Final Exam Deck Flashcards

1
Q

Romanesque*

A
  • France: 12th Century
  • Rounded arches in architecture and thick walls
  • Dark
  • Retained many Roman features
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2
Q

Gothic Period*

A
  • 1200-1400 AD
  • Clustered piers, stained glass, pointed arches
  • Flying buttresses, ribbed vaulting, rose windows
  • Luminescent
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3
Q

High Renaissance

A
  • 1495-1520
  • Classical culture, perspective, proportion, and human anatomy
  • The leading artists: Leonardo Da Vinci, Raphael, and Michelangelo
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4
Q

Leonardo Da Vinci*

A
  • 1452-1519
  • Quintessential “renaissance man”
  • Studied art, botany, geology, geography, cartography, zoology, military, engineering…
  • Optical understanding of perspective, light, and color
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5
Q

Counter-Reformation

A
  • 1545-1648
  • The Catholic Church’s response to the establishment of Protestantism
  • Launched by Pope Paul III
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6
Q

Mannerism

A
  • 1520s
  • Response to the High Renaissance style of Florence, Rome, and Venice
  • Characteristics of Mannerism is “style” (as in stylish, cultured, and/or elegant”
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7
Q

Baroque Art*

A
  • Italy: 1600-1715
  • Tension, movement, strong, and full of energy
  • Francesco Borromini, Caravaggio, Artemisia Gentilleschi
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8
Q

Caravaggio*

A
  • 1573-1610
  • Criticized as the “antichrist of painting” for his outspoken disdain for the classical masters
  • The Stark contrast of light and dark was a key feature of his style
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9
Q

Artemisia Gentilleschi*

A
  • 1593-1653
  • Female artist following the style of Caravaggio.
  • She was raped by her tutor and put on trial where she was tortured.
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10
Q

Rococo

A
  • France: 1715-1800
  • Light and airy movement
  • About love and joy
  • Well known artists of this style include Germain Boffrand
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11
Q

Neoclassicism*

A
  • 18th century
  • Artistic movement from a revival of interests in ancient art of Greece and Rome
  • Historically correct settings and costumes and stimulated by the new scientific interest in classical antiquity
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12
Q

Romanticism*

A
  • 1750-1850
  • Appreciation for nature
  • Emerged from a desire for freedom
  • Showed feeling in response to Neoclassicism
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13
Q

Delacroix

A
  • 1798-1863
  • Artist whose work epitomized Romantic colorist painting
  • Use of expressive brushstrokes and color inspired Impressionism and Symbolism
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14
Q

Pre-Raphaelites*

A
  • 1850s-1890s
  • English Romantic movement. Power is drawn from nature
  • Women as mystical and strange (typically depicted having red hair)
  • Artists: Dante Gabriel Rossetti, John William Waterhouse, and Sir John Everett Millais
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15
Q

Loreena Mckennitt*

A
  • 1957-present
  • Contemporary Canadian Celtic Romantic musician
  • Pre-Raphaelite influences: The Bonny Swan, The Lady of Shalott
  • “The Mummy Dance”
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16
Q

Realism

A
  • Mid-19th century
  • Movement that developed in France and focused on real people and events during the time
  • Artist for style: Gustave Courbet
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17
Q

Gustave Courbet

A
  • 1819-1877
  • Leading figure of the Realist movement
  • Depictions of mundane, working-class laborers and peasants
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18
Q

Impressionism*

A
  • 1870s
  • Art movement that built on realism
  • Themes favored real life but conveyed the elusiveness and impermanence of the subjects
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19
Q

Edouard Manet

A
  • 1832-1883
  • Utilized realist principals but also led to the development of Impressionism
  • French artist of both Impressionism and Realism
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20
Q

Claude Monet*

A
  • 1840-1926
  • French Impressionist artist
  • Artwork had emphasis on nature
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21
Q

Post-Impressionism

A
  • 1880s
  • Revitalization of line, pattern, form, and color.
  • Paul Cezanne: “Still life with apples and fruit, 1882”
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22
Q

Vincent Van Gogh*

A
  • 1853-1890
  • Dutch Post-Impressionist
  • Wanted to remove the barrier between self and the universe.
  • Cut his ear off
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23
Q

Edvard Munch*

A
  • 1863-1944
  • Norwegian Impressionist and Post-Impressionist
  • “The Scream, 1893”: landscape of his mind.
  • Painting got destroyed
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24
Q

