History Flashcards

1
Q

of, pertaining to, or existing in the time prior to the recording of human events, knowledge of which is gained mainly through archaeological discoveries, study, and research.

A

Prehistoric

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2
Q

The earliest know period of human culture, preceding the bronze age and the iron age and characterized by the use of stone implements and weapons.

A

Stone Age

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3
Q

of or relating to the last phase of the stone age, characterized by the cultivation of grain crops, domestication of animals, settlement of villages, manufacture of pottery and textiles, and use of polished stone implements; thought to have begun c. 9000-8000 BCE

A

Neolithic

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4
Q

A periodof human history tht began c. 4000-3000 BCE, folowing the stone age and preceding the iron age, characterized by the use of bronze implements.

A

Bronze Age

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5
Q

A bronze age culture that flourished in the Indus valley c. 2300-1500 BCE.

A

Harappa

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6
Q

A neolithic culture in China centered around the fertile plains of the yellow River, characterized by pit dwellings and fine pottery painted in geometric designs.

A

Yang-shao

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7
Q

A legendary dynasty in China, 2205-1766 BCE.

A

Xia

Hsia

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8
Q

An ancient region in western Asia between the Tigris and Euphrates rivers, comprising the lands of Sumer and Akkad and occupied successively by the Sumerians, Babylonians, Assyrians, and Persians; now part of Iraq.

A

Mesopotamia

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9
Q

An agriculture region arching from the eastern shores of the Mediterranean Sea in the west to Iraq in the east, the location of humankind’s earliest cultures.

A

Fertile Crescent

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10
Q

An advanced state of human society marked by a relatively high level of culture, technical, and political development.

A

Civilization

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11
Q

An ancient region in southern Mesopotamia, where a number of independent cities and and city-states were established as early as 5000 BCE. A number of its cities, such as Eridu, Uruk, and Ur, are major archaeological sites.

A

Sumer

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12
Q

The architecture of the ancient civilization that flourished along the Nile river in northwest Africa from before 3000 BCE to its annexation by Romein 30 BCE.

A

Egyptian Architecture

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13
Q

The architecture of the Bronze Age civilization that flourished on Crete from about 3000 to 1100 BCE, named after the legendary king Minos of knossos.

A

Minoan Architecture

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14
Q

The architecture of the Aegean civilization that spread its influence from Mycenae in southern Greece to many parts of the Mediterranean region from about 1600 to 1100 BCE

A

Mycenaean architecture

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15
Q

The architecture of the civilization that flourished on the Greek peninsula, in Asia Minor, on the north coast of Africa, and in the western Mediterranean until the establishment of Roman dominion in 146 BCE.

A

Greek architecture

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16
Q

The mesopotamian architecture that developed after the decline of the Assyrian Empire, deriving much from Assyrian architecture and enhanced by figured designs of heraldic animals in glazed brickwork.

A

Neo-Babylonian architecture

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17
Q

The architecture of ancient Greece and Rome, on which the Italian Renaissance and subsequent styles, such as the Baroque and the Classic Revival, based their development.

A

Classical architecture

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18
Q

The architecture of the ancient Roman people, characterized by massive brick and concrete construction employing such features as the semicircular arch, the barrels and groin vaults,and the dome .

A

Roman architecture

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19
Q

The final phase of Roman architecture, following the adoption of Christianity as the state religion by Constantine in 313 CE.

A

Early Christian architecture

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20
Q

The architecture of the European Middle Ages, comprising the architecture of the Byzantine, pre-Romanesque, and Gothic periods.

A

Medieval architecture

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21
Q

The time in Europe history between classical antiquity and the Renaissance, often dated from 476 CE, when Romulus Augustulus, the last Roman emperor of the Western Roman Empire, was deposed to about 1500.

A

Middle Ages

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22
Q

The early part of the middle Ages, from 476 CE to C. 1100.

