Georgian America (Week 3) Flashcards
Late Baroque/Queen Anne Characteristics
emphasis on line and form over ornament
sculptural objects, playing off voids against solids
Hogarth’s Line of Beauty - S curve
cabriole legs, pad feet, vase-shaped splats, blockfront facades, ocassional shells and inlay
Japanning
Jacob Hurd
Two Handled Cup
Boston
1740s
monumental form, also called Grace Cup
coat of arms
mid-band, no ornament
exemplifies Queen Anne - stately, solid, tall, sculptural
High Chest of Drawers
Boston
1750 - 1770
Table
Boston
1750 - 1770
Armchair
Massachusetts
1740 - 1760
walnut, maple
turners, stretchers
central baluster splat
Chair
Boston
1740-1760
vase shaped splat
cabriole legs
stretchers, turners
Rococo Date & Characteristics
1755 - 1795
profusion of ornament especially carving on furniture and chasing/repousse on silver
motifs: c-scrolls, leafage, chinese fretwork, shells
asymmetry valued
pierced decoration on both furniture and silver
mahogany
claw and ball feet
Paul Revere
Sugar Bowl and Creamer
Boston
1760s
c-scrolls, flowers all over ornamentation
Side Chair
Boston
1760-1780
Bombe Desk and Bookcase
Boston
1770-1790
George Bright
bombe form, glass, eagle finial, pierced carving in cornice at end of rosettes, claw and ball feet
mahogany
Bombe Chest on Chest
John Cogswell
Boston
1780
s-crolls, carving, chinese fretwork, rosettes
signed and dated important piece documents bombe form
Desk and Bookcase
Newpot
1755 - 1770
Block and shell front
High Chest of Drawers
Eliphalet Chapin
Windsor Connecticut
Bureau Dressing Table
New York
1760
massive, stocky proportions
square claw and ball
knee hole
Desk and Bookcase
Carving attributed to Henry Hardcastle
New York
1750
Card Table
New York
1760-1770
mahogany
gadrooning, carving on knee, 5 legs
Side Chair
New York
1760-1775
diamond pierced splat, shells on knees
Dressing Table
Boston
1745-1760
walnut
flat and round blockade front
small claw and ball feet, cabriole legs
drop pendants