Exam 1 Flashcards

1
Q

What is needed to produce & transmit a sound?

A

A source (oscillations) such as a tuning fork and a material medium to conduct the oscillations such as air.

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2
Q

Frequency

A

of cycles*/second. Unit is Hz

(1 cycle = 1 compression + 1 rarefaction)

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3
Q

What range of frequencies can humans hear?

A

20 - 20,000 Hz

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4
Q

Equation for frequency & period

A

“Indirect” relationship

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5
Q

Absolute vs. relative units for sound intensity, pressure & power

A
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6
Q

Why is the relative decibel scale used instead of absolute scales?

A
  • Absolute units deal with too large/small numbers
  • The dB scale is a log scale, so big numbers are squeezed into smaller units
    • Log 10 = 1; Log 100 = 2, Log 1000 = 3, Log 10000 = 4
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7
Q

Equation for dB (SPL)

A
  • Pref = 0.0002 dynes/sq.cms (Lowest absolute sound pressure normal hearing subjects can hear at 1000 Hz)
  • P = absolute sound pressure
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8
Q

Equation for dB (IL)

A
  • Iref=10-12 watts/Sq.mts (Lowest absolute sound intensity normal hearing subjects can hear at 1000 Hz
  • I= absolute sound intensity
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9
Q

Equation for wavelength

A

v = 340 m/s at 20º C

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10
Q

What is wavelength?

A
  • Refers to the distance a sound wave occupies during one cycle of oscillation
  • “Indirectly” related to frequency
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11
Q

In-phase vs. out-of-phase sounds & effect on amplitude

A
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12
Q

Pitch

A
  • Psychological attribute corresponding with frequency (Hz)
  • “Directly” related to frequency; higher freq. = higher pitch
  • Unit is mels
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13
Q

Loudness

A
  • Psychological attribute corresponding with sound intensity & pressure levels
  • “Directly” related to sound intensity & pressure levels; higher dB = higher loudness
  • Units are Sone & Phon
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14
Q

Pitch vs. Frequency Graph

A

We’re not that good at resolving frequency changes beyond 1500 Hz. Completely normal.

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15
Q

Equal loudness contour graph

A
  • Hearing system is not very sensitive to hearing the very lows & very highs (dB SPL levels).
  • For a sound at 100 Hz, you need a minimum of 40 dB SPL to hear it. At 30 Hz, you need almost 70 dB SPL to hear it. AT 1000 Hz, you only need 0 dB SPL.
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16
Q

Minimum Audibility Curve (MAC)

A
  • Dark line on graph
  • Shows that there’s more energy (dB SPL) needed to hear very low & high frequencies, and less needed for middle frequencies.
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17
Q

Threshold of feeling (on ELCG)

A

Top line: threshold of feeling/discomfort/pain. At this level, it doesn’t matter if it’s a very low/high frequency. We can still hear it.

18
Q

Best volume for listening to music

A

If you really want to appreciate changes in frequency, you should listen at 50-70 dB. Here, you can isolate different frequencies & pick up pitch & loudness variations.

19
Q

Best frequencies for hearing

A
  • Relatively less energy (less dB SPL) is required to for frequencies between 1000 to 4000 Hz (these are most sensitive frequencies for hearing)
  • More energy (more dB SPL) is required to hear very low frequencies below 500 Hz and above 4000 Hz
20
Q

Simple sounds

A
  • Have a single frequency of oscillation (ex: sounds from a tuning fork, pure tones from an audiometer)
  • Have Simple Harmonic motion (SHM)
21
Q

Complex sounds

A

Have multiple frequencies of oscillation (ex: human voice)

22
Q

Complex periodic sounds

A

Have fundamental frequency (lowest pitch, maximum amplitude) and all additional frequencies are harmonically related to FO

(music, voiced speech sounds)

23
Q

Complex aperiodic sounds

A
  • No FO
  • All additional freq. are not harmonically related to the FO
  • Cannot assign a pitch
  • Ex: voiceless speech sounds, white noise
24
Q

Transient vs. continuous complex aperiodic sounds

A
  • Transient: finger snap
  • Continuous: waterfall
25
What does an audiometer do?
Generates pure tones
26
Spectral Analyzer
* Electronic device that performs a fourier analysis. * Gives you a graph with amplitude on the Y axis and frequency on the X axis.
27
How do we generate periodic & aperiodic speech sounds?
* Air from lungs is source. * If vocal folds are engaged, we produce a complex periodic signal. * Vocal tract: VFs to lips (pharyngeal cavity, tongue, oral cavity, lips). * All voiceless consonants we produce are aperiodic. Vowels & voiced consonants are periodic.
28
How are speech sounds modified beyond the vocal folds?
* A: Spectral analysis of the glottal pulse coming from the vocal folds. There is an Fo (right around 100 Hz, which would be avg. for male adult speaker). * B: When sound passes through the vocal tract, it changes what comes out of it. Length of straightened vocal tract in avg. adult is 17cm. Resonating frequencies R 1-3 (peaks): frequency point w/ maximal amplitude. * C: Output: interaction of glottal pulse + resonating frequencies of vocal tract. A + B = C. Energy levels close to resonating frequencies are enhanced & vice versa. Peaks are **formant frequencies**. All of the vowels that we produce sound different because the formant frequencies significantly change when the position of the tongue/lips changes.
29
Central suditory system structures
* Brainstem Auditory Nuclei * Auditory Cortex of the Temporal Lobe
30
Peripheral auditory system structures
* Outer, Middle and Inner Ear * Auditory Nerve
31
Peripheral auditory system functions
* Outer & middle ear collect & conduct sound energy * Cochlea in inner ear analyzes frequency & intensity (Fourier analysis) * Auditory nerve transmits electrical energy/spikes to the brain
32
Central auditory system functions
* Receive & Transmit Electrical Signals * Responsible for: * Localization * Middle Ear Muscle Reflex Function * Improved Speech Discrimination in Noise * Auditory Memory
33
Temporal bone: petrous portion
* at base of skull * houses essential organs of: * hearing (cochlea & cochlear branch of 8th nerve) * equilibrium (semicircular canals, vestibule, & vestibular branch of 8th nerve) * houses internal auditory meatus, where 8th nerve exits
34
Temporal bone: mastoid portion
Posterior portion. You can feel the mastoid process. Contains mastoid air cells.
35
Temporal bone: squamous portion
Forms part of cranium. Contains EAM.
36
Temporal bone: tympanic portion
Forms base of ear canal.
37
Pinna/Auricle
* Works as an antennae * Collects and transmits sounds to the External Auditory Meatus * Helix: outermost rim * Antihelix: innermost rim * Tiny space at the top: triangular fossa * Concha: deep cavity * Tragus: little bump * Lobule: lobe; no functional benefit in terms of amplification
38
Concha Effect
* Open concha area improves hearing for high frequency sounds (3-6000 Hz) * 5000 Hz sound improved by 12 dB SPL on average * Referred to as the resonance frequency related to the concha effect
39
External Auditory Meatus/Canal Structures
* Length = 24 mm/2.4 cms (Adults) * Anterior 1/3= Cartilaginous (Wax producing glands and Hair follicles located in this region) * Posterior 2/3 = Bony
40
External Auditory Meatus/Canal Functions
* Protective (Wax and shape of the EAM) * Conductive (Transmit to the Middle Ear) * EAM acts like tube open at one end and closed at the other end * Provides Improved Hearing at 3 kHz (Referred to as the Resonance Frequency of the EAM). About **15 dB SPL at 3 kHz**