Greeks And Barbarians Flashcards
archaic greek ideas of the barbarian
Homer’s only mention of the term comes in his description of the Carian people who fought against the Greeks. He calls them ‘Barbarophonoi’ (2.867) meaning they talk in a foreign language. The term originated from the notion that the non-Greeks sounded unintelligible – like ‘ba-ba’. Prior to the fifth century BCE, the term appears to have been a primarily linguistic one, without the cultural associations of the classical era. In other words, ‘Barbarian’ was associated with non-Greek languages rather than a ‘barbaric’ culture. Greeks in the archaic era were quite open to foreign cultures through hybridisation (blending of elements from different cultures
the new york korous and the ranofer forth dynasty
Greeks also seems to have been willing to adopt aspects of African and Asian art and culture. During the so-called ‘orientalising period’ (750 to 580) Greek art was greatly influenced by eastern, and specifically Near Eastern and Egyptian, ideas, myths, and decorative styles. One example is sculpture. The New York Korous (left) is a Greek sculpture from the 600s BCE. It is clearly heavily influenced by Egyptian sculpture from thousands of years before. Consider the similarities with the sculpture of Ranofer, fourth dynasty, Old Kingdom, Egypt, c. 2400 BCE (right). The similar posture, straight-arms, head position, led position, body type, and the design of the face are evident. These two examples appear to suggest that the Greeks viewed non-Greeks in a relatively neutral or indeed even positive manner insofar as they were willing to adopt customs and artistic styles from them.
how does heroditus suggest archaic greeks hybridised, 2.49 the festival of dionysus
“For the similarities between the Egyptian and Greek worship of Dionysus cannot be a coincidence. Otherwise the practices would be more recognisable as Greek rites and less recently adopted.” Herodotus argues that a Greek, Melampus, adopted the customs from Egypt and introduced the customs into Greeks.
how does heroditus suggest archaic greeks hybridised, the names of the gods 2.50
“The names of nearly all the gods came over to Greece from Egypt. I have found out from enquiries that the names came from the barbarians.” Most of these stem from Egypt, but some stem from the Pelasgians.
how does heroditus suggest archaic greeks hybridised, religous customs 2.51
“These customs, along with others which I will mention, were adopted from the Egyptians by the Greeks
scholar paul cartledge, meaning of barbarian
argues that the meaning of the ‘Barbarian’ changed in the period between Homer and Herodotus so that by the 450s BCE the Greeks viewed the world in two binary categories: Greeks and Barbarians. All non-Greeks were lumped together collectively as ‘barbarians’ and tarred with pejorative stereotypes of being naturally, unalterably, inferior beings. He argues there were two processes which led to this occurring:2 (1) Colonisation and (2) the Persian Wars
growth of greekness and barbarism, colonisation
n worked to promote ‘barbarians’ in a negative sense, but also promoted ‘Greekness’ in a positive sense. On the negative: The process of Greek colonisation from 750 BCE onwards resulted in cultural contacts which otherwise had not been known. These cultural contacts highlighted the differences between the Greek way of life and the non-Greek way of life. Contact, then, emphasised how foreign the barbarian was. The process of Hellenisation provided a sense of Greek ‘superiority’. We see, for instance, the Syracusans enslaved the local Killyrioi population of Sicily. Greek material culture tends to replace other cultures in the regions they colonised. This created some negative cultural stereotypes for Greeks of what the ‘barbarians’ were – i.e. inferior.
On the growth of ‘Greekness’: While this process occurred, the common religion of the Greeks and their association with ‘mother cities’, and panehellenic shrines such as Delphi and Olympia served to bind Greeks into a shared sense of identity. This served to positively encourage a sense of ‘Greekness’ and one which was superior in some way to the ‘barbarian’.
the role of the historical context in the invention of the barbarian
Where all scholars agree is that by the Classical era (479-323) Greeks had ‘invented’ a barbarian with negative characteristics. Part of this process, as we have seen above, was the process of colonisation. This exposed Greeks to barbarians and exposed cultural differences. Yet, as we have seen this cannot be the whole story because Greeks hybridised their culture with barbarian ones in some cases.