Symbolism*

A
  • Late 19th century
  • Representation of nature becomes subjective
  • Artist of style: Gustav Klimt
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25
Q

Gustav Klimt

A
  • 1863-1918
  • Symbolist Viennese Artist
  • “The Kiss: 1907-1908”
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26
Q

Art Nouveau

A
  • Late 19th century
  • Named after shop in Paris called L’Art Nouveau
  • Based on natural forms but could be mass-produced
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27
Q

Art Deco

A
  • 1920-1930s
  • Influenced by cubism and shattered angles
  • Rich, sumptuous material
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28
Q

Frank Lloyd Wright*

A
  • 1867-1959
  • American Architect
  • Sought to develop organic unity of planning, structure, materials and site.
  • Motto: “Form follows function”
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29
Q

Fred Astaire (1899-1987) and Ginger Rogers (1911-1995)

A
  • Curvilinear dancing
  • Ginger’s dress moved in curvilinear patterns
  • Fred Astaire starred in a movie with Vera Ellen
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30
Q

Depression Modern

A
  • 1930s
  • Curvilinear
  • Plucked eyebrows, moon face, platinum blonde
  • Influences: Jean Harlow and Shirley Temple
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31
Q

WWI*

A
  • 1914-1918
  • Local Princes and Kings Ousted – Beginnings of modern Nation boundaries
  • First war fought with modern technology
  • Led to extreme violence and a shift in Artistic styles
32
Q

Dada*

A
  • Early 20th century
  • Anti-Art movement (all art is dead)
  • Influenced by the ridiculous brutality of war
33
Q

Marcel Duchamp

A
  • 1887-1968
  • Took functional objects and made them useless
  • Readymades: Designed to question the adoration of art
34
Q

German Expressionism

A
  • 20th century
  • Used color, distortions in form, ragged outline, and agitated brushstrokes to express meaning
  • Artists: Kirchner, Kandinsky, Marc, Kollwitz
35
Q

Die Brucke

A
  • Formed 1905
  • German Expressionist group
  • Sought to bridge the “old age” and the new
  • Played with perspective and color to comment on class and power inequalities
36
Q

Cubism*

A
  • Early 20th century
  • Known as the “Architecture of Color”
  • Prismatic reordering of reality
  • Major figures – Pablo Picasso, Georges Braque
37
Q

Pablo Picasso*

A
  • 1881-1973
  • Began Cubist painting as a way to top Henri Matisse
  • Wanted to break down traditional perspective
  • Les Demoiselles d’Avignon (1906)
38
Q

Surrealism*

A
  • 1920s
  • Represents the Unconscious Mind
  • Fusion of Symbolism, Freud and Dada
39
Q

Salvador Dali*

A
  • 1904-1989
  • Most famous Naturalistic Surrealist
  • Strived to make the irrational concrete (irrational, but convincingly real)
  • The Persistence of Memory (1931)
40
Q

Rene Magritte

A
  • 1898-1967
  • Challenged the assumptions underlying the reading as visual art
  • Explored the relationship of test to image
  • The Treachery (or Perfidy) of Images
41
Q

De Stijl

A
  • 1917
  • Utopian movement in the Netherlands
  • Works reduced to a few lines, colors, and shapes
  • Founded by Piet Mondrian and Theo van Doesburg
42
Q

Piet Mondrian

A
  • 1872-1944
  • Used creative laws to construct a new plastic unity
  • Limited his pallet to the three primary colors (red, blue, and yellow), as these were pure colors
  • Composition with Red, Blue, and Yellow (1930)
43
Q

WWII*

A
  • 1939-1945
  • Cities - devastated, economies – ruptured, governments – in chaos
  • “War to end all wars”
  • Global catastrophe
44
Q

Abstract Expressionism

A
  • Emerged 1940s
  • First major American avant-garde movement
  • Abstract paintings to express the artist’s state of mind
  • To strike emotional chords with the viewer
  • Jackson Pollock, Number 1, 1950 (Lavender Mist)
45
Q

The Beatles*

A
  • Formed 1960
  • Influenced by multiple artistic movements
  • “Yellow submarine”
  • LCD
46
Q

Allen Ginsberg

A
  • 1926-1977
  • American Poet
  • Leader of the Beat Generation
  • “HOWL” - poem published in 1955
47
Q

Post-Painterly Abstraction

A
  • 1960s
  • Postwar American Art
  • Abstract expressionism
  • Clement Greenberg
48
Q

