HAT 4 Compression & Output Limiting Flashcards

1
Q

How do you calculate gain?

A

Output (dBSPL) - Input (dBSPL) = Gain (dB)

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2
Q

What limits gain?

A

Will depend on the power of the aid and the volume setting

There will be a maximum output beyond which the aid cannot go

Saturation Sound Pressure Level (SSPL)

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3
Q

How do you convert dBHL to dBSPL?

A

Add 10 to the dBHL figure
This is correct across speech range 500-8k

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4
Q

What is the problem with linear gain?

A

Loud sounds become too loud

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5
Q

What is peak clipping?

A

Clips the peak and troughs of the waves

Restricts the height of the wave
Restricts the intensity of the sound
Restricts the max output of the HA
Only happens to loud sounds

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6
Q

Disadvantages of peak clipping?

A

Takes away clarity and causes distortion

Reduces dynamic range

Doesn’t suit busy lifestyles

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7
Q

Peak clipping facts

A

Used to coincide with ULL’s
At saturation level the sound can’t go any louder

Peak clipping trimmer reduces the max output of the aid by 5dB

Only the intensity that exceeds the saturation point will be clipped

Can be set at different frequencies

When PC is activated, saturation will occur

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8
Q

Peak clipping works well for?

A

Sudden loud sounds or level of protection

Mild sensorineural losses
Conductive hearing loss
Mixed hearing loss
Simple lifestyles
Sudden loud sounds

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9
Q

Why use compression?

A

Ensure audibility of sounds
- higher level of gain

Maintains recognition of moderate sounds
- reduced level of gain

Maintain comfort of loud sound
- little or no gain

Compression is especially valuable when the hearing loss results in a reduction in dynamic range

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10
Q

What is a knee point?

A

Where sound changes from linear gain to a different type of gain it is called a ‘knee point’ no compression until after the knee point

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11
Q

What is compression?

A

Compression is a feature of a hearing aid that automatically changes the amount of gain added to the level of the incoming signal

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12
Q

What are the types of compression?

A

Automatic Gain Control (AGC)

Automatic Volume Control (AVC)

‘Non-Linear’ Amplification

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13
Q

How do Automatic Gain Control (AGC) systems work?

A

Work in the same way as linear gain

Until the input reaches a ‘certain level’

Above the ‘certain’ level the gain automatically reduces as the input intensity increases

The point at which the auto system activated is
- knee point
- threshold of compression
- threshold of knee point
- in some aids this can be altered using TK adjustment

Beyond kneepoint
- as input gets louder the amount of gain applied decreases

Less gain for loud inputs
More gain for soft inputs

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14
Q

What is a compression ratio?

A

Low compression 2:1 / 3:1
Moderate compression 3:1 / 7:1
High compression 7:1 / 10:1

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15
Q

How do you calculate a compression ratio?

A

From an input output graph

Input level @ saturation point - input level @ knee point = A

Output level a saturation point - output level @ knee point = B

Compression ratio A:B

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16
Q

How to calculate ULL from input output graph?

A

Saturation point (dBSPL) - 10dB = ULL (dBHL)

17
Q

Hi do you calculate gain from input output graph?

A

Output (dBSPL) - input (dBSPL) = gain (dBSPL) take 10dB to convert to dBHL

18
Q

How to calculate patients loss from input output graph?

A

Reverse lybergers rule

Gain - 10dB (reserve) = half AC dBHL

Assuming no AB gap

19
Q

What are the 2 methods of compression?

A

AGCI - Automatic Gain Control Input
AGCO - Automatic Gain Control Output

20
Q

How does Automatic Gain Control Input (AGCI) work? Benefits?

A

Compression happens before the amplifier; this allows for volume control even after compression

  • really good for mild to moderate losses
  • once in compression in a louder environment, the client can still have significant effect on output with the VC
  • Compression is based on input level
21
Q

What is the effect of input on compression (AGCI)?

A

Compression only applies to input above knee point.

Apply compression ratio to input above knee point

Add gain

Eg
Input 100
Gain 40
Kneepoint 60

60 pass through (no compression)
40 compression is applied (2:1 ratio for ex) = 20
60+20= 80dBSPL
Add gain of 40 = output 120dBSPL

22
Q

What are the facts about Automatic Gain Control Output (AGCO)?

A
  • access to VC before the sound goes into a state of compression
  • suitable for a more profound HL
  • HA needs to have access to as much dynamic range as possible
  • compression is based on output level
23
Q

What is WDRC?
Benefits?

A

Wide Dynamic Range Compression

Use whole dynamic range
- greater gain for quiet sounds, mild gain for speech and little or no gain for loud noise
- bring the kneepoint below speech and have a low compression ratio, means sounds nearly always in compression
- low kneepoint and low compression ratio

24
Q

What is an attack time?
Detail?

A

Time taken for compression
- should be as short as possible 10ms

25
Q

What is a release time?

A

Time taken for offset of compression

26
Q

Name the 3 types of compression used and benefits?

A

Adaptive compression
- depends on the duration of the loud input
- sudden loud sounds - fast release
- continuous loud sounds - release delayed until the sound has gone

Dual Compression
- short release for higher frequency ‘speech sounds’
- longer release on lower frequency ‘background sounds’

Syllabic Compression
- short attack / short release
- very useful when listening to speech only

27
Q

Attack / Release time pitfalls?

A
  • release too fast - pumping sound in head
  • attack too slow - device not react quickly enough to dynamic changes
  • release time to slow - under amplification of sound
28
Q

What is expansion?

A

Reduces audibility of very soft sounds eg fan or internal sounds