Art

A

Virgin Enthroned/ Madonna Enthroned

495
Q

In the __________ period, the tympanum was more chaotic and was decorated with stiff figures while the tympanum in the ___________ period was more organized with fewer but more proportioned figures

A

Romanesque; Gothic

496
Q

A painting technique that started in the Gothic period where the pigments are combined with egg

A

Tempera Technique

497
Q

Colored glass made by mixing metallic oxides into molten, translucent glass of fixing oxides into surface of clear glass, cut into shapes, assembled together by strips of lead

A

Stained Glass

498
Q

__________ art was characterized by paintings with a gradual increase in realism, Virgin enthroned as a favorite subject, early attempts at perspective, and where sculptures were used to decorate cathedrals

A

Gothic Art

499
Q

The last great Italian artist working in Byzantine style; painter and mosaicist

A

Cimabue/
Bencivieni di Pepo (original)/
Benvenuto di Giuseppe (modern Italian)

500
Q

Student of Cimabue; considered the grandfather of Renaissance
Art; showed progress in physical realism: perspective, lighting, and shading

A

Giotto di Bondone

501
Q

Characterized by the progressive lightening and heightening of structures, use of pointed arches and windows, ribbed vaults, stained glass, and clerestory windows

A

Gothic Architecture

502
Q

3 main parts of a Gothic Church’s facade

A
  1. Ground floor Arcade
  2. Triforium Arcade
  3. Clerestory Arcade
503
Q

Ornamental stone openwork; ornamental stone mullions commonly found in the stained glass of Gothic architecture

A

Tracery

504
Q

Circular window with tracery millions radiating from a central point; large circular window with tracery resembling a stylized rose, usually found in the facade of a Gothic church or cathedral

A

Rose Window

505
Q

2 barrel vaults that require less buttressing

A

Ribbed Groin Vaults

506
Q

Grotesquely carved human or animal figures often used as a rain spout in a Gothic architecture

A

Gargoyles

507
Q

A column-like support for arches in Gothic church

A

Piers

508
Q

Projecting cared ornaments in a bud or leaf shape used on the sides of the pinnacles and spires

A

Crockets

509
Q

Are brackets set into the wall to carry a beam (Gothic Period)

A

Corbels

510
Q

3 Phases of French Gothic Architecture

A
  1. Early French Style
  2. Rayonnant Style
  3. Flamboyant Style
511
Q

A phase of French Gothic architecture characterized by the pointed arch and geometric tracery

A

Early French Style

512
Q

A phase of French Gothic architecture characterized by circular windows with radiating lines of tracery; late 13th - late 14th Century

A

Rayonnant Style

513
Q

A phase of French Gothic architecture characterized by flamelike tracery, intricate detailing, and frequent complication of interior space; late 14th - mid 16th Century

A

Flamboyant Style

514
Q

3 Phases of English Gothic Architecture

A
  1. Early English/ Lancet Style
  2. Decorated Style
  3. Perpendicular/ Rectilinear Style
515
Q

A phase of English Gothic architecture characterized by lancet windows and plate tracery; 12th - 13th century

A

Early English/ Lancet

516
Q

A phase of English Gothic architecture characterized by rich tracery, elaborate ornamental vaulting, and refinement of stone cutting techniques; late 13th - late 14th Century

A

Decorated Style

517
Q

A phase of English Gothic architecture characterized by perpendicular tracery, fine intricate stone work, and elaborate fan vaults; late 14th - early 16th century

A

Perpendicular/ Rectilinear Style

518
Q

An architectural landmark as it was the first major structure of which a substantial part was designed and built in the Gothic style

A

Abbey Church of St. Denis (by Abbot Suger)

519
Q

Known as France’s model church that is known for its unmatched towers

A

Cathedral of Notre dame de Chartres

520
Q

The tallest complete cathedral in France with the greatest interiors

A

Amiens Cathedral

521
Q

Cathedral in France where the Kings of France were once crowned

A

Reims Cathedral

522
Q

Residence of the chief magistrate of Venice; palace built in Venetian Gothic style

A

Doge’s Palace

523
Q

Literally means the house of gold; is a palace on the Grand Canal of Venice; the architects were Giovanni Bon and Bartolomeo Bon (epitomizes the Gothic style in Venice)

A

Ca D’ Oro

524
Q

Means the rebirth of the art of classic antiquity that occurred in Italy in the 14th century; during this period, man was freed from the religious restraints of the medieval times

A

Renaissance

525
Q

An ideology that believes that humans, purportedly created in the Judeo-Christian God, had been given the ability for rational thought to some meaningful end

A

Humanism

526
Q

Weakening of the spiritual and political leadership of the church; material prosperity; abuses and problems with doctrines

A

Secularism

527
Q

The invention of the printing press was under what period

A

Renaissance

528
Q

Known as the pre-eminent family of Florence, who amassed great wealth in banking, spent great money on architects and artists

A

The Medici

529
Q

A style of Italian art and architecture developed during the 15th century characterized by the development of linear perspective, chiaroscuro, and in building, the freed and inventive use of classical details

A

Early Renaissance

530
Q

A technique developed in the Italian Renaissance period that uses of light and dark to achieve a heightened illusion of depth

A

Chiaroscuro

531
Q

Method of rendering a specific object or figure in a picture in depth; developed during the early Italian Renaissance; where the artist records, in varying degrees, the distortion that is seen by the eye when an object or figure is viewed at distance or at an unusual angle

A

Foreshortening

532
Q

He was often considered as the founder of Renaissance painting by breaking away from Byzantine tradition of painting to naturalism, humanism, and composition; first naturalistic painter of Italy; work includes:

