Early Baroque (Week 2) Flashcards

1
Q
A

High Chest of Drawers (landmark form for William & Mary Style)

Boston

1690 - 1720

maple - inverted cup legs

burled walnut veneer

vertical emphasis, lighter emphasis

dovetail joints

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2
Q
A

Escritoire

Rhode Island

1720s

writing form - front of upper section falls forward

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3
Q
A

Japanned High Chest of Drawers

Boston

1710 - 1720

Maple

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4
Q
A

Banister-back Armchair

Eastern Massachusetts/Boston

1710-1740

maple, ash, rush

turnings, scrolled arms, architectonic banisters, carved crest rail

commanding presence

often painted black

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5
Q

Early Baroque Silver

Design elements

A

Boston & NY were silver centers in America

gadrooning and fluting

decorated vs. undecorated passages

point vs. counterpoint

sparkling light effects

natural ornament and geometric forms

hammering (raised work), chasing, soldering, casting, engraving

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6
Q

Boston Silversmiths

A

John Coney - first to make many new forms, stylish, ahead of the curve

Jeremiah Dummer - America’s first native born silversmith

Edward Winslow - sugar boxes (also Coney)

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7
Q

New York Silversmiths

A

Jacob Bolen

Cornelius Kierstede

Jacob Van der Spiegel

Bartholomew LeRoux

Peter Van Dyck

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8
Q
A

Edward Winslow

Chocolate Pot

Boston

1700-1710

gadrooning, smooth surfaces

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9
Q
A

Jeremiah Dummer

Standing Salt

Boston

1710

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10
Q
A

Sugar Box

John Coney

Boston

1700 - 1710

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11
Q
A

John Coney

Monteith Bowl

Boston

1700 - 1720

large punch bowl with scalloped edge

rinsing and cooling wine glasses, stem through scalloped edge

large handles, decorative ornamental features, cherubs

Coney’s masterpiece!

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12
Q

Early Baroque Dates

William and Mary Style

A

1690-1730

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13
Q
A

Cane Side Chair

Boston

1690-1705

Beech wood & cane seating/back

made in large quantities in London and shipped to America

carved, scroll crest rail, tall back

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14
Q
A

Jeremiah Dummer

Boston

Standing salt form

scrolls on top to hold plate or cloth to cover salt

plain and decorative surfaces

gadrooning

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15
Q
A

Desk

1700-1720

walnut veneer, maple feet

turned feet (bun feet) painted black

dovetail drawers

slant lid supported by lopers

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16
Q
A

Easy Chair

Boston

1690-1730

sometimes fitted with chamber pot

increased international connections led to increased comfort

17
Q
A

High Chest

Connecticut

1700-1720

Cherry

3 arched skirt, ungainly proportion

18
Q
A

Chest with Secretary Drawers

Boston

1730

Walnut, walnut veneer

double domed upper case, inlay decoration in pediment

19
Q
A

Desk and Bookcase

1725

Boston

walnut veneer

Ward’s Fav, mariner star inlay, broken pediment

vertical over wide

elaborate set of pigeon holes on inside

20
Q
A

John Coney

Chocolate Pot

1710

Boston

cut card decoration, asian form

21
Q
A

John Coney

Plate

engraving on borders

rare form because so expensive

22
Q
A

Tankard

Richard Conyers

Boston

1710-1720

cherub head at hand terminal

gadrooning on flat lid

23
Q
A

Wine Cup

Jeremiah Dummer

Boston

1710-1720

reeding and fluting (in and out sections), spiral gadrooning

architectural baluster form

domestic form but owned by a church

24
Q
A

Brandywine Bowl

Cornelius Kierstede

1700

New York

each panel has decorative eleemnts

largest bowls known made by Americans

25
Q
A

Edward Winslow

Sugar Box

Boston

1700s

gadrooning, ornament

26
Q
A

Tankard

New York

1700s

more elaborate ornament than Boston tankard

figures all down handle, applied foliat eband soddered in place