Final - Reformation Flashcards

1
Q

What is the Martin Luther’s background and training?

A

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2
Q

What was Martin Luther’s attitude toward music?

A
  • Believed music had a strong influence on people
  • Advocation the use of all types of music in the Mass
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3
Q

How did Martin Luther affect music in the German Protestant liturgy?

A
  • The congregation participated in the Mass
  • Services could be held in the vernacular or in Latin
  • He composed chorales
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4
Q

How are Martin Luther’s ideas reflected in the two settings of “Ein’ feste Burg”?

A
  • Simplified, monophonic chorale melody
  • Repetetive, stepwise motion between the tonic and dominant
  • Melody held in the tenor and surrounded by simple polyphony
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5
Q

What were John Calvin’s attitudes concerning music?

A
  • Believed music had the power to influence people, especially to lead them astray
  • Condemned much of the music in the Catholic Church
  • Encouraged congregational participation
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6
Q

What led to the break with the Catholic church in England?

A
  • King Henry VIII wanted to divorce his wife, but the archbishop refused
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7
Q

What impact did the break with the Catholic church have on music?

A
  • Few changes similar to those in Germany under Henry VIII and Edward VI
  • Reverted back to Catholic practices under Mary
  • Consistent use of English and congregational participation under Elizabeth I
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8
Q

To what do the terms service, full anthem, and verse anthem refer?

A
  • service: comparable to the Catholic Mass
  • anthem: polyphonic sacred work for the Mass
    • full anthem: anthem for unaccompanied choir
    • verse anthem: anthem with passages for solo voice and accompaniment
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9
Q

What was the primary concern of composers in the late 16th century?

A
  • Textual expression
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10
Q

How is textual expression evident in Byrd’s “Sing Joyfully” and de Lassus’ “Cum essem parvulus”?

A
  • “Sing Joyfully”
    • Melodic leaps bring attention to specific words
    • Stressed syllables fall on strong beats
    • Fanfare entrance on “Blow the trumpets”
  • “Cum essem parvulus”
    • Range, rhythm, texture, and melodic motion reflect the meaning of individual words/phrases
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11
Q

What is the Council of Trent?

A
  • The Catholic response to criticism
  • A series of meetings in Italy discussing issues
    • Doctrinal ideas (traditions)
    • Priest contracts and celibacy
    • Music (toward end)
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12
Q

What were the major concerns of the church fathers concerning the music in the Catholic liturgy?

A
  1. Clear understanding of the text
  2. Uniformity of liturgical practice
  3. Use of secular models
  4. Quality of performance
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13
Q

How are basic features of Palestrina’s style evident in “Pope Marcellus Mass”?

Text-setting, melody, harmony

A
  • Text-setting
    • The majority of the voices declare the text together
    • Varying number/combination of voices
  • Melody
    • Stepwise writing reflecting chant
    • Leaps immediately filled in
    • Balanced, arched forms
  • Harmony
    • Centered around the mode
    • Full triad consonances
    • Minimal dissonances
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14
Q
A
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