  • The Death of St. Francis
  • The Adoration of the Magi
  • The Matrimony of Joachim and Anna
A

Giotto di Bondone

533
Q

A disciple of Giotto; first great painter of the Italian Renaissance; his frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting; works include:

  • Expulsion from the Garden of Eden
  • Tribute Money
A

Masaccio

Aka: Tomaso Guidi

534
Q

An Italian Renaissance artist and Dominican monk; all of his art was religious; he used luminous gem-like colors, diffused light, and slender forms; work include:
- The Annunciation

A

Fra Angelico

Aka: Guido di Pietro da Mugello

535
Q

An Italian Renaissance artist who is a complete antithesis of Fra Angelico; more concerned with physical beauty than the inside or spiritual depth; secularism - real emotions; work includes:
- Madonna with Babe and Angels

A

Fra Lippo Lippi

536
Q

An Italian Renaissance artist who was instrumental with the opening roof the stories and characters of classical mythology; classed with the sentimental, devotional group and also learned from scientists; works include:

  • Spring
  • The Birth of Venus
  • Primavera
A

Alessandro Boticelli

537
Q

Most prominent painter of the early Northern Renaissance style; perfected the process of painting with oil and varnish; works include:

  • The Arnolfini Marriage
  • Worship of the Lamb
A

Jan Van Eyck

538
Q

A sculptor in the early Italian Renaissance known for sacred themes; works include:

  • David (bronze)
  • St. Mark
  • Gattamelata
  • and statues of Old Testament prophets for the walls of the Florence Cathedral
A

Donatello

539
Q

Early Renaissance sculptor of the north and east doors of the baptistery of San Giovanni, Florence

A

Lorenzo Ghiberti

540
Q

Architectural style that originated in Italy in the 15th to 16th century characterized by an emphasis in symmetry, exact mathematical relationships between parts and an overall effect of simplicity and prose

A

Early Renaissance Architecture

541
Q

Structure designed by Filippo Brunelleschi; the distinctive octagonal design of the double-walled dome, resting on a drum and not in the roof itself, allowed for the entire dime to be built without the need for scaffolding from the ground

A

The Duomo or The Dome of the Cathedral of Florence

542
Q

Means ‘The Foundling Hospital’ and designed by Filippo Brunelleschi and built by Giovanni Medici for the poor; series of round arches supported by slender columns and framed by pilasters that carried flat horizontal entablature

A

Ospedale Degli Innocenti

543
Q

A style of Renaissance art and architecture characterized by an emphasis on draftsmanship, the illusion of sculptural volume in painting, and in building, the limiting use of whole orders and compositional rules after the precepts of Vitruvius and the precedents of existing ruins

A

High Renaissance

544
Q

Modeling technique which consists of blurring sharp outline with subtle, tonal gradations, imparting a mysterious enigmatic quality, hinting at the subject’s spiritual dimension

A

Sfumato

545
Q

A part of a Romanesque Basilica described as the semi-circular walkway with chapels off it surrounding the sanctuary

A

Ambo/ Ambulatory

546
Q

A big name in the High Renaissance Art; he created a style which laid the foundation for Baroque-Mannerism; protege of the Medici’s; works include:

  • Sistine Chapel ceiling
  • The Statue of David
  • Pieta
  • The Last Judgement
A

Michelangelo Buonarotti

547
Q

Big name in High Renaissance art; A devout catholic and artist who trained in Umbria but studied in Florence; painted beautiful, gentle, calm women in courteous manner; works include:

  • The School of Athens
  • The Marriage of the Virgins
A

Raphael Sanzio

548
Q

The most famous of the Venetian Renaissance painters; works include:

  • The Tempest
  • Sleeping Venus
A

Giorgione

549
Q

Venetian High Renaissance painter whose works include:

  • Tempest
  • Sleeping Venus
A

Giorgione

550
Q

Leader of the 16th century Venetian school of the Italian Renaissance; works include:

  • Assumption of the Virgin
  • The Rape or Europa
A

Titian

551
Q

A German artist known as the Leonardo of the North; works include:

  • Apocalypse
  • St. Jerome in his Study
  • 4 Apostles
A

Albrecht Durer

552
Q

Greatest Flemish painter of the 16th century; Flemish/ Dutch Renaissance painter and printmaker known for his landscapes and peasant scenes; greatest landscape painter; works include:

  • Peasant Wedding
  • Hunters in the Snow
  • The Blind Leading the Blind
A

Pieter Bruegel The Elder

553
Q

High Renaissance architectural landmark meaning ‘small temple’; marks the spot of St. Peter’s crucifixion; 15ft. in diameter; by DONATO BRAMANTE

A

Tempietto

554
Q

High Renaissance architectural landmark composed of the Palace of the Senate, the Conservatory, and the Capitoline Museum, and where the statue of Marcus Aurelius stood; it is an abstraction of the human figure; by MICHELANGELO BUONARROTI

A

Capitoline Hill

555
Q

Term applied to exaggerate steels, stroking visual effects characterized by elongated or over muscular figures set in extravagantly contorted panes; revolt against the fundamental design principles of classism of clarity, visibility, and stability

A

Mannerism

556
Q

Founded Mannerism

A

Michelangelo Buonarotti

557
Q

Famous artist of the Mannerism style whose famous work includes:
- The Descent from the Cross

A

Jacopo Pantorno

558
Q

Famous artist of the Mannerism style whose famous work includes:
- Madonna of the Long Neck

