Charlie Parker Flashcards
what type of improve did Parker use
formulaic, opening two bars of both alto sax solos use the same melodic idea but with different rhythms in Ko Ko
what did Parker often play with
Arpeggios, b section of sax solo and in CODA of Ko Ko
how did his solos contrast to others
Gillespie used fast quavers while Parker played with weird phrases and reused melodies, in Ko Ko a new melody is started in the A section but finished in the B
Davis solos were much more reflective and slower compared to Parkers, big pauses (apart from in BGTW were Davis matches Parkers speed since the piano solo is more reflective one
what were Parkers melodies often based off
Chord extensions, in Koko in alto sax solo emphasis A, C and Eb which are the 9th, 11th and 13th over the Bb chord
what is used in 3 pieces (harmonically)
pedal
Ko Ko- sustained F (V) at the end of the sax solo
Tunisia- repeated A in horns head riff
Bird of Paradise- sustained chords in opening
what modulations are used in Ko ko
circle of 5ths in the sax solo from C# minor to Bb major
what stops the resolution in Tunisia
V-II heard in head which is expected to go to D but it just repeated
what key is BGTW in
Ab major, adventurous
what is cheeky of Parker
finishes the opening phrase of his solo in Ko Ko with a syncopated Bb to Gb over an Fm7 chord
what structure are they all in apart from a night in Tunisia
not head arrangements
AABA chorus structure of all apart from BGTW which is in 32 bar song form over 64 bars
what instruments take a more active role
Drums- solo in Ko Ko, rhythms move around the kit with a dominance of snares at the end
Double Bass- explores higher registers (sax A1 of Ko Ko it descends from a high reg, pizz)
change in orchestra
became smaller
two techniques used in Tunisia
muted trumpet in Davis’ solo and blues growls in tenor solo
what textures does Parker use
octaves (ko ko intro)
unison (rhythm section of Tunisia often in octaves)
melody and accompaniment (solos of bird gets the worm)
what is the tempo like in Ko Ko
consistent (allows room for improv)