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ARTH1001 > Exam 3 Slides > Flashcards

Exam 3 Slides Flashcards

1
Q
A

Jacopo da Pontormo
Entombment of Christ

MANNERISM
(1520-1600)

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2
Q

Primitivism

A

The incorporation in early-20th- century Western art of stylistic elements from the artifacts of Africa, Oceania, and the native peoples of the Americas.

Used to describe art that not developed by a culture.

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3
Q
A

Hugo Ball
Cabaret Voltaire
Zurich, Switzerland

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4
Q

Readymades

A

found object

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5
Q
A

Carolee Schneemann
Meat Joy

Orgy with raw meat.

Excessive, indulgent, celebrating flesh.

Compared to Pollock - stepping into the work without boundaries.

Still working within traditions.

CONTEMPORARY ART (1970-present)

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6
Q
A

Hannah Wilke
S.O.S.—Starification Object Series

Chewing gum formed to be vaginas

Objectified and confronting
Pulls from typical female fashion poses

CONTEMPORARY ART (1970-present)

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7
Q

Cubism

A

Influenced by post-impressionism and primitivism.

An early-20th-century art movement that rejected naturalistic depictions, preferring compositions of shapes and forms abstracted from the conventionally perceived world.

Showing multiple angles at once.

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8
Q
A

CindySherman
Untitled Film Still #35

Gaze - viewers become objectifying and typically masculine

Addressing a genre - appears to be a generic character, addressing cliches

CONTEMPORARY ART (1970-present)

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9
Q

Baroque

A

Means “mis-shapen”

  1. Theatrical, dramatic art that provokes viewer to feel engaged
  2. Tenebrism
  3. Ordinary people / plebian

Carvaggio
Rich golds, blues, reds
Tenebroso
Diagonal compositions

Caracci
Idealic
Tranquil

1600-1700

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10
Q
A

Parmigianino
Madonna with the Long Neck

MANNERISM
(1520-1600)

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11
Q
A

Bronzino
Portrait of a Young Man

MANNERISM (1520-1600)

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12
Q
A

Bernini, Ecstasy of Saint Teresa in the Coronaro Chapel, Rome, Italy

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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13
Q

Flâneur

A

Stroll

A person who walks the city in order to experience it.

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14
Q

Modernity

A

The fleeting, ephemeral experience of being in an industrialized, modernized setting.

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15
Q
A

Bernini, David

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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16
Q
A

Carracci, Loves of the Gods in the Palazzo Farnese, Rome, Italy

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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17
Q

Plein-Air

A

An approach to painting much popular among the Impressionists, in which an artist sketches outdoors to achieve a quick impression of light, air, and color. The artist then takes the sketches to the studio for reworking into more fin-
ished works of art.

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18
Q
A

Caravaggio, Conversion of Saint Paul

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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19
Q
A

Caravaggio, Entombment

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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20
Q
A

Artemisia Gentileschi, Judith Slaying Holofernes

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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21
Q
A

Peter Paul Rubens, Elevation of the Cross

BAROQUE ART
(1600-1700)
FLEMISH BAROQUE

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22
Q
A

Peter Paul Rubens, Arrival of Marie de’ Medici at Marseilles

FLEMISH BAROQUE
BAROQUE ART

(1600-1700)

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23
Q
A

Frans Hals, Archers of Saint Hadrian

DUTCH BAROQUE
BAROQUE ART (1600-1700)
ITALIAN BAROQUE

24
Q
A

Frans Hals, The Women Regents of the Old Men’s Home at Haarlem

DUTCH BAROQUE

BAROQUE ART
(1600-1700)

25
Rembrandt van Rijn, Self-Portrait DUTCH BAROQUE BAROQUE ART (1600-1700)
26
Rembrandt van Rijn, Christ with the Sick Around Him, Receiving the Children (Hundred-Guilder Print) BAROQUE ART (1600-1700) Dutch Baroque
27
Willem Kalf, Still Life with Late Ming Ginger Jar DUTCH BAROQUE Baroque (1600-1700)
28
Rachel Ruysch, Flower Still Life Dutch Baroque BAROQUE ART (1600-1700)
29
Henry Fuseli, The Nightmare ROMANTICISM (1800-1870)
30
Francisco Goya, The Sleep of Reason Produces Monsters ROMANTICISM (1800-1870)
31
Joseph Mallord William Turner, The Slave Ship ROMANTICISM (1800-1870)
32
Théodore Géricault, Insane Woman ROMANTICISM (1800-1870)
33
Théodore Géricault, Raft of the Medusa ROMANTICISM (1800-1870)
34
Gustave Courbet, Burial at Ornans REALISM (1800-1870)
35
Edouard Manet, Le Déjeuner sur l’Herbe REALISM (1800-1870)
36
Edouard Manet, Olympia REALISM (1800-1870)
37
Claude Monet, Rouen Cathedral: The Portal (In Sun) IMPRESSIONISM (1870-1900)
38
Gustave Caillebotte, Paris: A Rainy Day Flaneur Fleeting moment Strong diagonals show influence from Japanese Prints IMPRESSIONISM (1870-1900)
39
Edgar Degas, The Tub IMPRESSIONISM (1870-1900)
40
Vincent Van Gogh, Night Café POST-IMPRESSIONISM (1870-1900)
41
Vincent Van Gogh, Starry Night POST-IMPRESSIONISM (1870-1900)
42
Paul Cézanne, Mont Sainte-Victoire POST-IMPRESSIONISM (1870-1900)
43
Paul Cézanne, Basket of Apples POST-IMPRESSIONISM (1870-1900)
44
Pablo Picasso, Les Demoiselles d'Avignon CUBISM (1900-1920)
45
Vanitas
Include references to death.
46
Marcel Duchamp, Fountain Art is the idea. Readymade DADA (1900-1920)
47
Mannerism
While high renaissance was inspired by nature and people, Mannerism was observing art. Idealized, artificial, slightly distorted 1. Compressed space - no longer 3D 2. Bodies that are frozen in artful yet impossible positions 3. Affectation with sinners / Craziness 4. Rejection of principles of high renaissance in terms of rationality (1520-1600)
48
Romanticism
Politically Charged - slavery, monarchy Emotional Meant to draw you into scene Looked to advance the common good of the people. Rebellion against tradition and authority, esp. monarchy. Liberty, justice, equality (1800-1870)
49
Haussmannization
Change from small, narow streets to wider boulevards, sewer systems, street lights, parks, transportation
50
Salvador Dalí The Persistence of Memory SURREALISM (1920-1945)
51
Meret Oppenheim Object (Le Déjeuner en fourrure) SURREALISM (1920-1945)
52
René Magritte The Treachery of Images SURREALISM (1920-1945)
53
Jackson Pollock Number 1, 1950 or Lavender Mist ABSTRACT EXPRESSIONISM (1945-1970)
54
Willem de Kooning, Woman 1 ABSTRACT EXPRESSIONISM (1945-1970)
55
Andy Warhol, Marilyn Diptych POP ART (1945-1970)

ARTH1001 (25 decks)

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