A

Parmigianino

559
Q

Famous artist of the Mannerism style known for his phenomenal energy in painting therefore given the name IL FURIOSO, and his dramatic use of perspective space and special lighting effects that made him the precursor of the Baroque art; Venice’s master of Mannerism; work includes:

  • The Conversion of St. Paul
  • The Last Supper
A

Tintoretto

560
Q

Famous artist of the Mannerism style known as a supreme colorist and for his illusionistic decorations in both fresco and oil; his works elaborate narrative cycles executed in a dramatic and colorful mannerist style; work includes:
- The Marriage Feast at Cana

A

Paolo Veronese

561
Q

They comprise the triumvirate of pre-eminent Venetian painter of th late Renaissance

A
  1. Paolo Veronese
  2. Titian
  3. Tintoretto
562
Q

Famous artist of the Mannerism style who excelled in cool mannerist portraits; Venus, Cupid, Folly, and Time; work includes:
- Portrait of a Young Man

A

Agnolo Bronzino

563
Q

A dominant mannerist and an Italian architect regarded as the greatest architect of the 16th century Northern Italy; his designs for palaces and villas made him one of the most influential figures in Western architecture; works include:

  • Villa Rotonda
  • Villa Capra
A

Andrea Palladio

564
Q

The desire to evoke emotional states by appealing to the senses, often in dramatic ways, underlies its manifestations

A

Baroque Style

565
Q

___________ art is characterized by asymmetrical compositions, powerful effects of movement, and strong lighting in combination with dramatic interpretations of the object matter

A

Baroque Art

566
Q

Is an Italian Baroque pioneering artist who made use of dramatic, realistic, tenebrism, and chiaroscuro technique; he chose ordinary people as figures in his religious work; works include:

  • The Conversion of St. Paul
  • The Entombment of Christ
A

Michelangelo Caravaggio

567
Q

The use of sharply contrasting light and dark; meaning obscure (tenebroso), it describes the use of dark, overall tonality of the painting

A

Tenebrism

568
Q

(Baroque) The greatest genius of the Dutch school who painted portraits and scenes of genre and religious subjects; developed a unique technique of handling light and shadow called ** Lighting - the graded transition from light to dark with shadows in warm colors; works include:

  • Night Watch
  • Belshazzar’s Feast
A

Rembrandt van Rijn

569
Q

(Baroque) Known as the Little Dutch Master next to Rembrandt; his subjects usually focus on women doing household chores; his palette consists mostly of blue and yellow because it has the most contrast visually; work includes:
- Maidservant Pouring Milk

A

Jan Vermeer

570
Q

The greatest Flemish painter of the Baroque; he assimilated Italian ideas with Flemish tradition; also the most prolific painter and produced about 2,000 paintings; works include:

  • The Descent from the Cross
  • Samson and Delilah
A

Peter Paul Rubens

571
Q

A Baroque artist who specialized in aristocratic portraiture that featured with exquisite technique, details of silken fabrics, fine layers, and trimmings; work includes
- Earl of Warwick

A

Anthony Van Dyck

572
Q

A Baroque sculptor who was influenced by Michelangelo Buonarotti and by the intensity and animation of the Mannerist and Baroque paintings; works include:

  • Ecstasy of St. Teresa
  • Fountain of Trevi
A

Gianlorenzo Bernini

573
Q

Baroque comes from the Portuguese word ___________, which means odd shaped

A

Baroco

574
Q

Is characterized by richly sculpted surfaces (sculptural classicism), surfaces that are treated as a continuous whole; elements of it include (1) scrolled buttresses, (2) broken pediments, and (3) flying sculptures

A

Baroque Architecture

575
Q

An architectural landmark of Italian Baroque designed by GIANLORENZO BERNINI, the facade by CARLOS MADERNO, and the Dome by MICHELANGELO BUONAROTTI

A

St. Peter’s Basilica

576
Q

By Gianlorenzo Bernini; is the largest Baroque fountain in Rome

A

Fountain of Trevi

577
Q

An architectural landmark of Italian Baroque constructed by Francisco Borromini; features an alteration of concave and convex elements in the facade, and a drum that supported an oval dome; it has no straight lines

A

S. Carlo alle Quattro Fontane

578
Q

An architectural landmark of Italian Baroque constructed by Baldassare Longhena; a Roman Catholic Church that has a vast octagonal building with two domes and a pair of picturesque bell towers at the back; full of Marian symbolisms

A

S. Maria Della Salute

579
Q

An architectural landmark of Italian Baroque constructed by GIACOMO VIGNOLA; the mother church of the Society of Jesus, a Roman Catholic religious order known as the Jesuits; its facade introduced the baroque style into architecture

A

Church of Il Gesu

580
Q

Claimed to have been the prophet to Allah

A

Mohammed

581
Q

The arts o the Mohammedan countries

A

Islamic Arts

582
Q

Work of writing that uses the Arabic text as the basis of written text

A

Arabic / Islamic Calligraphy

583
Q

Are materials primarily used to cover the floors of mosques and houses and sometimes used as wall decorations; usually made of sheep’s wool, goat’s or camel’s hair

A

Carpets

584
Q

The first half of the __________ century was considered the Golden Age of Carpet Procuction

A

16th Century

585
Q

Technique of hammering metal to create an embossed effect

A

Repousse

586
Q

A type of Islamic/ moorish pottery produced in Egypt and Iraq and were influenced by the Chinese blue and white porcelain

A

Tin-glazed

587
Q

A type of Islamic/ moorish pottery with an over-glaze finish containing copper and silver or other materials that give the effect of irridescence

