Exam 2 Flashcards
Sacrifice of Isaac
Brunelleschi
Early Italian Renaissance 1400-1495
Was a clear representation
Has 28 panels
Shows the baptism of Christ
Sacrifice of Isaac
Ghiberti
Early Italian Renaissance 1400-1495
Jesus looks like he is in the water
The bird looks like it is flying
Shows the baptism of Christ
Had to have quatrofoyle
The Four Crowned Martyrs
Di Banco
Early Italian Renaissance 1400-1495
Made in marble
A shallow nitch
Relief below figures shows the stoneworkers and woodworkers
Shows Di Banco has knowledge of classical sculpture
In early renissance style (in controposto, in toga like clothes, curly hair)
St. George
Di Banco
Early Italian Renassiance
Is the symbol of protection
Is close to the edge of the nitche
In a small nitche to give a shadow
Looks like he is looking down at the street
Feast of Herod
Donatello
Early Italian Renaissance 1400-1495
The Gates of Paradise
Ghiberti
Early Italian Renissance 1400-1495
Jacob and Esau Panel
Ghiberti
Early Italian Renissance 1400-1495
David
Donatello
Early Italian Renaissance 1400-1495
David
Verrocchio
Early Italian Renaissance 1400-1495
Erasmo Da Narni
Donatello
Early Italian Renaissance 1400-1495
Mary Magdalen
Donatello
Early Italian Reniassance 1400-1495
Is usually shown in her youth
In the process of repenting her sins
She fasted for 30 years
Made of wood
Dome of Florence Cathedral
Brunelleschi
Early Italian Reniassance 1400-1495
Is 30 stories high
Don’t know how it was built
Is believed to be built in two stages
Had to invent equitment to make this
Foundling Hospital
Brunelleschi
Early Italian Reniassance 1400-1495
Hospital for orphans
Unwanted children and orphans were educated and looked after here
Built to reflect light
Pediment over the windows
Dellarobbia made panels circular panel show what it is made from terricata
San Lorenzo
Brunelleschi
Early Italian Renaissance 1400-1495
Donatello is buried there
In a bastilica floor plan
Everything is a gray stone on a white wall
Coffers in the ceiling
Inspired by early christian churches
Palazzo Medici-Riccardi
Di Bartolomeo
Early Italian Renaissance 1400-1495
Three story house
Built on the widest street of Florence
Has rough stone on the bottom and gets softer as you go up
Donatello’s David was in the courtyard
On the corner was the families code of arms
Palazzo Rucellai
Alberti
Early Italian Renaissance 1400-1495
Meant to look like Medici house
At one point part of the building was an art school
On a narrow street
Used doric columns on the 1st floor
Virgin and Child
Masaccio
Early Italian Renaissance 1400-1495
Angels in the foreground
Gold background and halos out of bisatine traditions
Mary is in controposto
Mary looking out past viewer
Direct light source from the left
Throne has classic qualities
Trinity with the Virgin, St. John the Evangelist, and Donors
Masaccio
Early Italian Renaissance 1400-1495
Meant as a funeral monument
Believed Lenzi family is buried in the floor
Has a slab of stone that was an alter table
Mary is looking at the viewer point to Christ
Used one point linear perspective
Inspired by Bruneleshi
Interior of the Brancacci Chapel
Masaccio
Early Italian Renaissance 1400-1495
Shows scenes from the life of St. Peter
Upper left isn’t St. Peter’s life
Upper left is getting thrown out of Garden of Eaden
A fresco painting
The Tribute Money
Massacio
Early Italian Renaissance 1400-1495
Comes from life of St. Peter
In three group design (male by river, group in middle, males shaking hands)
Jesus met with aposels (tax collector trying to get taxes from Jesus and aposels)
Annunciation
Fra Angelico
Early Italian Renaissance
Gabriel looks more feminan
No touching of the figures(monistary is against sex)
Background looks like a monistary
Usually there is a bible and white lillys (not here)
Mary doesn’t look in shock
The Battle of San Romano
Uccello
Early Italian Renaissance 1400-1495
1 of 3 panels showing this panel
Emphaxing the game like quality of war
Used one point perspective
Used gold leaf
