historical inquiry/material cultures Flashcards
expressions of ideology- art and arch
hagia sophia- byzantine
tang dynasty- dunhuang cave tempels
maya civilisation- stelae at copan and penalque, limestone carving
coinage too
hagia sophia
Commissioned by Emperor Justinian I and completed in 537 CE, Hagia Sophia epitomizes Byzantine architectural grandeur. Its massive dome and intricate mosaics symbolize the fusion of imperial authority and Christian theology.
hagia sophia ideologicla isgnif
The structure served as a physical manifestation of Justinian’s claim to both politica l and spiritual leadership, reinforcing the concept of caesaropapism. The integration of religious iconography within an imperial setting underscored the unity of church and state.
tang dynatsy dunhuang cave temples
china
Mogao Caves at Dunhuang, developed primarily during the Tang Dynasty (618–907 CE), comprise a vast complex of Buddhist cave temples adorned with murals and sculptures
ieaological signif dunhuang cave tempels
caves reflect the Tang state’s endorsement of Buddhism as a means to legitimize imperial power. The artwork portrays the emperor as a Buddhist sovereign, aligning the dynasty with divine authority.
maya civilsiation stelae at copan and palenque
Maya cities like Copán and Palenque erected intricately carved stelae depicting rulers in elaborate regalia, often accompanied by hieroglyphic texts.
stela mayan ideological isgnif
monuments served to legitimize royal authority by linking kings to deities and ancestors, reinforcing their divine right to rule. The stelae functioned as public records of dynastic lineage and significant events.
patricular staela example
- Limestone carving- from Mexico 700-750 ad
o Shows blood letting exercise, pulling rope through women tongue containing large thorns
Scene of kiga nd wife together in devotional partnership, jointly perfomrimng a ceremony of fundamental signif for their position and their power
Piety
Rising from bowl of blood- sacred serpent
Qncient trad
o Commissioned by the king for the queen sprivate building
presentation of rulership of stela
o Wealthy- both kning an wife hearess probs mad
o e of jade and shell mosaic and decorated with shimmering green wfeathers of the questzal bird
o Top of king headdress see shrunken hea of past sacrificial victim
o On brast ornament shape of sun god
coinage
instruments of politcial and religious messaging
byzantine coinage under heraclius
ummayad caliphate- and al malik, mu’awiya too
merovingian francia
gold coins of kumaragupta I
byzantine coinage
Emperor Heraclius (r. 610–641 CE) introduced significant changes to Byzantine coinage, including the depiction of his own image alongside his sons and the addition of religious symbols.- cross
ideological signif of byzantien oingae
coins propagated the concept of a divinely sanctioned imperial family, emphasizing dynastic continuity and the emperor’s role as God’s representative on Earth.
umayyad caliphate coimage
: Caliph Abd al-Malik (r. 685–705 CE) implemented reforms that replaced images on coins with Islamic inscriptions, standardizing coinage across the Umayyad Caliphate.
Fully abandoned ‘figural imagery and languages’ of pre islamic coinage
In order to adopyt distinctively islamic practice calligraphy
change from previous coins abd al malik
From 670s onwards, greater organisation and ocnsistsnecy seen w coinage
Mu’awiyah appear on coin as ‘commander of the belivers’
Awareness of power prop in everyday obects
Gov authority over mintingd
detail on abd al malik coin
Two arab silevr coins
change to caligraphy 697 ad
shows permemnt transformation of middle east to an islamic political and religious system
including quaranic messages - ‘there is no god except god alone’
Before m, Arabic barely a written lang but vital need to record gods words accurately so the first developed Arabic script kufic script created
what did islamic coinage change show
friom On coin lins below his waist represent a whip- I mage to insnpire fear and respect
Letter from one of his governors coorrpobate- ‘the commander of believers, aman with no weakness, from ehom rrebels csn expect no indulgene
On the one who defied him falls his whip
to clligraphy- Dominant power in empire not emperor but word of god
merovingiain francia
Merovingian dynasty (5th–8th centuries CE) produced distinctive coinage that varied regionally, often featuring local rulers and Christian symbols.
* Ideological Significance: These coins reflect the decentralization of power and the role of Christianity in legitimizing local authority.
gold coins of kumaragupta i
- 414-55 from ihndia
Insciprton kumaragupta deservedly victorious with an absundance of vritues - First ocin where normally expect king, horse magnfiicant standing stallion decorated w ribbons, great pennant fluuteters over head
o Around coin in sanskit insciprtion that ranslates as ‘king kumaragupta the supreme lord, who has conquered his enenies’
o Part of pre-hindu ritual
Where stallion seleted ritialy purified, roam for year, ceremonies and then killed by king himself using golf knife infront of audience
Other sde is king kumaragupta w peacock not riding it, instead offer sgrapes to his god sacred bird
lore begind kumaragupta
same tiem also building on hindu praties building temples
Part of emprie building and legit like Constantine and chrisitianity
For gupta kings worshp of hindu gods one of ways divine apprehended and embraced
Thus on later cin selected kumara god of war
* Naked to waist holds spear mounted on sacred peacock- aggressive and terrifying bird riding to war
* Standing on a plinth- looking at an image not of a god but of a studtue of the god as would have ben seen in a temple
Suggests has special relationship and favour from god , longing for personal collection
manuscripts and pottery as cultural indictaors
insular manuscro[t
tang dynasty sancai ware potetry
east anglia
moche warrior pot
insular manuscrpt
Book of Kells (Ireland)
* Overview: The Book of Kells, created around 800 CE, is an illuminated manuscript containing the four Gospels, renowned for its intricate artwork and symbolism
signif book of kells
The manuscript exemplifies the fusion of Christian iconography with Celtic art, reflecting the syncretic culture of early medieval Ireland.
tang dynasty pottery
Sancai Ware Pottery (China)
* Overview: Tang sancai (“three-color”) glazed pottery, often featuring vibrant green, yellow, and white glazes, was used primarily for tomb figurines and vessels.
tang dynasty pottery signi
These ceramics indicate the Tang elite’s emphasis on the afterlife and their engagement in trade, as similar wares have been found along the Silk Road.