Final Flashcards
Chi Rho Iota Page from book of Kells
Annox. Artist
5th century-1050
4 scribes in the book and 3 annox. artist in the book
Done on vellum
The Chi Rho Iota page is the most reproduced
in the beginning of the gospel book of St. Matthew
Cats stalking mice in the drawing (good over evil)
Interior view from the palace chapel of charlemagne
Annox artist
5th century-1050
Colrinthian columns used on the inside
Round arches (roman inspired)
shouldn’t have had put columns in the arches
Gero Crucifix
Annox. Artist
5th century-1050
Is carved wood and painted
Over life size
Was placed behind an alter in the cathedral
Head hangs forward
The stomach is expanded (part of death)
The cummunion wafors would be stored in the head
Santiago de Compostela
Annox Artist
1050-1200
Is a basilica floor plan
The apps is semi-circular
Has a nave, apps, side aisles, ambulatory, transept, apse
Very few windows
Bayeux Embroidery
Annox Artist
1050-1200
Was around the upper nave wall in the cathedral
Used 8 colors of dyed wool thread
Shows the battle of hatsings
San Giovanni Baptistry
Annox Artist
1050-1200
Free standing
Central floor plan
Thought to be a Roman building not Romanesque
Is infront of the cathedral of Florence
Cathedral of Notre Dame at Chartres
Annox artist
1150-1400
at the highest point in the city
dedicated to the virgin mary
Believed to have part of the dress that mary wore when giving birth to Jesus
holy relic not hurt in the fire sign of wanting it to stay
bastelicia floor plan
has flying butriesses
Cathedral of Notre Dame, Paris
annox. artist
1150-1400
layering of sculptures around the door
damaged during the french revolution
a lot of sculputres are 18th century recreations
first cathedral planned with flying butresses
has rose window
Sainte-Chapelle
annox. artist
1150-1400
has a large rose window
looks almost like a green house
holy relics (piece of the cross, part of crown of thorns, a holy nail, tip of the lance, piece of sponge)
Louie 9th brought the holy relics
Virgin and Child in Majesty
Duccio
1250-1400
Is signed in the lower center
Mary is holding Jesus
Angel’s surrounding them
Mary is on an elaborate throne
More then 40 scenes painted on Maesta alter piece
On a wood panel
Jesus gesturing to himself
Virgin and Child Enthroned
Giotto
1250-1400
Jesus is blessing the people
Throne seems thin
Multi colored throne
Angels kneeling infront of them
The Lamentation
Giotto
1250-1400
Jesus’s crussifixion
Raising of Lazarus
Giotto
1250-1400
Lazarus friend of Jesus
Lazarus is wrapped tight
Sisters bowing
People in shock
Birth of the Virgin
Lorenzetti
1250-1400
St. ann in the center
Mary is being washed in the bottom of the center
textiles important for siena
september 8, 1342
Sacrifice of Isaac
Ghiberti
Early Italian Renaissance 1400-1495
Jesus looks like he is in the water
The bird looks like it is flying
Shows the baptism of Christ
Had to have quatrofoyle
St. George
Di Banco
Early Italian Renassiance
Is the symbol of protection
Is close to the edge of the nitche
In a small nitche to give a shadow
Looks like he is looking down at the street
Feast of Herod
Donatello
Early Italian Renaissance 1400-1495
David
Donatello
Early Italian Renaissance 1400-1495
David
Verrocchio
Early Italian Renaissance 1400-1495
Mary Magdalen
Donatello
Early Italian Reniassance 1400-1495
Is usually shown in her youth
In the process of repenting her sins
She fasted for 30 years
Made of wood
Dome of Florence Cathedral
Brunelleschi
Early Italian Reniassance 1400-1495
Is 30 stories high
Don’t know how it was built
Is believed to be built in two stages
Had to invent equitment to make this
Foundling Hospital
Brunelleschi
Early Italian Reniassance 1400-1495
Hospital for orphans
Unwanted children and orphans were educated and looked after here
Built to reflect light
Pediment over the windows
Dellarobbia made panels circular panel show what it is made from terricata