A

Dark Ages

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23
Q

A style of architecture emerging in the Italy and western Europe in the 9th century and lasting until the advent of Gothic architecture in the 12th century, comprising a variety of related regional styles and characterized by heavy, articulated masonry construction with narrow openings.

A

Romanesques architecture

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24
Q

The architecture of the eastern sphere of the later Roman Empire, developing from late Roman and early Christian antecedents in the 5th century CE and influencing church building in Greece, Italy and elsewhere for more than a thousand years.

A

Byzantine Architecture

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25
Q

The style of architecture characterized by masonry construction, round arches, shallow domes carried on pendentives, and the extensive use of rich frescoes, colored glass mosaics, and marble revetments to cover whole interiors.

A

Byzantine Architecture

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26
Q

The Romanesque architecture introduced from Normandy into England before the Norman Conquest and flourishing until the rise of Gothic architecture C. 1200.

A

Norman Architecture

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27
Q

The architecture of the Muslim peoples from the 7th century on.

A

Islamic Architecture

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28
Q

The architecture of the civilization that emerged on the Japanese archipelago off the east coast of Asia.

A

Japanese Architecture

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29
Q

The style of architecture originating in France in the 12th century and existing in the western half of Europe through the middle of the 16th century.

A

Gothic Architecture

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30
Q

The style of architecture characterized by the building of great cathedrals, a progressive lightening and heightening of structure, and the use of the pointed arch, ribbed vault, and a system of richly decorated fenestration.

A

Gothic Architecture

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31
Q

The first of the three phases of french Gothic architecture fro the 12th through the end of the 13th centuries, characterized by the pointed arch and geometric tracery.

A

Early French style

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32
Q

The middle phase of french Gothic architecture from the end 13th through the late 14th centuries, characterized by circular windows with radiating lines of tracery.

A

Rayonnant style

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33
Q

The activity, spirit, or time of the humanistic revival of classical art, literature, and learning originating in Italy in the 14th century and extending to 17th century, marking the transition from the medieval to the modern world.

A

Renaissance

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34
Q

The various adaptations of Italian Renaissance architecture that occurred throughout Europe until the advent of Mannerism and the Baroque in the 16th and 17th centuries.

A

Renaissance architecture

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35
Q

Architecture characterized by the use of Italian Renaissance forms and motifs in more or less traditional buildings.

A

Renaissance architecture

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36
Q

A style of Italian Renaissance art and architecture developed in the late 15th and early 16th centuries, characterized by an emphasis on draftsmanship, the illusion of sculptural volume in painting, and in building, by the imitative use of whole orders and compositional arrangement.

A

High Renaissance

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37
Q

The Islamic architecture of the Ottoman Empire from the 14th century on, much influenced by the Byzantine architecture.

A

Ottoman architecture

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38
Q

A style of architecture originating in Italy in the early 17th century and variously prevalent n Europe and the New World for a century and a half, characterized by free and sculpture use of the classical orders and ornament, dynamic opposition and interpentration of spaces, and dramatic combined effects of architecture, sculpture, painting, and the decorative arts.

A

Baroque architecture

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39
Q

Art and architecture in the style of the ancient Greeks and romans, as that of the Italian Renaissance and the neoclassical movements in England and the United States in the late 18th and early 19th centuries.

A

Classical Revival

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40
Q

A style of decorative art that evolved from the Baroque, originating in France about 1720 and distinguished by fanciful, curved spatial forms and elaborate, profuse designs of shellwork and foliage intended for a delicate overall effect.

A

Rococo

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41
Q

The style of architecture, decoration, and furnishing of the Bristish colonies in America in the 17th and 18th centuries, mainly adapted to local materials and demands from prevailing English styles.

A

Colonial architecture

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42
Q

The Classic Revival styles of the decorative arts and architecture current in the U.S. from c. 1780 to c. 1830.

A

Federal style

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43
Q

A movement aimed at reviving the spirit and forms of Gothic architecture, originating in the late 18th century but flourishing mainly in the 19th century in France, Germany, England, and to a lesser extent in the U.S. Gothic remained the accepted style for churches well into the 20th century.

