Glossary 3 Flashcards

1
Q

A device used in poetry to manipulate the sound of words, sentences or lines.

A

Poetic device

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

The repetition of the same consonant sound at the beginning of words.

A

Alliteration

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Example: “Sally sells sea shells by the sea shore”

A

Alliteration

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Impact: creates a rhythm that is hard and fast, carrying the text forward

A

Alliteration

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

The repetition of identical or similar vowel sounds.

A

Assonance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Example: “From the molten-golden notes”

A

Assonance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Impact: creates a sense of emotional resonance, evoking feelings and emotions

A

Assonance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

The repetition of the same consonant sound at the end of words or within words.

A

Consonance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Example: “Some late visitor entreating entrance at my chamber door”

A

Consonance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Impact: creates harmony and resonance within the text

A

Consonance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

The use of a word which imitates or suggests the sound that the thing makes.

A

Onomatopoeia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Example: Snap, rustle, boom, murmur

A

Onomatopoeia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Impact: used to create vivid imagery, convey atmosphere, evoke an auditory response, and enhance action scenes

A

Onomatopoeia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

When a line of poetry contains a rhyme within a single line.

A

Internal rhyme

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Example: “To the rhyming and the chiming of the bells!”

A

Internal rhyme

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Impact: creates a pleasing rhythm and musicality in written text, enhancing its auditory appeal

A

Internal rhyme

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

When a poet creates a rhyme, but the two words do not rhyme exactly – they are merely similar.

A

Slant rhyme

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Example: “I sat upon a stone, / And found my life has gone.”

A

Slant rhyme

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Impact: deepens the theme or mood by adding layers of complexity to the text

A

Slant rhyme

20
Q

When the last word of two different lines of poetry rhyme.

21
Q

Example: “Roses are red, violets are blue, / Sugar is sweet, and so are you.”

22
Q

Impact: used to create a sense of closure or completeness at the end of a line

23
Q

The pattern of a poem’s end rhymes.

A

Rhyme Scheme

24
Q

Example: For example, the following lines have a rhyme scheme of a b a b c d c d:

Shall I compare thee to a summer’s day? a
Thou art more lovely and more temperate. b
Rough winds do shake the darling buds of May. a
And summer’s lease hath all too short a date. b
Sometime too hot the eye of heaven shines c
And often is his gold complexion dimmed d
And every fair from fair sometime declines c
By chance or nature’s changing course untrimmed d

A

Rhyme Scheme

25
Q

Impact: brings order and cohesion to a poem

A

Rhyme Scheme

26
Q

In every word of more than one syllable, one of the syllables is stressed, or said with more force than the other syllable(s).

A

Stressed and unstressed syllables

27
Q

Example: In the name “Nathan,” the first syllable is stressed. In the word “unhappiness,” the second of the four syllables is stressed.

A

Stressed and unstressed syllables

28
Q

Impact: conveys varying tones or moods within a poem, influencing how readers engage with the text

A

Stressed and unstressed syllables

29
Q

A regular pattern to the syllables in lines of poetry.

30
Q

Example: Once upon a midnight dreary, while I pondered, weak and weary

31
Q

Impact: reinforces the message and amplifies the feelings a poet wishes to share

32
Q

Poetry that doesn’t have much meter or rhyme.

A

Free verse

33
Q

Example: “I celebrate myself, and sing myself,/And what I assume you shall assume,/For every atom belonging to me as good belongs to you./I loafe and invite my soul,
I lean and loafe at my ease/observing a spear of summer grass” Song of Myself by Walt Whitman

A

Free verse

34
Q

Impact: lets language and emotion give form to their poems.

A

Free verse

35
Q

Poetry that is written in lines of 10 syllables, alternating stressed and unstressed syllables.

A

Iambic pentameter

36
Q

Example: “Shall I compare thee to a summer’s day?”

A

Iambic pentameter

37
Q

Impact: creates a pleasing rhythm in the reader’s ear and make the text more musical and memorable

A

Iambic pentameter

38
Q

A 14 line poem written in iambic pentameter. Usually divided into three quatrains and a couplet.

39
Q

Example: “My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.” -My Mistress’ Eyes Are Nothing Like the Sun, by William Shakespeare

40
Q

Impact: used to express a wide range of emotions, from joy and love to anger and sorrow

41
Q

When a writer creates a list of items which are all separated by conjunctions. Normally, a conjunction is used only before the last item in a list.

A

Polysyndeton

42
Q

Example: “I walked the dog, and fed the cat, and milked the cows.”

A

Polysyndeton

43
Q

Impact: used to slow down the pace of the writing and/or add an authoritative tone.

A

Polysyndeton

44
Q

When a word that has two or more meanings is used in a humorous way.

45
Q

Example: “My dog has a fur coat and pants!” “I was stirred by his cooking lesson.”

46
Q

Impact: used in a humorous way, to elicit a “jokey” tone, but they can also be used to enhance a reader’s interpretation