Hamlet: Madness Flashcards

1
Q

‘To ____ an _____ disposition on’

A

‘To put an antic disposition on’

A1 S (Hamlet)

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2
Q

‘I am but ___ north-_____ _____’
‘mad in _____’

A

‘I am but mad north-north west’
‘mad in craft’

A2 S2 (Hamlet)
A3 S4

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3
Q

‘To ___, or not to ___, that is the _________:’

A

‘To be, or not to be, that is the question:’

A3 S1 (Hamlet)

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4
Q

‘Mad as the ____ and _____ when both ________ which is the ________’

A

‘Mad as the sea and wind when both contend which is the mightier’

A4 S1 (Gertrude)

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5
Q

‘Poor ________ ________ from herself and her ____ _____________’

A

‘Poor Ophelia divided from herself and her fair judgement’

A4 S5

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6
Q

Ophelia’s madness in the Kenneth Branagh 1996 production

A

ACT 4 SCENE 5:

  • Ophelia is laying on the floor, wearing a straight jacket and head strap
  • Ophelia hysterically dances and sings to herself

(reflects her madness and insanity/shows her poor treatment within the court)

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7
Q

‘A girl ____________ physically and _______ from the pangs of ___________ love’

A

‘A girl suffering physically and mentally from the pangs of rejected love’

Carol Camden, 1964

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8
Q

‘There need by no ______, then, that Hamlet’s ____________ was really _______’

A

‘There need by no doubt, then, that Hamlet’s madness was really feigned’

Alexander W Crawford, C.21

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9
Q

‘This is the very _________ of your ______’

A

‘This is the very coinage of your brain’

A3 S4

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10
Q

‘His _________ is poor Hamlet’s _______’

A

‘His madness is poor Hamlet’s enemy’

A5 S2 (Hamlet’s excuse to Laertes for his actions)

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11
Q

‘Becomes Hamlets ___-_______, giving expression, in some sense, ______ out what he _______’

A

(Ophelia) ‘Becomes Hamlet’s mad-double, giving expression, in some sense, acting out what he cannot’

Fox-Good

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12
Q

Hamlet’s ‘to be or not to be’ speech in Simon Godwin, Paapa Essiedu (2016)

A

ACT 3 SCENE 1:

  • Hamlet appears mentally/physically drained
  • His costume is disheveled (pants folded at different levels, covered in paint)
  • Tear running down his cheek, speech in a slow/tearful manner
  • Walks down the stairs on the stage (descending into madness)
  • constantly moving, shifting and fiddling=
    erratic
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13
Q

Hamlet’s ‘to be or not to be’ speech in Kenneth Branagh (1996)

A

ACT 3 SCENE 1:

  • Hamlet wearing all black/mourning clothes (state of dismay/grief)
  • Hamlet speaks in front of two-way mirror which Polonius and Claudius are hidden behind
  • Hamlet appears calm and calculated rather than mad or crazy
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