A

Gothic Revival

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44
Q

A style of architecture favored by the Ecole des Beaux-Arts in late 19th-century France and adopted in the U.S. and elsewhere c. 1900, characterized by symmetrical plans and the eclectic use of architecture features combined so as to give a massive, elaborate, and often ostentatious effect. The term is sometimes used in a pejorative sense to designate excessive formalism disregarding considerations of structural truth, advanced aesthetic theory, rational planning, or economy.

A

Beaux-Arts architecture

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45
Q

A school of design established in Weimer, Germany, in 1919 by Walter Gropius, moved to Dessau in 1926, and closed in 1933 as result of Nazi hostility. The concepts and ideas developed at the Bauhaus were characterized chiefly by the synthesis of technology, craft, and design aesthetic, with an emphasis on functional design in architecture and the applied arts.

A

Bauhaus

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46
Q

A deliberate philosophical and practical estrangement from the past in the arts and literature occurring in the course of the 20th century and taking form in any of various innovative movements and styles.

A

Modernism

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47
Q

A movement in architecture in the 1950s, emphasizing the aesthetic use of basic building processes, esp. of cast-in-place concrete, with no apparent concern for visual amenity.

A

Brutalism

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48
Q

A style of decorative art developed originally in the 1920s with a revival in the 1960s marked chiefly by geometric motifs, streamlined and curvilinear forms, sharly defined outlines, often bold colors, and the use of such synthetic material as plastic.

A

Art Deco

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49
Q

A style of architecture exemplifying the commonest building techniques based on the forms and materials of a particular historical period, region, or group of people.

A

Vernacular architecture

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50
Q

A movement that originated in Moscow after 1917, primarily in sculpture but with broad application to architecture. The expression construction was to be the basis for all building design, with emphasis on functional machine parts.

A

Constructivism

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51
Q

A style of design incorporating industrial, commercial, and institutional fixtures, equipment, materials, or other elements having the utilitarian appearance characteristics of industrial design.

A

High-tech

52
Q

A philosophical and critical movement that started in the 1960s esp. in the study of literature, questioning traditional assumptions about the ability of language to represent reality and emphasizing that a text has no stable reference because words essentially refer only to other words.

A

Deconstruction

53
Q

An edifice or place dedicated to the worship or presence of a deity.

A

Temple

54
Q

Of or pertaining to religious objects, rites, or practices, as opposed to the secular or profane.

A

Sacred

55
Q

Of or pertaining to the temporal or worldly rather than the sacred or spiritual.

A

Secular

56
Q

A prehistoric monument consisting of an upright megalith, usually standing alone but sometimes aligned with others.

A

Menhir

57
Q

A very large stone used as found or roughly dressed, esp. in ancient construction work.

A

Megalith

58
Q

A single block of stone of considerable size, often in the form of an obelisk or column.

A

Monolith

59
Q

A heap of stones piled up as a monument, tombstone, or landmark.

A

Cairn

60
Q

A temple-tower in Sumerian and Assyrian architecture, built, in diminishing stages of mud brick with buttressed walls faced with burnt brick, culminating in a summit shrine or temple reached by a series of ramps.

A

Ziggurat

61
Q

A temple-tower presumed to be great zigurrat t Babylon, which no longer survives, though it was seen and described by the Greek historian Herodotus in the 5th century.

A

Tower of Babel

62
Q

The Monumental stone sculptures of human-headed, winged bulls or lions that guarded the entrances to Mesopotamian palaces and temples.

A

Lamassu

63
Q

A prehistoric monument consisting of two or more large upright stones supporting a horizontal stone slab, found esp. in Britain and France and usually regarded as a tomb.

A

Dolmen

64
Q

An artificial mound of earth or stone, esp. over an ancient grave.

A

Tumulus

65
Q

Two upright megaliths supporting a horizontal stone.