A

Luster-painter/ Lusterware

588
Q

A type of Islamic/ moorish pottery that is Italian for ‘scratching’; produced by applying contrasting colored layers of plaster or slip and then scratching or incising a design on to the surface

A

Sgraffito

589
Q

Characterized by the building of large mosques and elaborate fortress-palaces; no essential difference in techniques between religious and non-religious buildings, important architectural endeavor is normally expended on buildings having direct social or community purpose, decorations use geometric, calligraphic, and plant motifs; symmetry and balance; centered upon God

A

Moorish Architecture

590
Q

A Moorish Architectural form described as their principal place of worship; a building used for Friday prayer

A

Mosque / Masjid

591
Q

Neighborhood mosque or a big mosque

A

Jami Masjid

592
Q

A mosque has no positive object of attention or adoration conceived around an axis toward the ____________ and terminates at __________

A

Mecca; Mihrab

593
Q

A part of the mosque described as the courtyard of a mosque

A

Sahn

594
Q

A part of the mosque described as the covered area in front of the qibla wall

A

Haram

595
Q

A part of the mosque described as the niche oriented towards Mecca

A

Mihrab

596
Q

A part of the mosque described as the reading desk for delivering messages

A

Dikka

597
Q

A part of the mosque described as the raised platform for ceremonial announcement

A

Minbar

598
Q

A part of the mosque described as the open-fronted vault facing a court

A

Iwan or Ivan

599
Q

A part of the mosque described as the screen dividing men from the women

A

Maqsura

600
Q

A part of the mosque described as the tower from which a call to prayer (adhan) is made

A

Minaret

601
Q

A part of the mosque described as an axis oriented towards Mecca

A

Qibla Wall

602
Q

A part of the mosque described as the gateway

A

Bab

603
Q

A part of the mosque described as the central area for prayer; literally means place for prayer

A

Musalla

604
Q

A part of the mosque described as the women’s chamber or a private chamber of a house or palace

A

Harem

605
Q

A part of the mosque described as the men’s or guest’s quarters

A

Selamlik

606
Q

The oldest Islamic monument; believed to be the place from which the prophet Muhammad ascended into heaven

A

Dome of the Rock/ Great Dome of Damascus

607
Q

The site of Muhammad’s birth

A

Mecca

608
Q

A white splendored tomb built by Emperor Shah Jahan in the memory of his favorite wife, Arjumand Banu Begum; aka: Mumtaz Mahal or ‘Chosen of the Palace’

A

Taj Mahal

609
Q

The largest mosque ever built, it has a cone shaped minaret that is encircled by an outer ramp on the form of a spiral

A

Great Mosque

610
Q

A Spanish-Islamic style characterized by the fusion of Romanesque and Gothic with Islamic elements; Christian working with Muslim traditions

A

Mudejar Architecture

611
Q

A Spanish-Islamic style influenced by the Byzantine Architecture

A

Ottoman Architecture

612
Q

Known as the Middle Kingdom because it was thought to be the center of the universe

A

China

613
Q

Four man social classes of China

A
  1. Scholar-gentry
  2. Peasants
  3. Artisans
  4. Merchants
614
Q

A period in Chinese history known as the bronze period; known for bronze casting or the manufacture of metal using clay models; the royal family lived inside a walled palace and the first to bring order/ rule over warring states

A

Shang Dynasty

615
Q

The king of the Qin Dynasty was renamed _____________ meaning “first” and “emperor and divine ruler”

A

Shi Huangdi

616
Q

During the Qin dynasty, he unified China by implementing strict laws, taxing everyone; he introduced one script for writing, and standardized money, weights, and measurements; he also ordered the burning of scholarly books

A

Qin Shin Huangdi

617
Q

3000 life-size foot soldiers buried in the tomb of Qin

A

Terra Cotta Warriors

618
Q

A period in Chinese history founded by Lui Bang; where the control over the Silk Road that linked Asia to Europe was established; Buddhism started to spread

A

Han Dynasty

619
Q

A period in Chinese history considered as the Golden Age of Chinese Arts

A

Tang Dynasty

620
Q

A ceramic material made by heating raw materials, generally including clay in the form of kaolin, in a kiln

A

Porcelain

621
Q

Kind of porcelain where blue decoration is painted on to the body, using finely ground cobalt oxide mixed with water, before glazing using a transparent porcelain glaze

A

Blue and White Wares

622
Q

A kind of white or monochrome porcelain made at Dehua in Fujiyan porvince

A

Blame de Chine

623
Q

Is the symbol of vitality and authority in the China

A

Jade

624
Q

____________, a symbol of eternal life, is placed on the mouth of a deceased person

A

Jade Cicada

625
Q

Chinese writing done on silk or paper

A

Calligraphy

626
Q

3 Principles of Chinese Architecture

A
  1. Taoism
  2. Confucianism
  3. Buddhism
627
Q

A principle in Chinese architecture that teaches individualism and transcendence through direct connection with the natural world

A

Taoism

628
Q

Incomprehensible natural ford which all events in the universe unfailingly follow

A

Tao

629
Q

A principle in Chinese architecture that emphasize strict adherence to social conventions and rituals for the proper functioning of the state

A

Confucianism

630
Q

A principle in Chinese architecture described as a path of practice and spiritual development leading to insight into the true nature of reality; enlightenment

A

Buddhism

631
Q

An principle of architecture where the decoration reflects the pursuit of luck and fulfillment, long lifespan, and excision into the fairyland

