Design Flashcards

1
Q

The state or quality of being solidly constructed.

A

Firmness

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2
Q

a branch of knowledge dealing with a body of facts or truths obtained by direct observation, experimental investigation, and methodical study, systematically arranged and showing the operation of general laws.

A

science

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3
Q

The conscience use of skill, craft, and creative imagination in the production of what is beautiful, appealing, or of more than ordinary significance.

A

Art

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4
Q

The ordering of the physical environment by means of architecture, engineering, construction, landscape architecture, urban design, and city planning.

A

Environmental design

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5
Q

The aspect of architecture and city planning that deals with the design of urban structures and spaces.

A

Urban design

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6
Q

The activity or profession of determining the future physical arrangement and condition of a community, involving an appraisal o the current conditions, a forecast of future requirements, a plan for the fulfillment of these requirements, and proposals for legal, financial, and constructional programs to implement the plan.

A

City Planning

Town Planning

Urban Planning

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7
Q

The art, business, or profession of planning the design and supervising the execution of architectural interior, including their color schemes, furnishings, fittings, finishes, and sometimes architectural features.

A

Interior design

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8
Q

The aspect of architecture and interior design that deals with the planning, layout, design, and furnishing of spaces within a proposed or existing building.

A

Space planning

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9
Q

The art and science of applying scientific principles to practical ends in the design and construction of structures, machine, and systems.

A

Engineering

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10
Q

The art, business, or profession of designing, arranging, or modifying the features of a landscape for aesthetic or practical reasons.

A

Landscape architecture

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11
Q

The shape and structure of something as distinguished from its substance or material.

A

Form

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12
Q

The outline or surface configuration of a particular form or figure. While form or figure. While form usually refers to the principle that gives unity to a whole and often includes a sense of mass or volume.

A

Shape

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13
Q

The visual and esp. tactile quality of a surface, apart from its color or form.

A

Texture

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14
Q

The edge or contour of a shape.

A

Line

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15
Q

A mark or figure having a conventional meaning and used in place of a word or phrase to express a complex notion.

A

Sign

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16
Q

A method or manner of jointing that makes the united parts clear, distinct, and precise in relation to each other.

A

Articulation

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17
Q

A unified composition of two-dimension shape or three-dimensional volumes, esp. one that has or gives the impression of weight, density, and bulk.

A

Massing

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18
Q

An individual, minute, or subordinate part of a whole.

A

Detail

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19
Q

The creation and organization of formal elements in a work of art.

A

Design

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20
Q

An artistic or decorative design, esp. one having a characteristic arrangement and considered as a unit, of which an idea can be given by a fragment.

A

Pattern

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21
Q

Characterized or produced by addition, accumulation, or uniting, often resulting in a new identity.

A

Additive

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22
Q

Characterized or produced by removal of a part or portion without destroying a sense of the whole.

A

Subtractive

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23
Q

A fundamental and comprehensive concept of visual perception for structuring an aesthetic composition.

A

Design principle

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24
Q

The state or quality of being combined into one, such as the ordering of elements in an artistic work that constitutes a harmonious whole or promotes a singleness of effect.

A

Unity

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25
Q

A condition of logical. harmonious os comprehensible arrangement in which each element of a group is properly disposed with reference to other elements and to its purpose.

A

Order

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26
Q

The state or quality of being identical, homogeneous, or regular.

A

Uniformity

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27
Q

Uniform in structure throughout or composed of parts that are all of the same nature or kind.

A

Homogeneous

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28
Q

Uniformly or even formed or arranged.

A

Regular

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29
Q

The state or quality of lacking variety.

A

Monotony

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30
Q

The state or quality of having varied or diverse forms, types, or characteristics.

A

Variety

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31
Q

Stress or prominence given to an element of a composition by means of contrast, anomaly, or counterpoint.

A

Emphasis

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32
Q

Opposition or juxtaposition of dissimilar elements in a work of art intensify each element’s properties and produce a more dynamic expressiveness.

A

Contrast

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33
Q

A deviation from the normal or expected form, order, or arrangement.

A

Anomaly

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34
Q

The state or quality of being a whole composed of complicated, intricate, or interconnected parts.

A

Complexity

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35
Q

An artistic composition of often diverse elements in unlikely or unexpected juxtaposition.

A

Collage

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36
Q

The orderly, pleasing, or congruent arrangement of the element or parts in an artistic whole.

A

Harmony

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37
Q

The state or quality of being alike in substance, essentials, or characteristics.

A

Similarity

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38
Q

Nearness in place, order, or relation.

A

Proximity

39
Q

Arrangement in or adjustment according to a straight line.

A

Alignment

40
Q

A system of elements ranked, classified, and organized one above another, according to importance or significance.

A

Hierarchy

41
Q

The state or position of being placed close together or side by side, so as to permit comparison or contrast.

A

Juxtaposition

42
Q

A state of rest or balance between contrasting elements or opposing forces.

A

Equilibrium

43
Q

An equal distribution of weight, relationship, or forces.

A

Equipoise

44
Q

A counterbalancing weight or force.

A

Counterpoise

45
Q

The pleasing or harmonious arrangement or proportion of parts or elements in a design or composition.

