FINAL Flashcards

1
Q

12-bar blues lyrical pattern

A

Most commonly, lyrics are in three lines, with the first two lines almost the same with slight differences in phrasing and interjections. “punch line”

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2
Q

12-tone composition

A

all 12 chromatic notes have equal importance, leading to “pantonal” or “atonal” composition as championed by Schoenberg

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3
Q

4’33”

A

“four minutes thirty-three seconds of silence”
John Cage American experimental composer
sounds of the environment

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4
Q

Alexander Nevsky (historic figure and film character)

A

invasion of Novgorod in the 13th century by the Teutonic Knights of the Holy Roman Empire and their defeat by Prince Alexander, known popularly as Alexander Nevsky

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5
Q

atonality, atonal

A

music that does not adhere to any system or key

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6
Q

avant garde

A

french “advanced guard” military term

art that is innovative or experimental

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7
Q

ballet d’action

A

ballet using gesture, dance, and instrumental music to tell a story

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8
Q

Ballets Russes

A

famous dance company

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9
Q

Beethoven’s shadow

A

Biss’ book, a meditation on the art of performing Beethoven’s piano sonatas

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10
Q

blues

A

African American fold genre
self accompanying singer

blues => jazz

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11
Q

call and response

A

second phase is heard as an echo of or a response to the tinitial phrase

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12
Q

chance music or aleatoric music

A

music composed or performed to some degree according to chance operation or spontaneous decision; term used to describe John Cage music

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13
Q

communism

A

left wing social political movement that dominated much of Eastern Europe and Asian in 20th century.

fascist principles

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14
Q

decadence

A

term introduced by critic in the mid 1880’s to criticize the fin de siecle culture of the rarefied, artificial, esoteric, exacting taste and an acceptance of perversity; subsequently a favorite term of totalitarian authorities for uncooperative artist

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15
Q

Emancipation of Dissonance

A

dissonance was now free as consonance, and as valid

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16
Q

ethnomusicology

A

study of music outside of the Western classical tradition using fieldwork methods originally found in anthropology

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17
Q

exoticism

A

genre rhythms, melodies, or instrumentation evoke non-Western European culture

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18
Q

Expressionism

A

a style of art that explores the unconscious, emotional drives, and wishes of which human subject is unaware. it may explore socially unacceptable impulses, things that are repressed (Freud). Style within the broader type of Modernism. A criticism of expressionist art is that it is unintelligible.

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19
Q

futurism

A

an early 20th century movement encompassing the work of Italian artist (futuristi), notably poet Filippo Tommaso Marinetti and painter Luigi Russolo, who called for an “art of noise” and invented devises to produce sonic representation of the flourished and almost immediately after the 1917 revolution and involved extended instrumental techniques; their approach influenced american ultra modernists such as Henry Cowell

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20
Q

Grundgestalt

A

German “basic shape”

Schoenbergs term for motivic complex that is the source for everything that flows

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21
Q

habanera

A

the name used outside to describe the Cuban contradance, names after Havana Cuba, all classes of society dance it.

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22
Q

Impressionism (in painting and in music)

A

in Impressionistic painting, one can see the brush strokes. Artist may leave blobs of pain on the canvas. It is representational - you can still tell what the painting depicts. it aims to capture the transitory visual impressions or feelings

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23
Q

inversion

A

turning the melody upside down

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24
Q

jazz

A

originated in African American committees in the South.

confluence of African and European music traditions that incorporated the outline of late 19th century popular music.

improve key role

25
Q

maximalism

A

term applied to 20th century music making

implying radical intesificication of mean toward expressive ends/

26
Q

minimalism

A

post WWII style of few pitches or pitch changes. extensive use of silence.

steady pulse
consonant harmony
gradual transformation

27
Q

Modernism

A

19th/20th century

artist committed to find ways of reflection the historical present and momentum toward the future; revolt against late Romanticism and musical neutralism.

28
Q

Nadia Boulanger

A

French composer, conductor, and teacher who taught many of the leading composers and musicians of the 20th century.

29
Q

neoclassicism

A

20th century trend

composers sought out to return to aesthetic precepts associated with the broadly defined concept of “classicism”

Stravinsky and Hindemith

30
Q

orientalism

A

musical depiction and representation of non European people. The representation of a “distant” culture as exotic

31
Q

pantomime

A

acting without speaking

32
Q

Peter Pears

A

was an English tenor. His career was closely associated with the composer Benjamin Britten, his personal and professional partner for nearly forty years.

33
Q

phasing

A

minimalist technique in which two players begin together and slowly get out of sync to produce a kind of canon

Reich

34
Q

populism

A

is a political doctrine that appeals to the interests and conceptions (such as fears) of the general people, especially contrasting those interests with the interests of the elite.

35
Q

prepared piano

A

Cage altered piano to change timbre

36
Q

primitivism

A

the belief that what is least cultivated by modern society (peasants, children, “savage”, raw emotions) is closet to truth. this is another, anti romantic point of view

37
Q

propaganda

A

used to promote or publicize a particular political cause or point of view.

38
Q

race records

A

They primarily contained race music, comprising a variety of African American musical genres including blues, jazz, and gospel music

39
Q

retrograde

A

ordering backward of the row

40
Q

retrograde inversion

A

backward and inverted

41
Q

row

A

Twelve-tone technique orders the 12 notes of the chromatic scale

42
Q

scenarist

A
43
Q

Second Viennese School

A

is the group of composers that comprised Arnold Schoenberg and his pupils and close associates in early 20th century Vienna

44
Q

Sergey Diaghilev

A

was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise.

45
Q

Sergey Eisenstein

A

was a Soviet Russian film director and film theorist

Alexander Nevsky (1938)

46
Q

serialism

A

s a method or technique of composition that uses a series of values to manipulate different musical elements.

47
Q

Sprechstimme

A

expressionist vocal technique between singing and speaking

48
Q

standard

A
49
Q

Symbolism

A

a movement in poetry. this aims to depict the world beyond the senses, a high reality. Seeing symbols in all things. raven = death

50
Q

synaesthesia (or synesthesia)

A

interchangeability of senses

51
Q

tape loops

A

used to create repetitive, rhythmic musical patterns or dense layers of sound

52
Q

the decadent elements of Strauss’s Salome (plot)

A

necrophilia girl

53
Q

The Musical Museum

A

the idea that newly written work has to be enough like the old works to fit in, but never enough to be interesting

54
Q

the occult

A

occult refers to “knowledge of the paranormal”

55
Q

the principle of developing variation

A

developing variation is a formal technique in which the concepts of development and variation are united in that variations are produced through the development of existing material

56
Q

total serialism

A

composition technique uses determined algorithms for duration, dynamics, register, pitch

WWII french avant garde

57
Q

Totalitarianism

A

describes a political system in which the state holds total authority over the society and seeks to control all aspects of public and private life wherever possible.

58
Q

Transcendentalism

A

igious and philosophical movement that was developed during the late 1820s and 1830

believe that society and its institutions—particularly organized religion and political parties—ultimately corrupt the purity of the individual.