Instead, what was of most importance in the invention of the barbarian was the Persian Wars. Aeschylus’ Persians represents the first occasion where the concept of the barbarian as the Greeks’ inferior opposite (effeminate, cowardly, stupid, emotional, etc.) comes through. It is no coincidence that the play takes place just 8 years (472BCE) after the events it claims to portray.
Persian wars impacting the invention of the barbarian, greeks needing to be united to win
The Greeks were divided in the build up and during the Persian Wars. Greeks vs Barbarians served as an ideological tool to encourage unity
Persian wars impacting the invention of the barbarian, persia was the enemy of some greeks
The consequence, as with most wars between different peoples, was that negative stereotypes were labelled on the enemy. The Persians represented the united barbarian threat to Greece. By portraying them negatively, the Greeks were reminded of the righteousness in opposing them. In essence, the ‘barbarian’ is a form of Greek propaganda
Persian wars impacting the invention of the barbarian, greek victory gave persians a sense of superiority
Herodotus’ account of the Persian Wars builds Persia to be a supreme power over a vast range of peoples. Yet, it was the Greeks – the plucky and, indeed, disunited underdogs – who defeated Persia not once, but twice. Greek ideas of superiority over the Persians therefore developed from the wars….
Persian wars impacting the invention of the barbarian, the persian wars gave greeks a shared sense of identity and political unity (cartledge)
The Persian Wars helped to solidify a shared sense of ‘Greekness’. This political unity engendered a shared experience of togetherness and opposition to the barbarian. Whereas before language, culture and customs were shared, it was only during the Persian wars where a sense of shared freedom opposed to the tyranny of the Persians developed.
Prior (and during) to the Persian Wars, Greek association with their poleis ran directly counter to a Greek sense of Pan-Hellenic identity. Greeks belonging to other poleis were much the same as barbarians in that they were defined simply by the fact that they were not citizens of the polis. Yet, the Persian Wars meant that ‘being Greek’ became a legitimate identity. Greeks came together, to some extent, to fend off a common enemy – the barbarian. The real ‘other’ were the barbarians – not fellow Greeks. In this sense, it took the ‘barbarian’ to unite the Greeks.
impact of the delian league- hall
While the Persian wars undoubtedly had a key role in inventing the barbarian, it alone does not fully explain why the idea continued to be so important in the decades that followed. Edith Hall agrees of the importance of the Persian Wars. She states that the polarisation of Greeks and Barbarians only occurs after the Persian Wars have begun. Aeschylus’ Persians, produced in 472 is the earliest example. Yet, Hall also argues the Delian League was crucial in the invention (and perpetuation) of the Barbarian.3 She says: “although it was the collective action of numerous Greek city-states in the Persian wars which produced the concept of the barbarian, it was the Panhellenic ideology of the Delian League and latterly of the Athenian Empire which ensured its preservation”.
delian league after the persian wars
After the Persians Wars the Athenians developed the Delian League, a collection of poleis who would provide money and ships for war against the Persians (Thucydides 1.96.1). initially, there was a great deal of unity. They had considerable success in freeing the Ionians from Persian Rule. Yet, rebellion and disunity quickly hindered the alliance. Initially in 471 Naxos revolted in an attempt to leave to League. Then, in 465 Samos attempted the same. Both revolts were crushed by Athens which used the League to become an Empire. During this period, Athens is deemed to have transitioned from the leading member of a League of voluntary allies towards an Empire which compelled other cities to remain. Athens collected tribute from the city states under their control and repressed them if they rebelled.
significance of Aeschylus persians
performed on the southern slope of the Acropolis with the burnt wreckage of the old Acropolis behind them, won first prize in the drama festival. The performance reminded Greeks of the hubris of Xerxes and the otherness of the Persian