A

Taoism

632
Q

An principle of architecture that resorts to nature topography to build towers, pavilions, and other garden structural units

A

Taoism

633
Q

Fall under the Taoism principle of architecture in which all structures surround the Danlu (stove to make pills of immortality) in the center according to ** position request; reflects the Taoist philosophy that the human cosmos follows the natural cosmos to integrate energy, qi, and spirit

A

Bagua Style

634
Q

A Chinese imperial architecture zoomorphic symbolism for the emperor

A

Dragon

635
Q

A Chinese imperial architecture zoomorphic symbolism for the empress

A

Phoenix

636
Q

A Chinese imperial architecture zoomorphic symbolism for the guardian of palatial structures

A

Lion

637
Q

Is a Chinese architectural element defined as the structural member found between the top of a column and across a beam; formed by a double bow-shaped arm (GONG), which supports a block of wood (DOU) on each side

A

Dougong Bracket

638
Q

Is a Chinese architectural element defined as a high-grade building material in old China that was used extensively on palace buildings of the imperial house of the big mansions of nobles and high officials

A

Glazed Tiles

639
Q

Is a Chinese architectural element defined as a ceiling with a central, deepest, and round part called well or Jing, an octagonal middle part called well, and an outermost square part coming down to the same level as the rest of the ceiling; dominating the center of the ceiling is a coiled dragon with a huge pearl on its mouth

A

Caisson or Zaojing Ceiling

640
Q

Is the general term, in the English language, for a tiered tower with multiple eaves erected as a memorial or to hold relics; originally built to preserve Buddhist relics

A

Pagoda

641
Q

A part of a Chinese pagoda that resembled the original image of the stupa from India

A

Top

642
Q

A part of a Chinese pagoda used to enshrine a statue of Buddha, held to various styles of traditional Chinese architecture

A

The Body

643
Q

Part of a Chinese pagoda used for burying Buddhist relics, usually took the form of an underground chamber or underground hole attached to a tomb in Ancient China

A

The Base

644
Q

A Chinese monumental archway or gateway with one, three, or five openings erected as a memorial at the entrance to a palace, tomb, or processional way

A

Pai-lou or Paifang

645
Q

A Chinese architectural landmark described as the home of 24 Chinese errors for nearly 500 years; composed of a palace complex, the Gate of Great Peace, Quiniandan Hall of Prayer, and Hall of Supreme Justice

A

The Forbidden City

646
Q

A Chinese architectural landmark described as a fortified wall commenced under Zhou Dynasty to protect China against nomads from the north and to serve as means of communication

A

Great Wall of China

647
Q

China’s largest existing complex of ancient sacrificial buildings

A

Temple of Heaven

648
Q

Built as a residence of Dalai Lama

A

Potala Palace

649
Q

A national style of painting based on geometric forms rather than the fluid forms of China

A

Yamato

650
Q

Painting executed on vertical silk rolls

A

Kakemono

651
Q

Painting executed on horizontal silk rolls

A

Makimono

652
Q

Means ‘scenes of the floating world’; a genre of Japanese woodblock prints and paintings featuring motifs of landscapes, tales from history, the theatre, and pleasure quarters

A

Ukiyo-e

653
Q

A kind of ceramic pattern characterized by delicate angular flowering branches painted with iron fed, two tones of green and blue, and subtle touches of gold

A

Kakiemon-de Pattern

654
Q

A kind of ceramic pattern characterized by strong floral and brocade design painted in heavily saturated colors

A

Imari Pattern

655
Q

Layer upon layer of lacquer added to base material then polished to a smooth brilliant surface; gold and silver dust or particles were introduced into the topi layer of the lacquer before finishing

A

Lacquework

656
Q

The Japanese Lacquerwork is called __________ in England and ____________ in France

A

Japanning in England;

Verni Martin in France

657
Q

Japanese sword of the Samurai

A

Katana

658
Q

Japanese sword of the guards

A

Tsuba

659
Q

Dagger

A

Kozuka

660
Q

A choreographic ritual of preparing and serving Japanese green tea

A

Ocha or Japanese Tea Ceremony

661
Q

Japanese term for tea caddy

A

Chai-re

662
Q

Japanese term for hemp cloth

A

Chakin

663
Q

Japanese term for whisk made from one bamboo

A

Chasen

664
Q

Japanese term for a tea scoop

A

Chasaku

665
Q

Japanese term for a tea bowl

A

Chawan

666
Q

The Japanese art of cultivating miniature trees

A

Bonsai

667
Q

The Japanese art of flower arrangement

A

Ikebana

668
Q

Traditional Japanese theatre

A

Kabuki

669
Q

The Japanese art of folding paper

A

Origami

670
Q

Japanese theatre with actors wearing masks

A

Noh

671
Q

Japanese theatre plays with all actor ensemble are wearing heavy makeup

A

Kabuki

672
Q

Characterized by a synthesis of ideas from China and native conditions producing a distinctive style characterized by lightness and delicacy refinement

A

Japanese Architecture

673
Q

Buddhist principle of being the to the materials

A

Wabi-sabi

674
Q

A High Renaissance artist who attempted to unite science with art; used the sfumato technique; works include:

  • Monalisa
  • The Last Supper
  • Madonna on the Rocks
A

Leonardo Da Vinci

675
Q

Means the way of the gods; belief that purification, prayers, and offerings to the Kami will keep away evil spirits

A

Shintoism

676
Q

Shinto gods are called

A

Kami

677
Q

A Japanese architectural form with the main purpose is for the enshrinement and worship of the Kami

