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ENGLISH LITERATURE > 'HAMLET' CRITICAL INTERPRETATIONS > Flashcards

'HAMLET' CRITICAL INTERPRETATIONS Flashcards

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Proverbs and Idioms flashcards
1
Q

Von G_______ : Religion
“All duties…”

A

Van Goethe : “All duties seem holy for Hamlet”.

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2
Q

Br_______ : Religion
“Hamlet is unable to carry out the…”

A

Bradley : “Hamlet is unable to carry out the sacred duty, imposed by divine authority, of punishing an evil man by death”.

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3
Q

Samuel J_________ : Hamlet’s Character
“Hamlet is…rather an….”

A

Johnson : “Hamlet is…rather an instrument than an agent”.

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4
Q

Co________ : Hamlet’s Character
“Hamlet is obliged to act on…”

A

Coleridge : “Hamlet is obliged to act on the spur of the moment”.

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5
Q

Wilson K_______ : Claudius is a Good King
“Claudius, as he appears in the play, is not a…”

A

Knight : “Claudius, as he appears in the play, is not a criminal… He is… a good and gentle King, enmeshed by the chain of causality linking him with his crime”.

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6
Q

Wilson K_______ : Hamlet’s Character
“Hamlet is an element…”

A

Knight : “Hamlet is an element of evil in the state of Denmark”.

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7
Q

Al_________ : Human Aggression
“The play does not offer any conclusions about what is…”

A

Alexander : “The play does not offer any conclusions about what is the right response to the questions it poses about human aggression”

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8
Q

B_________ : Revenge
“Revenge is not justice…”

A

Besley : “Revenge is not justice. It is rather an act of injustice on behalf of justice”.

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9
Q

B___________ : Morals
“Revenge exists on a margin…”

A

Besley : “Revenge exists on a margin between justice and crime”.

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10
Q

A___________ : Vengeance
“The desire for vengeance is seen as part of a…”

A

Alexander : “The desire for vengeance is seen as part of a continuing pattern of human conduct”.

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11
Q

A____________ : Audience Reaction
“The audience are entertained because they are asked to…”

A

Alexander : “The audience are entertained because they are asked to see, feel and understand a little more about the hidden springs of action”.

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12
Q

Rebecca S_______ : Plononius’ Character
“Polonius seems to love…”

A

Smith : “Polonius seems to love his children; he seems to have the welfare of the Kingdom in mind. His actions, however, are totally corrupt”.

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13
Q

Rebecca S________ : Polonius and Ophelia’s Relationship
“Trained his daughter to be…”

A

Smith : “Trained his daughter to be obedient and chaste and is able to use her as a piece of bait for spying”.

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14
Q

Marilyn F________ : R&G
“Rosencrantz and Guildenstern sacrifice the…”

A

French : “Rosencrantz and Guildenstern sacrificie the bond of human friendship to a social property”.

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15
Q

Sh__________ : Ophelia’s Character
“Ophelia is deprived of…”

A

Showalter : “Ophelia is deprived of thought, sexuality and language… she represents the strong emotions that the Elizabethans thought womanish”.

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16
Q

Bu_______ : Revenge and Justice
“Revengers create…”

A

Bucher : “Revengers create their own civil justice”.

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17
Q

Sir Herbert T_______ : Comedy
“But for humour he should…”

A

Sir Herbert Tree : “But for humour he should go mad. Sanity is humour”.

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18
Q

Jonathon Do__________ : Corruption
“Articulates a crisis in the…”

A

Dollimore : “Articulates a crisis in the decay of a traditional social order in England”

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19
Q

‘To be or not to be’ SPEECH :
- David Tennant (200__), he has a…
- Directed by…

A

David Tennant, 2009,
- He has a paranoid, wallowing, emotional approach.
- Directed by Doran.

20
Q

‘To be or not to be’ SPEECH :
- Kenneth Branagh (199__) Movie.
- Intense… Trying to… Very…

A

Kenneth Branagh, (1996) Movie.
- Intense eye-contact. Trying to empower/reassure himself. Very menacing & villainous.

21
Q

‘To be or not to be’ SPEECH :
- Andrew Scott (201__)
- Directed by…
- Slight…

A

Andrew Scott (2018).
- Directed by Lcke.
- Slight mocking, humorous tone.

22
Q

Act 3, Scene 4
- Andrew Scott (201___), DR Lcke.
- Very…
- Hamlet portrayed as ‘…’, Gertrude as ‘…’ and ‘…’.

A

Andrew Scott (2018)]
- Very incestuous and intimate.
- Hamlet portrayed as ‘overwrought’, Gertrude as ‘fear’ and ‘motherly connection’.
(KENNETH BRANAGH very incestuous too).