A

Trilithon

66
Q

A circular arrangement of megaliths enclosing a dolmen or burial mound.

A

Cromlech

67
Q

A circular arrangement of vertically oriented wooden posts or stones.

A

Henge

68
Q

A megalithic monument erected in the early bronze age, on Salisbury Plain, Wiltshire, England, consisting of four concentric rings of trilithons and menhirs centered around an altar stone.

A

Stonehenge

69
Q

A long deep passageway into an ancient subterranean tomb.

A

Dromos

70
Q

A tomb of the Aegean civilizations consisting of a deep rectangular cut into sloping rock and a roof of timber or stone.

A

Shaft grave

71
Q

An ancient Egyptian tomb made of mud brick, rectangular in plan with a flat roof and sloping sides, from which a shaft leads to underground burial and offering chambers.

A

Mastaba

72
Q

A small chamber inside a mastaba containing a statue of the deceased.

A

Serdab

73
Q

The figure of the sacred asp, depicted on the headdress of ancient Egyptian rulers and deities as an emblem of supreme power.

A

Uraeus

74
Q

A massive Masonry structures having a rectangular base and four smooth, steeply sloping sides facing the cardinal points and meeting at an apex, used in ancient Egypt as a tomb to contain the burial chamber and the mummy of the pharaoh.

A

Pyramid

75
Q

Usually part of a complex of buildings within a walled enclosure, including mastabas for members of the royal family, an offering chapel and a mortuary temple.

A

Pyramid

76
Q

A raised causeway led from the enclosure down to a valley temple on the Nile. where purification rites and mummification were performed.

A

Pyramid

77
Q

A narrow rock- cut corridor in an ancient Egyptian tomb.

A

Syrinx

78
Q

A raised passageway ceremonially connecting the valley temple with an ancient Egyptian pyramid.

A

Causeway

79
Q

Any of the rulers of ancients Egyptian who were believed to be divine and had absolute power.

A

Pharaoh

80
Q

A figure of an imaginary creature having the body of a lion and the head of a man, ram, or hawk, commonly placed along avenues leading to ancient Egyptian temples or tombs.

A

Sphinx

81
Q

An ancient Egyptian temple for the worships of a deity, as distinguished from a mortuary temple.

A

Cult Temple

82
Q

A tomb hewn out of native rock, presenting only an architectural front with dark interior chambers, of which the sections are supported by masses of stone left in the form of solid pillars.

A

Rock-Cut tomb

83
Q

A tall, four-sided shaft of stone that tapers as it rises to a pyramidal point, originating in ancient Egypt as a sacred symbol of the sun-god Ra and usually standing in pairs astride temple entrances.

A

Obelisk

84
Q

A monument gateway to an ancient Egyptian temple, consisting either of a pair of tall truncated pyramids and a doorway between them or of one such masonry mass pierced with a doorway, often decorated with painted reliefs.

A

Pylon

85
Q

A freestanding gateway having the form of a pylon and preceding the main gateway to an ancient Egyptian temple or sacred enclosure.

A

Propylon

86
Q

A defensive military work construction for the purpose of strengthening a position.

A

Fortification

87
Q

A prjecting part of a rampart or other fortification, typically forming an irregular pentagon attached at the base to the main work.

A

Bastion

88
Q

Surrounded by or as if by a rampart.

A

Circumvallate

89
Q

A small tower forming part of a larger structure, frequently beginning some distance above the ground.

A

Turret

90
Q

A small overhanging turret on a wall or tower, often at a corner or near a gateway.

A

Bartizan

91
Q

A lady’s private chamber in a medieval castle.

A

Bower

92
Q

A small rear door or gate to a fort or castle.

A

Postern

93
Q

The privy of a medieval castle or monastery.

A

Necessarium

94
Q

The innermost and strongest structure or tower of a medieval castle, used as a place of residence, esp. in times of siege.

A

Keep

95
Q

The upper member of a classical entablature, consisting typically of a cymatium, corona, and bed molding.