Madonna and Child with Four Saints (St.Lucy Altar Piece)
Veneziano
Seperated into three sections with the columns
Jesus is standing controposto
Used one point perspective
Shows saints Lucy, John, Francis, and Zenobies
St. john and jesus are 6 month apart (shown years apart)
sacra conversazione - mary and child surrounded by saints from different types and look connected
Duke and Duchess of Urbino
Francesca
Early Italian Renaissance 1400-1495
Duke liked what man could achieve
Landscapes are common in this style
Postitioned the heads above the horizon lines
Rules shown in profile view (classical tradition)
Duchess is very detailed shown in the traditional way
Duke isn’t altered at all
Last Supper
Del Castagno
Early Italian Renaissance 1400-1495
Painted for a convent
It is fresco on the walls of a dining hall
They wanted the wall to look like it had a niche
When Jesus broke the bread he said someone will betray him
Judist is seperated from the group to show guity
Jesus is framed by Judist and St. John
The Battle of The Nudes
Del Pollaiuolo
Early Italian Renaissance
An engraving printed on paper
Shows nude men in controposto
Not an actual battle
The Birth of Venus
Botticelli
Early Italian Renaissance 1400-1495
Done on canvas
First mythology painting
Three part composition (wind, venus, flora)
Venus shown with humility (covering herself, head turned)
Venus in controposto
Delivery of the Keys to Saint Peter
Perugino
Early Italian Renaissance 1400-1495
Vanishing point is on the horizon
Used atmospheric perspective
Activity takes place in the dead center
3 part design
Merode Altarpiece
Master of Flemalle
Early Flemish Renaissance 1400-1500
Was named after the last owner
Set up in triptych panels
Middle panel is the annunciation
One of the earliest works in oil paint
The Annunciation
Van Eyck
Early Flemish Renaissance 1400-1500
Shown in a church (no churches yet)
Can see outside the window behind Mary
Can see the words going from Gabrial to Mary
Believed it could be the left side of a Triptych
Ghent Altarpiece
Van Eyck
Early Flemish Renaissance 1400-1500
Believed Hubert did the frame and Jan did the painting
Painted on both sides
The holy trinity in the center
The upper left shows adam and eve
Double Portriat of Giovanni Arnolfini and His Wife
Van Eyck
Early Flemish Renaissance 1400-1500
Signed his name saying he was there as a witness
Bride has a bloated stomach which was fashionable
in two parts (bride and groom)
bride near bed for fertility
groom by window
meant to be watched by god (no one wearing shows)
Man in a Red Turban
Van Eyck
Early Flemish Renaissance 1400-1500
Believed to be a self portrait of Van Eyck
On top of frame says As best as I can do
Can see all the details
Deposition
Van Der Weyden
Early Flemish Renaissance 1400-1500
You look like you are in the tomb
Includes realism and emotional tone
Christ and Mary have the same body language
Skull and bones refure to the calvery where the cruxifixion took place
St. Luke Drawing The Virgin and Child
Van Der Weyden
Early Flemish Renaissance 1400-1500
Landscape is a flemish scene
Male isn’t Joseph
Crucifixion with Mourning Virgin and St. John
Van Der Weyden
Early Flemish Renaissance 1400-1500
Walls connect the panels
Skulls show its at calvery
Tree built over adams grave and then wood is used to built cross
Red panel becomes background for lent
Portinari Altarpiece
Van Der Goes
Early Flemish Renaissance 1400-1500
Triptych altarpiece
When closed it shows the annunciation
When open the center is the adoration of the shepards
No attempt to go back to historic ways
Installed in a hospital in Florence
Garden of Earthly Delights
Bosch
Early Flemish Renaissance 1400-1500
Don’t know why it was made
Story goes left to right with Adam and Eve and ends with hell
Beleived an alcumist may have commissioned this
The Virgin of The Rocks
Lenardo
High Renaissance 1495-1520
Isn’t shown on a throne is in nature
Sfumato - smokey or haxey
Shows Jesus and John the Baptist
Uses chiaroscuro - light against dard to build up form