Color-field Painting

A
  • 1960s
  • Abstract art
  • Helen Frankenthaler
  • “The Bay, 1963”
49
Q

Helen Frankenhaler

A
  • 1928-2011
  • Color field painter
  • Compared herself to early modernists
  • Canyon, 1965
50
Q

Op Art

A
  • 1960s
  • Optical art
  • Sought to produce optical illusions
51
Q

Bridget Riley

A
  • Born 1931
  • Leading figure in Op Art
  • Signature black and white
52
Q

Pop Art

A
  • 1960s
  • Traditional imagery
  • Embrace of popular culture
  • Originated in England in mid-1950’s
53
Q

Jasper Johns

A
  • Born 1930
  • American Pop Artist
  • Emphasized common objects
  • Three flags, 1958
54
Q

Roy Lichtenstein

A
  • 1923-1977
  • Used mass media objects
  • Combination of painting and sculptures
  • Drowning girl, 1963
55
Q

Andy Warhol*

A
  • 1928-1987
  • American Pop Artist
  • Mass Media
  • Depiction of American cultural icons
56
Q

Universal Pictures*

A
  • Founded 1912
  • Carl Laemmle
  • “Frankenstein 1931”
  • “Dracula 1931”
57
Q

Busby Berkeley*

A
  • 1895-1976
  • Hollywood movie director and musical choreographer
  • Kaleidoscopic dance routines
58
Q

MGM*

A
  • Founded 1924
  • American media corporation
  • Founded by Marcus Loew
  • Sam Goldwyn
  • Pressured Vera Ellen to stay thin
59
Q

Gene Kelly*

A
  • 1912-1996
  • American Actor, singer, dancer
  • Energetic and athletic dancing
  • “Singin’ in the Rain (1952)”
60
Q

Vera Ellen*

A
  • 1921-1981
  • She was a hit in film.
  • Received more fan mail than any other.
  • “appealing as a kitten, feminine as perfume and as gentle as a spring breeze”
  • Very petite
  • Didnt get make screen time in the movie era of the 1950s
61
Q

“The Belle of New York”

A
  • 1952
  • Film produced by Arthur Freed
  • Vera-Ellen with Fred Astaire
  • Promised to take her career to new heights
62
Q

Danny Kaye

A
  • 1911-1987
  • Wonder Man 1945
  • American actor, singer, dancer, and comedian
63
Q

“White Christmas”

A
  • 1954
  • Starring Bing Crosby, Danny Kaye, Vera-Ellen
  • Directed by Michael Curtiz
64
Q

Paranoia of the 1950s

A
  • 1950s
  • Happy days?
  • Atomic threat
  • Cold War
  • McCarthyism
  • Films weren’t a big thing during this time period
65
Q

Joseph McCarthy

A
  • 1908-1957
  • American Politician
  • Big List of Names!
  • Branded people and ruined careers
66
Q

J. Robert Oppenheimer

A
  • 1904-1967
  • Brilliant physicist and teacher
  • Led Manhattan Project
  • Father of the Atom Bomb
67
Q

Sci-Fi and Horror Films

A
  • 1950s
  • Simple plot
  • Fear of nuclear warfare
  • World is turned upside-down
68
Q

Television and Films

A
  • 1950s
  • Television threatened Film
  • People stayed home
  • Tried to make Film stand out again
69
Q

Hammer Films

A
  • Founded 1934
  • Film Company
  • Hammer Film Productions of England
  • Sex and Violence
70
Q

Alfred Hitchcock*

A
  • 1899-1980
  • Horror Film
  • Started out in Electrical Engineering and other fields
71
Q

Brad Harris*

A
  • International star and stuntman in the 1960s and 1970s.
  • Body builder
  • The face of America in the 3rd world.
72
Q

Spaghetti Westerns

A
  • Popularized by Italian director Sergio Leone and Clint Eastwood
  • Imitation American westerns filmed in Europe
  • Brad Harris developed a whole separate career and alter ego named Robin McDavid
73
Q

Luciano Stella

A
  • 1936-2009
  • Starred with Brad Harris in Kommissar X movies under the pseudonym Tony Kendall
  • Comic book model
74
Q

“Kommissar X”

A
  • 1965-1971
  • Very low budget movie series
  • Formula echoes James Bond: supervillain, exotic locations, beautiful women, sexist dialogue, daring stunts, blaring music, title theme song
75
Q

Ian and Casper Fleming

A
  • Wrote the first James Bond novel in 1952
  • Drew inspiration from his experiences in Britain’s naval intelligence during WWII
  • His son Caspar committed suicide at age 23