San Lorenzo
Brunelleschi
Early Italian Renaissance 1400-1495
Donatello is buried there
In a bastilica floor plan
Everything is a gray stone on a white wall
Coffers in the ceiling
Inspired by early christian churches
Trinity with the Virgin, St. John the Evangelist, and Donors
Masaccio
Early Italian Renaissance 1400-1495
Meant as a funeral monument
Believed Lenzi family is buried in the floor
Has a slab of stone that was an alter table
Mary is looking at the viewer point to Christ
Used one point linear perspective
Inspired by Bruneleshi
The Tribute Money
Massacio
Early Italian Renaissance 1400-1495
Comes from life of St. Peter
In three group design (male by river, group in middle, males shaking hands)
Jesus met with aposels (tax collector trying to get taxes from Jesus and aposels)
Annunciation
Fra Angelico
Early Italian Renaissance
Gabriel looks more feminan
No touching of the figures(monistary is against sex)
Background looks like a monistary
Usually there is a bible and white lillys (not here)
Mary doesn’t look in shock
Madonna and Child with Four Saints (St.Lucy Altar Piece)
Veneziano
Seperated into three sections with the columns
Jesus is standing controposto
Used one point perspective
Shows saints Lucy, John, Francis, and Zenobies
St. john and jesus are 6 month apart (shown years apart)
sacra conversazione - mary and child surrounded by saints from different types and look connected
The Battle of The Nudes
Del Pollaiuolo
Early Italian Renaissance
An engraving printed on paper
Shows nude men in controposto
Not an actual battle
The Birth of Venus
Botticelli
Early Italian Renaissance 1400-1495
Done on canvas
First mythology painting
Three part composition (wind, venus, flora)
Venus shown with humility (covering herself, head turned)
Venus in controposto
Delivery of the Keys to Saint Peter
Perugino
Early Italian Renaissance 1400-1495
Vanishing point is on the horizon
Used atmospheric perspective
Activity takes place in the dead center
3 part design
Merode Altarpiece
Master of Flemalle
Early Flemish Renaissance 1400-1500
Was named after the last owner
Set up in triptych panels
Middle panel is the annunciation
One of the earliest works in oil paint
Ghent Altarpiece
Van Eyck
Early Flemish Renaissance 1400-1500
Believed Hubert did the frame and Jan did the painting
Painted on both sides
The holy trinity in the center
The upper left shows adam and eve
Double Portriat of Giovanni Arnolfini and His Wife
Van Eyck
Early Flemish Renaissance 1400-1500
Signed his name saying he was there as a witness
Bride has a bloated stomach which was fashionable
in two parts (bride and groom)
bride near bed for fertility
groom by window
meant to be watched by god (no one wearing shows)
Crucifixion with Mourning Virgin and St. John
Van Der Weyden
Early Flemish Renaissance 1400-1500
Walls connect the panels
Skulls show its at calvery
Tree built over adams grave and then wood is used to built cross
Red panel becomes background for lent
Portinari Altarpiece
Van Der Goes
Early Flemish Renaissance 1400-1500
Triptych altarpiece
When closed it shows the annunciation
When open the center is the adoration of the shepards
No attempt to go back to historic ways
Installed in a hospital in Florence
Garden of Earthly Delights
Bosch
Early Flemish Renaissance 1400-1500
Don’t know why it was made
Story goes left to right with Adam and Eve and ends with hell
Beleived an alcumist may have commissioned this
The Last Supper
Da Vinci
High Renaissance 1495-1520
Would use a water based temper paint and oil paint
mentioned in all four gospels
Mona Lisa
Da Vinci
High Renaissance 1495-1520
madonna and the womans name is how it was named
landscapes were common and added curiousity of what message he was trying to portray
flimato lighting (golden lighting)
Madonna of The Goldfinch
Sanzio
High Renaissance 1483-1520
st john and jesus are playing with a goldfinch