A

Cornice

96
Q

The horizontal part of a classical entablature between the cornice and architrave, often decorated with sculpture in low relief.

A

Frieze

97
Q

The lowermost division of a classical entablature, resting directly on the column capitals and supporting he frieze.

A

Achitrave

98
Q

The distinctively treated upper end of a column, pillar, or pier, crowning the shaft and taking the weight of the entablature or architrave.

A

Capital

99
Q

The central part of a column or pier between the capital and the base.

A

Shaft

100
Q

The lowermost portion of a wall, column, pier, or other structure, usually distinctively treated and considered as an architectural unit.

A

Base

101
Q

The horizontal section of a classical order that rests on the columns, usually composed of a cornice, frieze, and architrave.

A

Entablature

102
Q

A cylindrical support in classical architecture, consisting of a capital, shaft and usually base, either monolithic or built up of drums the full diameter of the shaft.

A

Column

103
Q

A construction upon which a column, statue, memorial shaft, or the like, is elevated, usually consisting of a base, a dado, and a cornice or cap.

A

Pedestal

104
Q

The part of a pedestal between the base and the cornice or cap.

A

Dado

105
Q

Any of five styles of classical architecture - Doric, ionic, corinthian, tuscan, and composite - characterized by the type and arrangement of columns and entablatures employed.

A

Order

106
Q

The oldest and simplest of the five classical orders, developed in Greence in the 7th century BCE and later imitated by the Romans.

A

Doric order

107
Q

One of the vertical blocks separating the metopes in a Doric frieze, typically having two vertical grooves or glyphs on its face, and two chambers or hemiglyphs at the sides.

A

Triglyph

108
Q

Any of the panels, either plain or decorated, between triglyphs in the Doric frieze.

A

Metope

109
Q

A raised band or fillet separating the frieze from the architrave on a Doric entablature.

A

Taenia

110
Q

The flat slab forming the top of a column capital, plain in the Doric style, but molded or otherwise enriched in other styles.

A

Abacus

111
Q

A decorative motif consisting of a series of long, rounded, parallel grooves, as on the shaft of a classical column.

A

Fluting

112
Q

The underside of an architectural element, as that of an arch, beam, cornice, or staircase.

A

Soffit

113
Q

One of a series of small, droplike ornaments, attached to the undersides of the mutules and regulae of a Doric entablature.

A

Gutta

114
Q

A projecting flat block under the corona of a Doric cornice, corresponding to the modillion of other orders.

A

Mutule

115
Q

A frieze bearing carved figures of people or animals.

A

Zophorus

116
Q

That part of the necking between the hypotrachelium and the capital of a classical column.

A

Trachelium

117
Q

Any member between the capital and the shaft of a classical column.

A

Hypotrachelium

118
Q

A slight convexity given to a column to correct an optical illusion of concavity if the sides were straight.

A

Entasis

119
Q

Any of several cylindrical stones laid one above the other to form a column or pier.

A

Drum

120
Q

A classical order of Roman origin, basically a simplified Roman Doric characterized by an unfluted column and a plain base, capital, and entablature having no decoration other than moldings.

A

Tuscan Order

121
Q

An ornamental motif for enriching an ovolo or enchinus, consisting of a closely set, alternating series of oval and pointed forms.

A

Egg and Dart

122
Q

Any of series of closely spaced, small, rectangular blocks forming a molding or projecting beneath the coronas of ionic, Corinthian, and Composite cornice.

A

Dentil

123
Q

One of the three horizontal bands making up the architrave in the ionic order.

A

Fascia

124
Q

A base to a classical column, consisting of an upper and a lower torus separated by a scotia between two fillets.

A

Attic base

125
Q

A deep concave molding between two fillets

A

Scotia

126
Q

A large convex, semicircular molding, commonly found directly above the plinth of the base of a classical column.

A

Torus

127
Q

The underlying part of a foliated capital, between the abacus and neck molding.

A

Bell