Gwilym Simcock Flashcards
melody
Almost: conjunct sax
Good Days: bassline has melody in second section
harmony in Almost
starts dissonant
sax emphasises non harmony notes
harmony in Good days
D major in section 1: scales in linking sections between grooves and use of false relations (C# and C major)
Section 2: in Db major, smooth modulation but back to D major is more obvious
structure
almost: crescendo
good days: 1, 2, CODA
rhythm
good days: 2nd section has a simple bassline
repetitive rhythms in section 1 to make a riff
Instrumentation
Almost: sound scape created by percussion
pizz bass used in intro
good days: Koln concerts inspired, mimics drum kit, sostenuto pedal used in final section
texture
almost: textural crescendo