Charlie Parker Flashcards

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1
Q

what type of improve did Parker use

A

formulaic, opening two bars of both alto sax solos use the same melodic idea but with different rhythms in Ko Ko

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2
Q

what did Parker often play with

A

Arpeggios, b section of sax solo and in CODA of Ko Ko

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3
Q

how did his solos contrast to others

A

Gillespie used fast quavers while Parker played with weird phrases and reused melodies, in Ko Ko a new melody is started in the A section but finished in the B
Davis solos were much more reflective and slower compared to Parkers, big pauses (apart from in BGTW were Davis matches Parkers speed since the piano solo is more reflective one

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4
Q

what were Parkers melodies often based off

A

Chord extensions, in Koko in alto sax solo emphasis A, C and Eb which are the 9th, 11th and 13th over the Bb chord

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5
Q

what is used in 3 pieces (harmonically)

A

pedal
Ko Ko- sustained F (V) at the end of the sax solo
Tunisia- repeated A in horns head riff
Bird of Paradise- sustained chords in opening

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6
Q

what modulations are used in Ko ko

A

circle of 5ths in the sax solo from C# minor to Bb major

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7
Q

what stops the resolution in Tunisia

A

V-II heard in head which is expected to go to D but it just repeated

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8
Q

what key is BGTW in

A

Ab major, adventurous

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9
Q

what is cheeky of Parker

A

finishes the opening phrase of his solo in Ko Ko with a syncopated Bb to Gb over an Fm7 chord

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10
Q

what structure are they all in apart from a night in Tunisia

A

not head arrangements
AABA chorus structure of all apart from BGTW which is in 32 bar song form over 64 bars

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11
Q

what instruments take a more active role

A

Drums- solo in Ko Ko, rhythms move around the kit with a dominance of snares at the end
Double Bass- explores higher registers (sax A1 of Ko Ko it descends from a high reg, pizz)

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12
Q

change in orchestra

A

became smaller

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13
Q

two techniques used in Tunisia

A

muted trumpet in Davis’ solo and blues growls in tenor solo

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14
Q

what textures does Parker use

A

octaves (ko ko intro)
unison (rhythm section of Tunisia often in octaves)
melody and accompaniment (solos of bird gets the worm)

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15
Q

what is the tempo like in Ko Ko

A

consistent (allows room for improv)

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16
Q

Rhythm of Tunisia intro

A

based of Latin rhythms (beguine was a popular Caribbean rhythm in the swing) era

17
Q

Rhythm of Tunisia head

A

B section is in much more standard Jazz with swung rhythms and walking bass

18
Q

tempo marking for Bird gets the worm

A

340 bpm

19
Q

Solos in Tunisia rhythm

A

also much more in jazz tradition
drums dropping bombs
comping guitar
walking bass

20
Q

what is interesting about bird of paradise rhythms

A

alto sax solo B section, the bass and drums adopt an afro-Cuban rhythm