jesus is in controposto
mary is reading the bible
School of Athens
Sanzio
High Renaissance 1495-1520
shows greek philosphers in athens
plato and aristol are in the center pointing toward their belief base
the man in the front is hericlites (said to be michelanglo)
Pieta
Michelangelo
High Renaissance 1495-1520
mary holding jesus after the crucifixion
said he was going to make the most beautiful sculpture in rome
signed full name across marys chest only work with full name
shows a sense of regination
David
Michelangelo
High Renaissance 1495-1520
was going to be on the roof of cathedril of flourence
head turned in controposto
tree trunk supported leg
david before he used the slingshot on galiath
Sistine Chapel
Michelangelo
High Renaissance 1495-1520
was not intended to be used publicly
down the center is 9 scenes
sides show old and new testement profits and sibils
Sistine Chapel Alter Wall
Michelangelo
High Renaissance 1495-1520
looks like one narrative
jesus is in upper center
upper sections show jesus’s fate
St. Peter’s
Michelangelo
High Renaissance 1495-1520
never finished died before
gave a temple like front
The Tempest
Giorgione
High Renaissance 1495-1520
mary is breast feeding jesus looking at the viewer
storm clouds in the sky
man standing to the left
Pesaro Madonna
Titian
High Renaissance 1495-1520
pesaro family in the lower corners
mary and jesus are main subjects
between mary and pesaro is peter with the key
st george is holding the flag
Venus of Urbino
Titian
High Renaissance 1495-1520
dog shows fedelity
looks like olympia
used titian red
used flimado
Descent From the Cross
Fiorentino
Mannerism 1520-1600
larger cross then normal
mary on the bottom
saint john crying on the right
Deposition
Da Pontormo
Mannerism 1520-1600
no tomb or cross
shows jesus off the cross
light used to show jesus and mary as important
Madonna of the Long Neck
Parmigianion
Mannerism 1520-1600
jesus is very large and looks dead
small man brings attention
has a long neck and stomach
column isnt holding anything and doesnt have a top
Saltcellar of King Francis I
Cellini
Mannerism 1520-1600
made from gold and anamol
has neptune on the sculpture holding a tritant
is a boat holding the salt
has the earth mother with neptune holding her breast
Battle of the Sabine Woman
Giambologna
Mannerism 1520-1600
meant as a public piece
has a lot of movement
didn’t have a narrative until he started it
Feast in the House of Levi
Veronese
Mannerism 1520-1600
could be the last supper
jesus giving the blessing symbol
usually just jesus and desipals shown now other people shown
The Last Supper
Tintoretto
Mannerism 1520-1600
used dramatic diagonal
angels coming from the ceiling
looks like smoke has become the angels
jesus has a halo over his head
judist is in orange on the other side of the table
St. Peter’s Facade
Maderno
Baroque 1600-1750
how it looks today
extended the nave
a latin cross shape
wide front added
used a yellowish gold stone
David
Bernini
Baroque 1600-1750
made of marble
is biting his lower lip while throwing the rock
body showing movement
St. Peter’s Piazza
Bernini
Baroque 1600-1750
public space in front of st peters
looks like a key
Saint Teresa of Avila in Ecstasy
Bernini
Baroque 1600-1750
based off of her writings that are based off of her visions
The Calling of st. matthew
Caravaggio
Baroque 1600-1750
relious subject doesnt look relious
light creates a diagnol
matthew is pointing to himself
Entombment
Caravaggio
Baroque 1600-1750
viewer is in the tomb
ideal like bodies
Catharina Hooft and her nurse
Hals
Dutch Baroque 1600-1750
main subject is the child
family is wealthy
has a gold rattle
Woman with a water jug
Vermeer
Dutch Baroque 1600-1750
in a front room
going to water her window box
The Company of Caption Frans Banning Cocq
Rembrandt
Dutch Baroque 1600-1750
group portraits were a major art form
have people in stopped action
imposto (thick applied paint)
