Duke Ellington Flashcards

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1
Q

what are Ellington’s melodies like

A

limited range
chord extensions are used in the melody of come sunday

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2
Q

how doe Ellington play with tonality

A

Mooche:
alternates between Eb+ and Eb- blues with a c minor start, the final move from Eb- to c minor is crazy because there un related but Ellington gets away with it since it works structurally

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3
Q

how is harmonic development shown in the Mooche

A

ensemble section has an Ab chord which is a minor inflection

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4
Q

what harmonic device in the mooche has a pull to the V

A

Tritone sub, Db7 and G7 share enough notes to create a V pull

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5
Q

what is used in ko-ko

A

pedal, Eb in baritone sax to create a dark brooding sound

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6
Q

what mode is used in the piano solo

A

aeolian mode, a feeling created with the use of Dbs and Cbs in the Eb key
whole tone piano solo in higher registers creating polytonal dissonances when it clashes with the Eb chord and also in the whole tone run starting on Cb when clashing with the A

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7
Q

what structures does Ellington use

A

Head arrangement for Mooche (in this context an arrangement that is easy to memorise)
come sunday is part of the movement ‘Black’ from the opera Black, Brown and Beige
Ko-Ko was supposed to be in the opera Boola, all of its choruses are in a 12 bb form

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8
Q

Clarinet techniques

A

vibrato and chalumeau register used in the Mooche

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9
Q

example of Ellington using the extremes of timbre

A

Valve trombone in Ko Ko

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10
Q

What does Ko-Ko build to

A

a gradual textural crescendo that falls down to a double bass solo

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11
Q

types of mutes used in Ko-Ko

A

plunger, pixie mutes and the ya ya style in trombone solo
in the ensemble section (chorus 5) the trumpet uses plunger mutes

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12
Q

what type of harmony is often used in come Sunday

A

2ndary V in the B section

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13
Q

What does Ellington aviod

A

the tonic, not heard till bar 7 of the section

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14
Q

what comes after the I is heard

A

a chord IV which create a plagal feel, linking to the idea of spirituals

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15
Q

what chord is heard in B and what is the following expectation

A

III7, expected to move to the 6th

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16
Q

why does Ellington delay the 6th

A

makes in more significant 3 bars later, with a VIm7 (strongly linked to the relative minor)

17
Q

how is a tonic pull created

A

Come Sunday: II-V progression

18
Q

final chord in B and what it means

A

V7aug5, big pull back to the tonic, but is not heard until bar 7 of A

19
Q

what textures does Ellington use most

A

call and response (ko ko opening)
homophonic ensemble section of Mooche
shout chorus is Ko Ko, combination of earlier section
chase chorus in Ko Ko with whole orchestra chasing DB solo
melody and accompaniment in come Sunday

20
Q

what is Ellington’s mane rhythmic device in Ko Ko

A

the x-motif, 4 straight quavers first heard in the baritone sax
used all throughout this piece, layered in the chase chorus

21
Q

what rhythmic device is used in come suday

A

rubato sax solo