Harmony And Tonality Flashcards
overview of early classical H&T
stürm and drang- features minor keys and dim 7th chords
- emfindsamer stil works made use of expressive appogituras
- opening of CPE Bach e minor feature of dim 7ths and appogituras
overview of late classical H&T
haydn 104 mvt 1 tonic Dom relationship, some chromaticism in bb. 15 / 172. mvt 2 very unusual modulations - enharmonic Db - c# - and back to g major again via a series of diminished 7ths.
overview of Beethoven H&T
introduced tertiary relationships between keys
In no 5 - the piece as a whole has a C minor (at the opening) to C major (in the last movement) tonal trajectory.
overview of early romantic H&T
Mendelssohn often uses extended and modified dominants, particularly in inversions. For example in the codetta of the last movement, the second half of 97 (and the next few bars) functions as the dominant of E but with the seventh (A) in the bass, an added ninth (C natural) and no root present.
- An examples of a relatively distant key is the false reprise in C major in development of the first movement.
overview of late romantic H&T
sturm und drang harmony features (EC)
stürm and drang- features minor keys and dim 7th chords
the style of haydn no 2
A very early Haydn symphony in the Galant style in the typical ‘Sinfonia a 8’ configuration of the time.
the style of CPE Bach e minor
C.P.E. Bach is one of the composers associated with the Empfindsamer Stil or ‘senstive style’. The emphasis is on provoking emotion, often through dramatic contrasts and unexpected chromatic turns.
the style of Stamitz op 3 no 2
An early symphony in the galant style written by a composer at the Mannheim court.
where is chromaticism in haydn 104
b. 15
unusual modulations in mvt 2 haydn 104
enharmonic Db - c# - and back to g major again via a series of diminished 7ths.
