Exam 3 Slides Flashcards

Jacopo da Pontormo
Entombment of Christ
MANNERISM
(1520-1600)
Primitivism
The incorporation in early-20th- century Western art of stylistic elements from the artifacts of Africa, Oceania, and the native peoples of the Americas.
Used to describe art that not developed by a culture.

Hugo Ball
Cabaret Voltaire
Zurich, Switzerland
Readymades
found object

Carolee Schneemann
Meat Joy
Orgy with raw meat.
Excessive, indulgent, celebrating flesh.
Compared to Pollock - stepping into the work without boundaries.
Still working within traditions.
CONTEMPORARY ART (1970-present)

Hannah Wilke
S.O.S.—Starification Object Series
Chewing gum formed to be vaginas
Objectified and confronting
Pulls from typical female fashion poses
CONTEMPORARY ART (1970-present)
Cubism
Influenced by post-impressionism and primitivism.
An early-20th-century art movement that rejected naturalistic depictions, preferring compositions of shapes and forms abstracted from the conventionally perceived world.
Showing multiple angles at once.

CindySherman
Untitled Film Still #35
Gaze - viewers become objectifying and typically masculine
Addressing a genre - appears to be a generic character, addressing cliches
CONTEMPORARY ART (1970-present)
Baroque
Means “mis-shapen”
- Theatrical, dramatic art that provokes viewer to feel engaged
- Tenebrism
- Ordinary people / plebian
Carvaggio
Rich golds, blues, reds
Tenebroso
Diagonal compositions
Caracci
Idealic
Tranquil
1600-1700

Parmigianino
Madonna with the Long Neck
MANNERISM
(1520-1600)

Bronzino
Portrait of a Young Man
MANNERISM (1520-1600)

Bernini, Ecstasy of Saint Teresa in the Coronaro Chapel, Rome, Italy
BAROQUE ART
(1600-1700)
ITALIAN BAROQUE
Flâneur
Stroll
A person who walks the city in order to experience it.
Modernity
The fleeting, ephemeral experience of being in an industrialized, modernized setting.

Bernini, David
BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

Carracci, Loves of the Gods in the Palazzo Farnese, Rome, Italy
BAROQUE ART
(1600-1700)
ITALIAN BAROQUE
Plein-Air
An approach to painting much popular among the Impressionists, in which an artist sketches outdoors to achieve a quick impression of light, air, and color. The artist then takes the sketches to the studio for reworking into more fin-
ished works of art.

Caravaggio, Conversion of Saint Paul
BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

Caravaggio, Entombment
BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

Artemisia Gentileschi, Judith Slaying Holofernes
BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

Peter Paul Rubens, Elevation of the Cross
BAROQUE ART
(1600-1700)
FLEMISH BAROQUE

Peter Paul Rubens, Arrival of Marie de’ Medici at Marseilles
FLEMISH BAROQUE
BAROQUE ART
(1600-1700)

Frans Hals, Archers of Saint Hadrian
DUTCH BAROQUE
BAROQUE ART (1600-1700)
ITALIAN BAROQUE

Frans Hals, The Women Regents of the Old Men’s Home at Haarlem
DUTCH BAROQUE
BAROQUE ART
(1600-1700)

Rembrandt van Rijn, Self-Portrait
DUTCH BAROQUE
BAROQUE ART
(1600-1700)

Rembrandt van Rijn, Christ with the Sick Around Him, Receiving the Children (Hundred-Guilder Print)
BAROQUE ART
(1600-1700)
Dutch Baroque

Willem Kalf, Still Life with Late Ming Ginger Jar
DUTCH BAROQUE
Baroque (1600-1700)

Rachel Ruysch, Flower Still Life
Dutch Baroque
BAROQUE ART
(1600-1700)

Henry Fuseli, The Nightmare
ROMANTICISM
(1800-1870)

Francisco Goya, The Sleep of Reason Produces Monsters
ROMANTICISM
(1800-1870)

Joseph Mallord William Turner, The Slave Ship
ROMANTICISM
(1800-1870)

Théodore Géricault, Insane Woman
ROMANTICISM
(1800-1870)

Théodore Géricault, Raft of the Medusa
ROMANTICISM
(1800-1870)

Gustave Courbet, Burial at Ornans
REALISM
(1800-1870)

Edouard Manet, Le Déjeuner sur l’Herbe
REALISM (1800-1870)

Edouard Manet, Olympia
REALISM (1800-1870)

Claude Monet, Rouen Cathedral: The Portal (In Sun)
IMPRESSIONISM (1870-1900)

Gustave Caillebotte, Paris: A Rainy Day
Flaneur
Fleeting moment
Strong diagonals show influence from Japanese Prints
IMPRESSIONISM (1870-1900)

Edgar Degas, The Tub
IMPRESSIONISM (1870-1900)

Vincent Van Gogh, Night Café
POST-IMPRESSIONISM (1870-1900)

Vincent Van Gogh, Starry Night
POST-IMPRESSIONISM (1870-1900)

Paul Cézanne, Mont Sainte-Victoire
POST-IMPRESSIONISM (1870-1900)

Paul Cézanne, Basket of Apples
POST-IMPRESSIONISM (1870-1900)

Pablo Picasso, Les Demoiselles d’Avignon
CUBISM (1900-1920)
Vanitas
Include references to death.

Marcel Duchamp, Fountain
Art is the idea.
Readymade
DADA (1900-1920)
Mannerism
While high renaissance was inspired by nature and people, Mannerism was observing art.
Idealized, artificial, slightly distorted
- Compressed space - no longer 3D
- Bodies that are frozen in artful yet impossible positions
- Affectation with sinners / Craziness
- Rejection of principles of high renaissance in terms of rationality
(1520-1600)
Romanticism
Politically Charged - slavery, monarchy
Emotional
Meant to draw you into scene
Looked to advance the common good of the people. Rebellion against tradition and authority, esp. monarchy.
Liberty, justice, equality
(1800-1870)
Haussmannization
Change from small, narow streets to wider boulevards, sewer systems, street lights, parks, transportation

Salvador Dalí
The Persistence of Memory
SURREALISM (1920-1945)

Meret Oppenheim
Object (Le Déjeuner en fourrure)
SURREALISM (1920-1945)

René Magritte
The Treachery of Images
SURREALISM (1920-1945)

Jackson Pollock
Number 1, 1950 or Lavender Mist
ABSTRACT EXPRESSIONISM (1945-1970)

Willem de Kooning, Woman 1
ABSTRACT EXPRESSIONISM (1945-1970)

Andy Warhol, Marilyn Diptych
POP ART (1945-1970)