23
Q

Emma S________ : Hamlet
“Hamlet’s own instincts are towards…”

A

Smith : “Hamlet’s own instincts are towards undoing rather than doing”.

24
Q

D______ : Claudius and Hamlet
“To everyone except Hamlet, Claudius is…”

A

Danby : “To everyone except Hamlet, Claudius is as good as his predecessor”.

25
Q

William H________ : Hamlet’s Inaction
Hamlet is he whose,
“powers of action have been eaten…”

A

Hazlitt : “Powers of actions have been eaten up by thought”.

26
Q

L.C K________ : Hamlet
“Hamlet cannot break out of the…”

A

Knight : “Hamlet cannot break out of the closed circle of loathing and self-contempt”.

27
Q

Emma Sm_______ : Gertrude and Hamlet
“Hamlet seems obsessed with…”

A

Smith : “Hamlet seems obsessed with Gertrude as a sex object”.

28
Q

Jeffery W_______ : Ophelia’s Death
“Trapped in a choice-less existence, Ophelia has no choice but to…”

A

Wood : “Trapped in a choice-less existence, Ophelia has no choice but to throw herself into the river to drown”.

29
Q

A.C Br________ : Hamlet and Ophelia
“Hamlet was at one time…”

A

Bradley : “Hamlet was at one time sincerely in love with Ophelia”.

30
Q

Ca_________ : Hamlet
“Melancholy… defeats all his impulses towards…”

A

Campbell : “Melancholy… defeats all his impulses towards action and increasingly paralyses his will”.

31
Q

Hap_______ : Hamlet
“Hamlet’s form of delay is ‘inertia’, he finds difficulty in…”

A

Hapgood : “Hamlet’s form of delay is ‘inertia’, he finds difficulty in starting and coming to a stop”.

32
Q

A.C. Br_________ : (Women)
“He can never see Ophelia in…”

A

Bradley : “He can never see Ophelia in the same light again: she is a woman, and his mother is a woman”.

33
Q

Peter J________ : (Andrew Scot version)
“This is Hamlet living on the…”

A

John : “This is Hamlet living on the edge of his emotions”.

34
Q

Amy L__________ : (Ophelia)
“Where Hamlet feigns madness, Ophelia actually…”

A

Licence : “Where Hamlet feigns madness, Ophelia actually loses her sanity”.

35
Q

Gabrielle D________ : Ophelia’s Madness
“Madness releases Ophelia from the enforced…”

A

Dane : “Madness releases Ophelia from the enforced repressions of the prescribed roles of daughter, sister, lover, subject”.

36
Q

Performance, 1925 Play directed by H.K.A________ :
- Polonius not played as a foolish man but a…
- Ophelia’s madness presented as uncontrolled release of…

A

H.K.Ayliff :
- Polonius not played as a foolish man but a sophisticated and cunning politician.
- Ophelia’s madness presented as uncontrolled release of pent up sexual frustrations.

37
Q

H_________ : Horatio
“He is at all times…”

A

Hudson : “He is at all times superbly self-contained”.

38
Q

H_________ : Horatio
“‘He is the medium whereby many of the…”

A

Hudson : ‘He is the medium whereby many of the hero’s finest and noblest qualities are revealed to us”.

39
Q

D. G. J________ : Horatio & Hamlet
“Hamlet speaks of Horatio in words of…”

A

James : “Hamlet speaks of Horatio in words of passionate admiration. How clearly he would like to be Horatio!’

40
Q

TS E_________ : Gertrude & Hamlet
“Gertrude and her wrongdoings are out of…”

A

ELIOT : “Gertrude and her wrongdoings are out of proportion to the distress we see in her son”.

41
Q

H_______ : Laertes
“‘Susceptible to emotional rather than…”

A

Hoye : “Susceptible to emotional rather than rational justification”.

42
Q

G__________ : Laertes
“__________ Laertes”.

A

Gardner : “Unthinking Laertes”.

43
Q

Richard A___________ : Claudius
“‘The cunning and lecherousness of…”

A

Richard Altick : “The cunning and lecherousness of Claudius’ evil has corrupted the whole kingdom of Denmark”.

44
Q

(Claudius) Patrick S__________, who played Claudius in 19____ and 200__ claimed he saw Claudius as…

A
  • Patrick Stewart, played Claudius in 1980 and 2009 claimed he saw Claudius as a character who ‘commanded respect’, who ‘loved Gertrude deeply…and killed for her sake’.
45
Q

(Control) Polonius and Ophelia :
Andrew Scott’s (2017) version of Hamlet, Polonius physically controls…

A

Andrew Scott’s version of Hamlet, Polonius physically controls Ophelia, by dragging her by the wrist. She has little choice. She sits beneath him, showing Polonius’ superiority.

ENGLISH LITERATURE (7 decks)

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