A

Shinto Temple or Jinja

678
Q

Japanese hall of worship of the Shinto shriek usually in front of the Honden, open to the laity

A

Haiden

679
Q

Part of the Shinto temple described as the Shinto Gate

A

Torii

680
Q

Part of the Shinto temple described as the approach to the shrine

A

Sandō

681
Q

Part of the Shinto temple described as the purification front to cleanse one’s hands and mouth

A

Chōzuya or Temizuya

682
Q

Part of the Shinto temple described as the decorative stone lanterns

A

Tōrō

683
Q

Part of the Shinto temple described as the building dedicated to Noh or the sacred kagura dance

A

Kagura-den

684
Q

Part of the Shinto temple described as the shrine’s administrative office

A

Shamusho

685
Q

Part of the Shinto temple described as the wooden plaques bearing prayers or wishes

A

Ema

686
Q

Part of the Shinto temple described as small auxiliary shrines

A

Sessha/ Massha

687
Q

Part of the Shinto temple described as “lion dogs” or guardians of the shrine

A

Komainu

688
Q

Part of the Shinto temple described as the oratory or hall of worship

A

Haiden

689
Q

Part of the Shinto temple described as the fence surrounding the Honden

A

Tamagaki

690
Q

Part of the Shinto temple described as the main hall for enshrining the Kami

A

Honden

691
Q

Japanese formed roof finials

A

Chigi

692
Q

Japanese short horizontal logs as shrine ornamentation

A

Katsuogi

693
Q

Part of a Japanese Buddhist temple described as an assembly hall for monks and where the sacred texts are read

A

Kodo

694
Q

A Japanese Buddhist temple pagoda

A

To

695
Q

Part of a Japanese Buddhist temple described as the Golden Hall; where the main image of worship is kept in a Japanese Buddhist temple

A

Kondo

696
Q

Part of a Japanese Buddhist temple described as the principal south gateway to a Japanese Buddhist temple

A

Nandaimon

697
Q

Part of a Japanese Buddhist temple described as the inner gateway

A

Chumon

698
Q

Are Japanese fortresses composed primarily of wood and stone; composed of 6 corridors to 3 different pavilions for the Emperor’s family; sometimes protected by a concave batter walls and a moat

A

Palaces

699
Q

Measured between 2 x 4 1/2 tatami to accommodate a cha-no-yu or a tea ceremony

A

Cha-Shitsu or Tea Houses

700
Q

Japanese bath houses

A

Sento

701
Q

A Japanese architectural landmark described as the most famous and oldest Shinto temple in Japan; it enshrines the sun goddess Amaterasu Omikami, believed to be the ancestor of the Japanese imperial family

A

Ise Shrine

702
Q

A Japanese architectural landmark described as the most impressive of the fortified residences; created by the samurai under the Shogonate

A

Himeji Castle

703
Q

Also known as Traditional art or Vernacular art of the Philippines

A

Pre-colonial Art

704
Q

Any product that is obtained through the action of fire upon any material

A

Ceramics

705
Q

A funerary vessel, found in the Tabon Caves of Palawan, with incised designs around its body; its cover had a boat containing two figures symbolizing the pe prehistoric Filipino’s journey to the afterlife

A

Manunggul Jar

706
Q

Ilocano native term for a large earthenware mainly used for fermentation and storage of liquid

A

Burnay

707
Q

Southern Tagalog term for a water container for the kitchen

A

Tapayan

708
Q

Tagalog earthenware for cooking

A

Palayok

709
Q

Are red, high-polished tiles associated with the Spanish Colonial houses in Vigan

A

Vigan Tiles

710
Q

A Filipino handwoven mat for sleeping and sitting

A

Banig

711
Q

Maguindanao tube skirts usually in ikat

A

Malong

712
Q

T’boli tie dye fabric

A

T’nalak

713
Q

A style of weaving that uses a resist dyeing process similar to tie-dye on either the warp or weft yarns before the threads are woven to create a pattern or design

A

Ikat

714
Q

The process of making a basket which is a receptacle made of interwoven fibrous material

A

Basketry

715
Q

Ifugao fertility jewelry used as a necklace, pendant, or earring; often given as a wedding gift

A

Ling-ling-o

716
Q

A Maranao ceremonial vessel

A

Gadur

717
Q

Traditional Philippine brass or bronze vessel

A

Galang

718
Q

Philippine Betel nut containers with bone or pearl inlay

A

Lotoan

719
Q

An Ifugao wood carving of their rude god

A

Bulul

720
Q

Central post or king post in an Ifugao house of the same carved human figure as the Bulul

A

Kinib-bigat or Kinabagat

721
Q

An Ifugao wooden bench with slightly arched midsection; ultimate symbol and proof of the owner’s economic and political power

A

Hagabi

722
Q

Ifugao pig sculptures used as a toy

A

Binabuy

723
Q

Leaf and vine pattern motif associated with Mindanaoan woodcarving

A

Ukkil (Tausug) or Okir (Maranao)

724
Q

A bird or cock form; symbol of messenger

A

Sarimanok

725
Q

A Philippine pre-colonial architecture described as a botanic windscreen with a windpole support used by nomadic groups

A

Lean-to Dwelling

726
Q

A Philippine pre-colonial architecture described as a cube house with pitched or gabled roof with stilted support

A

Bahay Kubo

727
Q

An Ivatan traditional house of stone and mortar that has a cotton thatch roof and a big roof net to protect its dwellers against strong rains and winds

A

Rakuh

728
Q

An Isneg one-room abode with a large concave roof that resembles an inverted traditional Isneg Boat

