Exam 3 Slides Flashcards

1
Q
A

Jacopo da Pontormo
Entombment of Christ

MANNERISM
(1520-1600)

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2
Q

Primitivism

A

The incorporation in early-20th- century Western art of stylistic elements from the artifacts of Africa, Oceania, and the native peoples of the Americas.

Used to describe art that not developed by a culture.

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3
Q
A

Hugo Ball
Cabaret Voltaire
Zurich, Switzerland

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4
Q

Readymades

A

found object

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5
Q
A

Carolee Schneemann
Meat Joy

Orgy with raw meat.

Excessive, indulgent, celebrating flesh.

Compared to Pollock - stepping into the work without boundaries.

Still working within traditions.

CONTEMPORARY ART (1970-present)

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6
Q
A

Hannah Wilke
S.O.S.—Starification Object Series

Chewing gum formed to be vaginas

Objectified and confronting
Pulls from typical female fashion poses

CONTEMPORARY ART (1970-present)

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7
Q

Cubism

A

Influenced by post-impressionism and primitivism.

An early-20th-century art movement that rejected naturalistic depictions, preferring compositions of shapes and forms abstracted from the conventionally perceived world.

Showing multiple angles at once.

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8
Q
A

CindySherman
Untitled Film Still #35

Gaze - viewers become objectifying and typically masculine

Addressing a genre - appears to be a generic character, addressing cliches

CONTEMPORARY ART (1970-present)

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9
Q

Baroque

A

Means “mis-shapen”

  1. Theatrical, dramatic art that provokes viewer to feel engaged
  2. Tenebrism
  3. Ordinary people / plebian

Carvaggio
Rich golds, blues, reds
Tenebroso
Diagonal compositions

Caracci
Idealic
Tranquil

1600-1700

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10
Q
A

Parmigianino
Madonna with the Long Neck

MANNERISM
(1520-1600)

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11
Q
A

Bronzino
Portrait of a Young Man

MANNERISM (1520-1600)

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12
Q
A

Bernini, Ecstasy of Saint Teresa in the Coronaro Chapel, Rome, Italy

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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13
Q

Flâneur

A

Stroll

A person who walks the city in order to experience it.

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14
Q

Modernity

A

The fleeting, ephemeral experience of being in an industrialized, modernized setting.

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15
Q
A

Bernini, David

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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16
Q
A

Carracci, Loves of the Gods in the Palazzo Farnese, Rome, Italy

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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17
Q

Plein-Air

A

An approach to painting much popular among the Impressionists, in which an artist sketches outdoors to achieve a quick impression of light, air, and color. The artist then takes the sketches to the studio for reworking into more fin-
ished works of art.

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18
Q
A

Caravaggio, Conversion of Saint Paul

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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19
Q
A

Caravaggio, Entombment

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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20
Q
A

Artemisia Gentileschi, Judith Slaying Holofernes

BAROQUE ART
(1600-1700)
ITALIAN BAROQUE

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21
Q
A

Peter Paul Rubens, Elevation of the Cross

BAROQUE ART
(1600-1700)
FLEMISH BAROQUE

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22
Q
A

Peter Paul Rubens, Arrival of Marie de’ Medici at Marseilles

FLEMISH BAROQUE
BAROQUE ART

(1600-1700)

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23
Q
A

Frans Hals, Archers of Saint Hadrian

DUTCH BAROQUE
BAROQUE ART (1600-1700)
ITALIAN BAROQUE

24
Q
A

Frans Hals, The Women Regents of the Old Men’s Home at Haarlem

DUTCH BAROQUE

BAROQUE ART
(1600-1700)

25
Q
A

Rembrandt van Rijn, Self-Portrait

DUTCH BAROQUE
BAROQUE ART
(1600-1700)

26
Q
A

Rembrandt van Rijn, Christ with the Sick Around Him, Receiving the Children (Hundred-Guilder Print)

BAROQUE ART
(1600-1700)
Dutch Baroque

27
Q
A

Willem Kalf, Still Life with Late Ming Ginger Jar

DUTCH BAROQUE
Baroque (1600-1700)

28
Q
A

Rachel Ruysch, Flower Still Life

Dutch Baroque

BAROQUE ART
(1600-1700)

29
Q
A

Henry Fuseli, The Nightmare

ROMANTICISM
(1800-1870)

30
Q
A

Francisco Goya, The Sleep of Reason Produces Monsters

ROMANTICISM
(1800-1870)

31
Q
A

Joseph Mallord William Turner, The Slave Ship

ROMANTICISM
(1800-1870)

32
Q
A

Théodore Géricault, Insane Woman

ROMANTICISM
(1800-1870)

33
Q
A

Théodore Géricault, Raft of the Medusa

ROMANTICISM
(1800-1870)

34
Q
A

Gustave Courbet, Burial at Ornans

REALISM
(1800-1870)

35
Q
A

Edouard Manet, Le Déjeuner sur l’Herbe

REALISM (1800-1870)

36
Q
A

Edouard Manet, Olympia

REALISM (1800-1870)

37
Q
A

Claude Monet, Rouen Cathedral: The Portal (In Sun)

IMPRESSIONISM (1870-1900)

38
Q
A

Gustave Caillebotte, Paris: A Rainy Day

Flaneur

Fleeting moment

Strong diagonals show influence from Japanese Prints

IMPRESSIONISM (1870-1900)

39
Q
A

Edgar Degas, The Tub

IMPRESSIONISM (1870-1900)

40
Q
A

Vincent Van Gogh, Night Café

POST-IMPRESSIONISM (1870-1900)

41
Q
A

Vincent Van Gogh, Starry Night

POST-IMPRESSIONISM (1870-1900)

42
Q
A

Paul Cézanne, Mont Sainte-Victoire

POST-IMPRESSIONISM (1870-1900)

43
Q
A

Paul Cézanne, Basket of Apples

POST-IMPRESSIONISM (1870-1900)

44
Q
A

Pablo Picasso, Les Demoiselles d’Avignon

CUBISM (1900-1920)

45
Q

Vanitas

A

Include references to death.

46
Q
A

Marcel Duchamp, Fountain

Art is the idea.

Readymade

DADA (1900-1920)

47
Q

Mannerism

A

While high renaissance was inspired by nature and people, Mannerism was observing art.

Idealized, artificial, slightly distorted

  1. Compressed space - no longer 3D
  2. Bodies that are frozen in artful yet impossible positions
  3. Affectation with sinners / Craziness
  4. Rejection of principles of high renaissance in terms of rationality

(1520-1600)

48
Q

Romanticism

A

Politically Charged - slavery, monarchy

Emotional

Meant to draw you into scene

Looked to advance the common good of the people. Rebellion against tradition and authority, esp. monarchy.

Liberty, justice, equality

(1800-1870)

49
Q

Haussmannization

A

Change from small, narow streets to wider boulevards, sewer systems, street lights, parks, transportation

50
Q
A

Salvador Dalí
The Persistence of Memory

SURREALISM (1920-1945)

51
Q
A

Meret Oppenheim

Object (Le Déjeuner en fourrure)

SURREALISM (1920-1945)

52
Q
A

René Magritte
The Treachery of Images

SURREALISM (1920-1945)

53
Q
A

Jackson Pollock
Number 1, 1950 or Lavender Mist

ABSTRACT EXPRESSIONISM (1945-1970)

54
Q
A

Willem de Kooning, Woman 1

ABSTRACT EXPRESSIONISM (1945-1970)

55
Q
A

Andy Warhol, Marilyn Diptych

POP ART (1945-1970)