A

Balance

46
Q

The exact correspondence in size, form, and arrangement of parts on opposite sides of a dividing line or plane, or about a center or axis.

A

Symmetry

47
Q

Symmetry resulting from the arrangement of similar parts on opposite sides of a median axis.

A

Bilateral symmetry

48
Q

Symmetry resulting from the arrangement of similar, radiating parts about a center point or central axis.

A

Radial symmetry

49
Q

Movement characterized by a patterned repetition or alteration of formal elements or motifs in the same or a modified form.

A

Rhythm

50
Q

The act or process of repeating formal elements or motifs in a design.

A

Repetition

51
Q

A space between two objects, points, or states.

A

Interval

52
Q

A process or change taking place by degrees or through a series of gradual, successive stages.

A

Gradation

53
Q

The comparative, proper, or harmonious relation of one part to another or to the whole with respect to magnitude, quantity, or degree.

A

Proportion

54
Q

A certain proportionate size, extent, r degree, usually judged in relation to some standard or point of reference.

A

Scale

55
Q

A unit of measurement used for standardizing the dimensions of building materials or regulating the proportions of an architectural composition.

A

Module

56
Q

The size or proportion of a building element or space, or an article of furniture, relative to the structural or functional dimensions of the human body.

A

Human Scale

57
Q

An applied science concerned with the characteristics of people that need to be considered in the design of devices and systems in order that people and things will interact effectively and safely.

A

Ergonomics

58
Q

The measurement and study of the size and proportions of the human body.

A

Anthropometry

59
Q

To conceive, contrive, or devise the form and structure of a building or other construction.

A

Design

60
Q

A purposeful activity aimed at devising a plan for changing an existing situation into a future preferred state, esp. the cyclical, iterative process comprising the following phases.

A

Design process

61
Q

A systematic series of actions or operations leading or directed to a particular end.

A

Process

62
Q

A particular stage in a process of change or development.

A

Phase

63
Q

A procedure for solving a problem, such as a statement setting forth the context, conditions, requirements, and objectives for a design project.

A

Program

64
Q

Identifying a problem and its social, economic, and physical context.

A

Initiation

65
Q

Collecting and analyzing relevant information and establishing goals and criteria for an acceptable solution.

A

Preparation

66
Q

Discovering constraints and opportunities, and hypothesizing possible alternative solutions.

A

Synthesis

67
Q

Formulating a tentative assumption in order to draw out and test its logical or empirical consequences.

A

hypothesis

68
Q

One of the propositions or courses of action to be chosen from a set of two or more mutually exclusive possibilities.

A

Alternative

69
Q

A preliminary versions of a plan or design.

A

Draft

70
Q

Simulating, testing, and modifying acceptable alternatives according to specified goals and criteria.

A

Evaluation

71
Q

The process of changing in form or structure through a series of discrete permutations and manipulations in response to a specific context or set of conditions without a loss of identity or concept.

A

Transformation

72
Q

A bend, angle, or similar change in the shape of a configuration, by means of which a change of relationship to some context or condition is indicated.

A

Inflection

73
Q

To express, convey, or interchange ideas, information, or the like by writing, speaking, or through a common system of signs or symbols, esp. in a way that is clearly and readily understood.

A

Communicate

74
Q

The offering of a plan for consideration, acceptance, or action.

A

Proposal

75
Q

The natural or proper action for which something is designed, used, or exists.

A

Function

76
Q

A full-sized model of a building or structure, built accurately to scale for study, testing, or teaching.

A

Mock-up

77
Q

A miniature representation usually built to scale, to show the appearance or construction of something.

A

Model

78
Q

Abstract thought or speculation resulting in a system of assumptions or principles used in analyzing, explaining, or predicting phenomena, and proposed or followed as the basis of action.

A

Theory

79
Q

Thought of without reference to a concrete reality or a particular instance.

A

Abstract

80
Q

Actual performance or application of principles, as distinguished from theory.

A

Practice

81
Q

A system classification or study of types according to structural features.

A

Typology

82
Q

A number of things regarded as forming a group by reason of common attributes or characteristics.

A

Type

83
Q

An original model or pattern on which all things of the same kind are copied or based.

A

Archetype

84
Q

A reproduction of an original.

A

Ectype

85
Q

An early and typical example that exhibits the essential features of a class or group and on which later stages are based or judged.

A

prototype

86
Q

An example serving as a pattern for imitation or emulation in the creation of something.

A

model

87
Q

Contextual, casual, or logical relations or associations of something observed or imagined.

A

Connection

88
Q

The ability to transcend traditional ideas, patterns, or relationships and to initiate meaningful new ideas, forms, or interpretations.

A

Creativity

89
Q

The creative ability to imagine or express in an independent and induvidual manner.

A

Originality

90
Q

A thought or notion resulting from mental awareness, understanding, or activity.

A

Idea

91
Q

A mental image or formulation of what something is or ought to be, esp. an idea generated from particular characteristics or instances.

A

Concept

92
Q

A concept for the form, structure, and features of a building or other construction, represented graphically by diagrams, plans, or other drawings.

A

Design concept

93
Q

An underlying organitional pattern or structure for a design.

A

Scheme

94
Q

The original scheme for a design presented in the form of sketch outlining its specific character, to be developed in detail in later studies.

A

Project