A

Binuron

729
Q

A Kalinga octagonal dwelling

A

Binayon

730
Q

An Ifugao house for the affluent and whose pyramidal hipped roof covers the floor of the house

A

Fale or Bale

731
Q

Cylindrical rat guard in Philippine pre-colonial dwellings

A

Halipan

732
Q

A Philippine pre-colonial architecture described as a dwelling with a detachable A-frame roof and is supported by a “katig” that allows the goat to float steadily

A

Badjao House Boat

733
Q

A Philippine pre-colonial architecture described as a traditional Tausug house on stilts supported by a pitched roof; distinguished by carved wooden finials ‘tadjuk pasung’ placed on one or both ends in the roof

A

Bay Sinug

734
Q

A Philippine pre-colonial architecture described as a dwelling built on six-foot stilts; homes are generally about 50 feet long and nearly 30 feet wide and are typically constructed of bamboo, wood, and palm fronds

A

T’boli Long House

735
Q

A Philippine pre-colonial architecture described as a Mindanao sleeping place; a house of the sultan known for its colorful Panolong (butterfly wing floor beam ends) with a Pako Rabong or dragon motif

A

Torogan

736
Q

Sanskrit for dragon/ serpent, represents the cosmological model for wave or water

A

Naga

737
Q

A Philippine pre-colonial mosque that can accommodate a small group of worshipers; commonly built in rural areas

A

Langgal or Ranggar

738
Q

A Philippine pre-colonial mosque that is larger, more pemanent structure that includes a dome and minaret

A

Masjid

739
Q

A Paete artist during the Spanish Colonial Period; probably one of the earliest recorded painters in Philippine art history; his works include:

  • Langit
  • Lupa at Impierno
A

Jose Luciano Dans

740
Q

A Paete artist during the Spanish Colonial Period; the most popular artist who worked in the Tipos del Pais Style - watercolor paintings that show the different inhabitants of the Philippines in their different native costumes and social status or occupations

A

Damian Domingo y Gabor

741
Q

A Philippine Spanish Colonial artist who developed a style that combines both Tipos del Pais and genre paintings by forming the lets of the patron’s name from figures of people in local costumes doing everyday activities

A

Jose Honorato Lozano

742
Q

A sculpture that houses the tabernacle and the image of the town’s patron saint; referred to as a “cabinet of saints”; Mexican for “behind the altar”

A

Retablo

743
Q

Carved images in relief; usually depicts the Via Crusis, it may also show holy images in religious scenes

A

Relleves

744
Q

The earliest known sculptor in the Philippines

A

Juan De Los Santos

745
Q

The Christian Doctrine in the Spanish and Tagalog Language; the first book printed in the country published by the Dominicans in 1593

A

La Doctrina Christiana en la Lengua Española y Tagala

746
Q

Prints of miraculous images in block printing usually featured portraits of saints and religious scenes

A

Estampas and Estampitas

747
Q

The grouping and resurrection in number of formerly scattered Varangians into compact and larger communities to facilitate religious conversion and cultural change

A

Reduccion

748
Q

A kind of town planning in which the fort and the church were integrated centrally and concentrically with the social classes

A

Plaza Complex

749
Q

An evolved bahay kubo with improved air circulation and lighting; strength of the masonry and the flexibly of the bahay kubo

A

Bahay na Bato

750
Q

Apartment dwellings; single or two-storey structures having multiple units defined by common party walls shared by adjoining units and a separate door at the facade

A

Accessoria

751
Q

Part of an ecclesiastical structure described as a screened gallery with entry form the second floor of the convent

A

Tribunas

752
Q

An ecclesiastical landmark also known as the Manila Cathedral; a Roman Catholic minor basilica in the capital of the Philippines, Manila; Romanesque Style

A

Minor Basilica of the Immaculate Conception

753
Q

An ecclesiastical landmark known for its sinking bell tower

A

Laoag Church, Ilocos Norte

754
Q

An ecclesiastical landmark known as “earthquake Baroque” church in the Philippines; distinguished by its enormous side buttresses with scroll-like bases; has the largest bell

A

Paoay Church

755
Q

An ecclesiastical landmark described as the first religious structure built on the island of Luzon

A

San Agustin Church

756
Q

An ecclesiastical landmark described as the biggest Spanish church in the country

A

Taal Church, Batangas

757
Q

The first fort in the country originally made of bamboo

A

Fort San Pedro, Cebu

758
Q

The first stone front in the country

A

Nuestra Señora de Guia, Intramuros

759
Q

A civic building described as the residence of the highest official of the land

A

Palacio de Gobierno or Palacio Real

760
Q

A civic building described as the seat of colonial governance in the country

A

Ayuntamiento

761
Q

A civic building described as the trial court

A

Real Audiencia or Tribunal

762
Q

A civic building described as the customs house

A

Aduana

763
Q

A civic building described as a smaller version of the Ayuntamiento in provincial towns

A

Case de Municipal or Casa Real

764
Q

A civic building that housed the administration of the hacienda

A

Casa Hacienda

765
Q

An artist of the Philippines during the American Colonial Period; the first painter of the 20th century; noted for his realistic portraits, genre, and landscapes in subdued colors; the first dean of the UP Fine Arts School; work includes:
- Rice Planters

A

Fabian Dela Rosa

766
Q

An artist of the Philippines during the American Colonial Period; he is the first and among the few Filipino painters who have captured the different striking colors and character of the country’s magnificent sunlight; works include:

