Exam 3 Flashcards
The Last Supper
Da Vinci
High Renaissance 1495-1520
Would use a water based temper paint and oil paint
mentioned in all four gospels
Mona Lisa
Da Vinci
High Renaissance 1495-1520
madonna and the womans name is how it was named
landscapes were common and added curiousity of what message he was trying to portray
flimato lighting (golden lighting)
Ginevra de’Benci
Da Vinci
High Renaissance 1495-1520
Only painting done by him in america
used atmospheric perspective
her his dna on it painted branches on right with fingers
Madonna of The Goldfinch
Sanzio
High Renaissance 1483-1520
st john and jesus are playing with a goldfinch
jesus is in controposto
mary is reading the bible
The Small Cowper Madonna
Sanzio
High Renaissance 1495-1520
School of Athens
Sanzio
High Renaissance 1495-1520
shows greek philosphers in athens
plato and aristol are in the center pointing toward their belief base
the man in the front is hericlites (said to be michelanglo)
Pieta
Michelangelo
High Renaissance 1495-1520
mary holding jesus after the crucifixion
said he was going to make the most beautiful sculpture in rome
signed full name across marys chest only work with full name
shows a sense of regination
Rondanini Pieta
Michelangelo
High Renaissance 1495-1520
was for michelangelos tomb
was never finished
mary is trying to hold up jesus
David
Michelangelo
High Renaissance 1495-1520
was going to be on the roof of cathedril of flourence
head turned in controposto
tree trunk supported leg
david before he used the slingshot on galiath
The Holy Family
Michelangelo
High Renaissance 1495-1520
Sistine Chapel
Michelangelo
High Renaissance 1495-1520
was not intended to be used publicly
down the center is 9 scenes
sides show old and new testement profits and sibils
Sistine Chapel Alter Wall
Michelangelo
High Renaissance 1495-1520
looks like one narrative
jesus is in upper center
upper sections show jesus’s fate
Giuliano de’Medici with allegorical figures of day and night
Michelanglo
High Renaissance 1495-1520
men look like roman warriors
never completed because medici’s were thrown out of power
St. Peters Plan
Michelangelo
High Renaissance 1495-1520
St. Peter’s
Michelangelo
High Renaissance 1495-1520
never finished died before
gave a temple like front
Plan for St. Peter’s
Bramante
High Renaissance 1495-1520
The Tempest
Giorgione
High Renaissance 1495-1520
mary is breast feeding jesus looking at the viewer
storm clouds in the sky
man standing to the left
Pesaro Madonna
Titian
High Renaissance 1495-1520
pesaro family in the lower corners
mary and jesus are main subjects
between mary and pesaro is peter with the key
st george is holding the flag
Venus of Urbino
Titian
High Renaissance 1495-1520
dog shows fedelity
looks like olympia
used titian red
used flimado
Descent From the Cross
Fiorentino
Mannerism 1520-1600
larger cross then normal
mary on the bottom
saint john crying on the right
Dead Christ With Angels
Fiorentino
Mannerism 1520-1600
candles on the right and left
in the tomb
moments after he started to arise
Deposition
Da Pontormo
Mannerism 1520-1600
no tomb or cross
shows jesus off the cross
light used to show jesus and mary as important
Madonna of the Long Neck
Parmigianion
Mannerism 1520-1600
jesus is very large and looks dead
small man brings attention
has a long neck and stomach
column isnt holding anything and doesnt have a top
Saltcellar of King Francis I
Cellini
Mannerism 1520-1600
made from gold and anamol
has neptune on the sculpture holding a tritant
is a boat holding the salt
has the earth mother with neptune holding her breast
Battle of the Sabine Woman
Giambologna
Mannerism 1520-1600
meant as a public piece
has a lot of movement
didn’t have a narrative until he started it
Burial of Count Orgaz
El Greco
Mannerism 1520-1600
funeral took place in 1300’s
over the tomb of count orgaz
said st. steve and st. augstein shown up to lower the body
Feast in the House of Levi
Veronese
Mannerism 1520-1600
could be the last supper
jesus giving the blessing symbol
usually just jesus and desipals shown now other people shown
The Last Supper
Tintoretto
Mannerism 1520-1600
used dramatic diagonal
angels coming from the ceiling
looks like smoke has become the angels
jesus has a halo over his head
judist is in orange on the other side of the table
San Giorgio Maggiore
Palladio
Mannerism 1520-1600
a church in venace
on its own island
front faces grand canal
used engaged columns for pediment
Villa Rotonda
Palladio
Mannerism 1520-1600
on the highest point of the land
used rational order
4 sides identical
4 enterance ways
St. Peter’s Facade
Maderno
Baroque 1600-1750
how it looks today
extended the nave
a latin cross shape
wide front added
used a yellowish gold stone
David
Bernini
Baroque 1600-1750
made of marble
is biting his lower lip while throwing the rock
body showing movement
Baldacchino
Bernini
Baroque 1600-1750
alter only used by the pope on rare occassions
is 10 stories high
is like archetechure
used curved columns
St. Peter’s Piazza
Bernini
Baroque 1600-1750
public space in front of st peters
looks like a key
Saint Teresa of Avila in Ecstasy
Bernini
Baroque 1600-1750
based off of her writings that are based off of her visions
The Calling of st. matthew
Caravaggio
Baroque 1600-1750
relious subject doesnt look relious
light creates a diagnol
matthew is pointing to himself
Conversion of St. Paul
Caravaggio
Baroque 1600-1750
dramatic lighting
right in the action
paul is recieving god
Entombment
Caravaggio
Baroque 1600-1750
viewer is in the tomb
ideal like bodies
Judith and maidservant with the head of holofernes
Gentileschi
Baroque 1600-1750
viewer is in the action
Catharina Hooft and her nurse
Hals
Dutch Baroque 1600-1750
main subject is the child
family is wealthy
has a gold rattle
Woman holding a balance
Vermeer
Dutch Baroque 1600-1750
single light source
could be a jewlers assistant
last judgment scene in the background
Woman with a water jug
Vermeer
Dutch Baroque 1600-1750
in a front room
going to water her window box
The Company of Caption Frans Banning Cocq
Rembrandt
Dutch Baroque 1600-1750
group portraits were a major art form
have people in stopped action
imposto (thick applied paint)
Self-portrait
Rembrandt
Dutch baroque 1600-1750
normal head wear of an artist
looks sad
Three crosses
Rembrandt
dutch baroque 1600-1750
did etchings and printmaking
no one would want the subject