  • The Offering
  • Dalagang Bukid
  • Planting Rice
A

Fernando Amorsolo y Cuerto

767
Q

An artist of the Philippines during the American Colonial Period; trained in the classical style in Rome who made the Oblation in the University of the Philippines

A

Guillermo Tolentino

768
Q

A single story raised slightly above the ground; constructed in reinforced concrete and wood; win an extended veranda in front

A

Chalet

769
Q

___________ developed plans for Manila, Baguio, and Pagsanjan, Laguna; executed by _____________

A
Daniel H. Burnham (developer);
William Parsons (executor)
770
Q

Was part of the first generation of architects in the Philippines; works include:

  • Philippine General Hospital
  • Manila Hotel
  • Philippine National College
A

William Parsons

771
Q

Was part of the first generation of architects in the Philippines; he was sent to the United States as one of the first pensionados in architecture; works include:

  • UP Palma Hall
  • Jones Bridge
  • Metropolitan Theater
A

Juan Arellano

772
Q

Consulting architect in 1938 until his retirement in 1954; one of the pioneer professors of Mapua Institure of Technology

A

Antonio Toledo

773
Q

He holds the distinction of being the first registered Architect of the Philippines; founded the Mapua Institute of Technology and the first Architectural Association in the Philippines; works include:

  • De La Salle College
  • CEU
A

Tomas Mapua

774
Q

Was part of the second generation of architects in the Philippines; the first national artist for architecture; works include:
- Arellano University Building

A

Juan Nakpil

775
Q

Was part of the second generation of architects in the Philippines; son of the famous 19th century expatriate Filipino painter, Juan Luna; introduced new architectural forms in the Philippines by using the Art Nouveau style; work includes:
- The Crystal Arcade

A

Andres Luna de San Pedro

776
Q

Triumvirate of Philippine Modern Art

A
  1. Victorio C. Edades
  2. Galo B. Ocampo
  3. Carlos “Botong” Francisco
777
Q

Triumvirate of Philippine Modern Art; Father of Philippine Modern art

A

Victorio C. Edades

778
Q

Triumvirate of Philippine Modern Art; with his ‘Brown Madonna’, Filipinized western canonical iconography

A

Galo B. Ocampo

779
Q

Triumvirate of Philippine Modern Art; Angono-based painter depicted Philippine history in his ‘History of Manila’ mural at the Manila City Hall; his trademark fluid lines and brilliant colors filled up the entire pictorial space of the of the mural, defying the rules of linear perspective set by the local academy

A

Carlos “Botong” Francisco

780
Q

Is a group of Filipino artists who were reacting to the academic style of Luna and Hidalgo and to the sweet style of Amorsolo

A

Thirteen Moderns

781
Q

Is considered as the major proponent of Cubism in the country; works include:

  • Jeepneys
  • 14 Stations of the Cross in the UP Chapel
  • Madonna of the Slums
A

Vicente Manansala

782
Q

He formed the Triumvirate of Neo-Realists together with Vicente S. Manansala and Cesar Legaspi; his artworks were nationalistic and reflected the harsh realities of the country after WWII; his works are the first purely non-representational art produced in the country; works include:

  • Genesis
  • Beefsteak
A

Hernando R. Ocampo

783
Q

Part of the Triumvirate of Neo-realists who is remembered for his depiction of the masses; work includes:
- Gadgets

A

Cesar Legaspi

784
Q

Her works are characterized by sharply outlined figures of bandanna wearing peasant women going about in their daily chores

A

Anita Magsaysay-Ho

785
Q

The Philippines’ leading abstract expressionist

A

Jose Joya

786
Q

Philippine national artist for Visual Arts; masterpieces are minimalist, geometric abstracts, alluding to the modern virtues of competence, order, and elegance; evokes universal reality and mirrors an aspiration for an acme of true Asian modernity

A

Arturo Luz

787
Q

Father of Philippine Modern Sculpture

A

Napoleon Abueva

788
Q

3rd National Artist for Architecture in the Philippines

A

Leandro Locsin

789
Q

Through his works, the indigenous ukkil, Sarimanok, and naga motifs have been popularized and instilled in the consciousness of Filipino nation and other peoples as original Filipino creations

A

Abdulmari Imao

790
Q

The founding museum director at CCP and pioneer of conceptual art in the country

A

Roberto Chabet

791
Q

National artist; known for pioneering the neofigurative style

A

Bendicto Cabrera

792
Q

Known for his bronze sheet monuments

A

Eduardo Castrillo

793
Q

A sculptor and an architect who create sculptural form in glass as a medium

A

Ramon Orlina

794
Q

Japanese building that contains the body of the Goshintai or the sacred body of the Kami

A

Honden

795
Q

The most important reliquary in the Romanesque Period

A

Stavelot Triptych

796
Q

Evolved fro the work of avant garde artists and designers in Germany and other European countries during the first decades of the twentieth century; example: works of Eric Mendelssohn

A

Expressionism (Contemporary)

797
Q

An avant-gardist modernist approach, but one that starts from the premises of local or regional architecture

A

Critical Regionalism (Contemporary)

798
Q

Is an approach to building design that attempts to view architecture in bits and pieces; basic elements of architecture are dismantled

A

Deconstructivism or Deconstruction (Contemporary)

799
Q

Examples of this style includes:

  • Guggenheim Museum by Frank Gehry
  • Jewish Holocaust Museum by Daniel Librskind
A

Deconstructivism or Deconstruction (Contemporary)

800
Q

Emphasizes form; where the architect is interested in visual relationships between the building parts and the works as a whole; example:
- Bank of China Tower- I.M. Pei

A

Formalism (Contemporary)